Former actress and singer Rupi Dhillon recently made a welcome return after an 18-year sabbatical with new song Love Struck.
The Midlands-based owner of the popular Rupi’s Hair & Skin Care Centre reconnected with her first love of music, after raising her family and making a name as a successful businesswoman. She teamed up with successful music producer Charanjit Ahuja and acclaimed lyricist Ranbir Singh on a song that commences an interesting new journey for her.
Eastern Eye took a deep dive into the multi-talented singer’s personal playlist to find 10 tracks she loves.
Aj Di Dihadi Rakh Doli Na Maa by Surinder Kaur: This is a very emotional song about a daughter and her parents, during the doli ceremony, which is very close to my heart, and is prominent in our culture and traditions. It is a great track filled with feeling.
Ene Zor Di Marori Meri Baan by Narinder Biba and Mohammed Rafi:
This melodious song, with very graceful lyrics, is from the classic Punjabi film Teri Meri Ik Jindri. The duet remains timeless and brilliant even now.
Mirza by Gurmeet Bawa: This is another golden oldie, which is sung by an
absolute legend in her very powerful voice. The timeless track still has the same impact and emotion.
Tera Yaar Bolda by Surjit Bindrakhia: Most fans of Punjabi music will know this track. This is a fully entertaining song with a traditional bhangra beat from the 1990s. I don’t think there is a party where this song is not played, even now.
295 by Sidhu Moose Wala: This song means different things to different people. I hope that people listen to this one carefully, as there is so much truth in these lyrics, from a talent taken away too soon.
Keep Moving by DesiFrenzy FT. Jaz Dhami: This is different to all the rest. My day starts with this song because it reminds me to be grateful and thankful. And no matter what comes my way, I can face it and keep moving forward.
Dhee Punjab Di by Rupi Dhillon: This song, which is sung by me, gives me courage and power to face anything because I am a daughter of Punjab.
SYL by Sidhu Moose Wala: This is a very informative song, which talks about the current issues people are facing in Punjab right now. It’s been a long time since somebody wrote something that is so relevant and meaningful.
Jattz In The Hood by DesiFrenzy and Jazzy B: This reminds me of the good old days. It’s a modern song but with that old school vibe. DesiFrenzy has really made a masterpiece and who better to sing than the prince of Punjab, Jazzy B.
Love Struck by Rupi Dhillon: This song combines three different generations. Charanjit Ahujaji’s music reflects the nostalgic era of romantic songs, while Ranbir Singh has written this to be relevant nowadays. I hope I have done justice to it by giving it a powerful voice while maintaining the melody.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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