RISING music star Kzr has been surrounded by music his whole life and grew up in the East London grime scene. He had diverse musical inspirations growing up and used his natural ability to create a unique style, which was apparent in his song Come To Me. With more music, big collaborations and live performances on the way, Kzr is one to watch and was happy to select 10 songs he loves.
‘Incredible’ Jungle Is Massive by General Levy: I grew up playing this song back to back – my older brothers were into drum ‘n’ bass, and this is one of my all time favourites. I always tried imitating this song. Even now if the song comes on, the place lights up.
Oi by More Fire Crew: This takes me to my school days, with everyone singing it and dancing in class. I knew Fumin, so he told me to listen to it before it became mainstream. I love this song to this day.
21 Seconds by So Solid Crew: This song triggered me to start writing my own lyrics, so it’s significant to me. Grime was in its early days and this was one of the first tracks to hit the mainstream. I memorised every word to be better than everyone.
Boom Shack-A-Lack by Apache Indian: I related to Apache a lot, coming from similar backgrounds. This song was the reason I started dancing seriously and for my school performance, made my own dance moves on it.
Aja Mahi by RDB: When I saw RDB, Metz and Trix blowing up, I saw the door open up for Asian artists. This is one of the songs that made me believe I could make it one day.
Angel Eyes by Raghav: Performers like him were committed to going to every mela, which committed us. This song always stuck with me. My family used to ask me, who is this person with angel eyes?
Ride It by Jay Sean: Jay Sean was a big influence to my ‘burban’ roots. He resonated with me in a genre I’m singing in today. Everyone was rapping and Jay Sean came with a bang as an Asian artist who normalised singing instead. I wrote my own lyrics to Ride It, and it was the first song I sang, so it really helped shape my style.
7 Days by Craig David: This song brought r’n’b and soul to my flow. It made me realise how rapping and singing could go together and be on another level. The remix version made this morning radio beat into a raving until the morning beat. Craig David showed me a rapper can go into singing. His songs really clicked with me.
Dilemma by Nelly Ft Kelly Rowland: I think they should’ve turned this into a movie. Can you believe back then Nelly was having a texting relationship with Kelly through Microsoft Excel? All when I was trying to get my mum off the home phone, so I could use the dial up internet to download songs Dil Nai Lagda by Aman Hayer: The first song that caught my attention from the traditional Indian style sound my sisters used to listen to. I loved the bass and beat. Before this, I didn’t think they’d produce a song that became so popular.
Hit Em Up by 2 Pac: I want to finish off by saying Tupac taught me to speak my truth. I would think deeply about his lyrics and meaning behind them. It made me realise that I need to think about my lyrics and where they came from.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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