A GREAT year has seen Pratibha Singh Baghel deliver delightful albums Ghazals & Thumris From The Musical Heart of Budapest and the recent release Lafz Bheege Hain.
Both ghazal-inspired albums from the Sufiscore record label have shown the acclaimed singer’s immense versatility and ability to inject heartfelt emotion into beautifully written songs.
Eastern Eye got the wonderfully talented vocalist to select 10 songs she loves.
Hamari Atariya by Pratibha Singh Baghel & Deepak Pandit: This song has always been in my favourite list because it’s the perfect blend of great music and lyrics, filled with nakhra (attitude) and plenty of naughtiness.
Mujhse Pehli Si Mohabbat byNoor Jehan & Rashid Attre: There are very intense emotions in this track. I always wait for the lines “teri aankhon ke siva duniyan me rakha kya hai’ (what is there in this world, apart from your eyes).
Wo Jo Humme Tumme Qarar by Begum Akhtar: I have been a great admirer of Begum Akhtar ji’s renditions. This superb song conveys an unsaid confrontation about the feelings shared between two individuals.
Gulon Mein Rang Bhare by Mehdi Hasan: I was introduced to ghazal singing through Mehdi Hasan Sahab’s ghazals and this top track was one of the first ghazals that I heard in my childhood. It still remains special.
Lag Jaa Gale by Lata Mangeshkar: This is perhaps the most heard song universally. But I look at it differently and really admire the way Lata Mangeshkar ji has emoted. This classic film song is a perfect example of every fine detail of the composition, singing, emoting and poetry rendition coming together.
Lafz Bheege Hain by Pratibha Singh Baghel & Paras Nath: This song is so very dear to me as it’s an original ghazal album of mine where I got to express the deepest emotions of Sahir Ludhianvi and Amrita Pritam’s unrequited love story. This is written by Ajay Sahaab, composed by Rajesh Singh and music produced by Paras Nath.
Bole Naina by Pratibha Singh Baghel & Deepak Pandit: My first original album with Sufiscore was Bole Naina and included the title track. The album featured stalwarts like Gulzar Sahab, Ustad Zakir Hussain and the composer/producer of the album Deepak Pandit ji. This song and album received a lot of appreciation.
Hum Rahein Ya Na Rahein by Salim-Sulaiman & Pratibha Singh Baghel: I was lucky enough to sing this track produced by Salim-Sulaiman and written by Irfan Siddiqui for the theatre musical Umrao Jaan Ada. This track is so loved by my audience that I often get requests to sing it in my concerts.
Piya Padh Lena by Pratibha Singh Baghel & Tapas Relia: This song has a vintage touch to it. I love singing this style. It’s from the film Goldfish and composed by Tapas Relia, with lyrics by Kausar Munir. Also, it’s the first film for which Sufiscore did the music.
Justuju Jiski Thi by Asha Bhosle: This song from classic film Umrao Jaan, was sung so beautifully by Asha Bhosle ji and performed on screen by my all-time favourite actress Rekha. It was the perfect combination of wonderful voice and inspiring emotion onscreen.
Lafz Bheege Hain by Pratibha Singh Baghel is available on Sufiscore
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.