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Lost: Yami Gautam wraps up the shooting of Aniruddha Roy Chowdhury’s directorial

Lost: Yami Gautam wraps up the shooting of Aniruddha Roy Chowdhury’s directorial

Yami Gautam has some interesting projects lined up and one of them is Aniruddha Roy Chowdhury’s Lost. Last month, the actress started shooting for the film in Kolkata, India, and on Wednesday (25), she wrapped up the shoot.

The actress took to Twitter to inform her fans about it. She tweeted, “It's a wrap to a beautiful journey with #Lost. Still Lost in the moment when this incredible tale began. Feels like yesterday! @aniruddhatony #PankajKapur @R_Khanna @neilbhoopalam @PiaBajpai @tusharpandeyx @ZeeStudios_.”


Produced by Zee Studios and Namah Pictures, Lost also stars Pankaj Kapur, Rahul Khanna, Neil Bhoopalam, Pia Bajpiee, and Tushar Pandey.

Aniruddha Roy Chowdhury has directed many Bengali films and made his Bollywood directorial debut with the 2016 release PINK which starred Amitabh Bachchan and Taapsee Pannu in the lead roles.

Meanwhile, apart from Lost, Yami will be seen in movies like Bhoot Police, Dasvi, and A Thursday. Bhoot Police, which also stars Saif Ali Khan, Arjun Kapoor, and Jacqueline Fernandez, is slated to release on Disney+ Hotstar on 17th September 2021.

There were reports that Yami will be seen in Oh My God 2 alongside Pankaj Tripathi and Akshay Kumar. But, the movie is not yet officially announced.

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5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

Instagram/Netflix

5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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