After receiving oodles of adulation and appreciation for her guest appearance in Akarsh Khurana’s Karwaan (2018), actress Kriti Kharbanda is currently seen in her new comic-caper Yamla Pagla Deewana: Phir Se, co-starring Dharmendra, Sunny Deol and Bobby Deol. The YMD franchise basically belongs to the Deols, but the young actress is confident to make audiences laugh with her performance in the latest instalment of the series. Before the release of the movie, Eastern Eye correspondent, Mohnish Singh, caught up with the actress in Mumbai and tried to know more about the movie, her character and how was it to work with the Deol family.
How was it working on Yamla Pagla Deewana: Phir Se?
I was very excited when they first offered me the film. When it was very close to the start of the shooting, I was very clear about one thing that as an actor I have the right to know what is going to happen to me in the film as a character. So, they said that they want to do a look test and I agreed to it and provided whatever was needed, and when you are confident enough that I could be a part of the film, I would like to have the same confidence and would appreciate if you could provide me with a script, I want to read it. It’s not like if there were only dance sequence I wouldn’t have done it. I would be very interested, but as an actor, I have every right to know what I am going to be a part of.
Can you tell us about your character that you are playing?
I play Chikoo Patel. She is a Gujarati girl and extremely ambitious. She is like a coconut, hard on the outside, soft on the inside. She is an ENT specialist and is in the final year of her studies. She meets Sunny sir because he is an Ayurvedic doctor and wants some sort of knowledge from him and that’s how my journey as Chikoo in the film starts with all three of them.
How did you come to the decision to work on the film?
I have to give credits not just to the Deols but also the director and the producer when they didn’t question me once when they provided me with the script. Their only stipulation was to give my decision within 24 hours as they were short of time. I sat overnight, I read through the script, I finished the script and the rest of the time I was contemplating what I should do? Then I chastised myself saying that you know you want to do it then just say yes. So, that’s how it happened for me. Though I wanted to make sure that they are confident that they want me in the film and only after that I will look into creatives and figure out how I want to go about it.
Who approached you for the film?
Kuldeep Rathore, who is the producer of the film. He approached my agency for the movie and that’s how it came to me.
How was the experience on the sets of Yamla Pagla Deewana: Phir Se?
It was a picnic for everybody else except for me, because it seemed like everyone had free time except me. The thing is that they would shoot from 8:00 to 2:00 with Dharmendra sir in the morning, 2:00 to 8:00 with Sunny Deol in the afternoon, and 8:00 to 2:00 again with Bobby Deol in the night and I was there in all three schedules of the day. I had breakfast, lunch and dinner with all of them. Also, on the set, there wasn’t a culture to sit in the van so nobody did, especially Bobby sir. He never goes in the van.
How was it working with the team?
One thing I have to admit that the producers never made a difference. For me to be treated the same way as Sunny sir or Dharam sir on the set was a very big deal. They never made that differentiation. Not just with me but with everybody, the food that was coming was the same for all. If the food is coming from home, then it’s for all. Once there was a huge vessel of milk on the set for all. I was treated with equal respect, touch wood they were a dream team to work with.
How was the experience of sharing the screen with a star like Dharmendra?
So cool, I mean that man’s energy. I sometimes think if I would even make it till 80 years old, and he is here alive and kicking and how. He has this passion, not just to shoot the film but to promote it. Being around him, he brushed off some of his energy to me. You know you look at him and you don’t want to complain. When you see him dancing in “Rafta Rafta Medley”, those expressions he has, I mean I know there is Salman Khan in front of him but you cannot take your eyes off Dharam sir and I think even Salman sir would agree to that.
Was there anything you learned from Dharmendra?
I think the one thing I have learned from him is that there were times when he had to give me a cue and he would still perform. He doesn’t need to, yet he would do it and he is 82 years old.
Did you ever feel intimidated thinking of sharing the screen with the three Deols?
No, I didn’t think that way. I am intimidated by their personalities, but I am not intimidated by them as actors. As an actor, if I don’t know how to hold my own ground, I will never survive here, I will never be successful. The whole idea is that it’s the people who make you comfortable or uncomfortable. They never tried to intimidate me. Like, whenever Sunny sir leaves, he keeps his hand on my head and he says bye, that’s the way it has been. We hardly shake hands or hugs; he always just keeps his hand on my head, so how do you feel intimidated by that? How can you feel overshadowed by them?
Do you think the constant conversation about equality and gender neutrality is actually making a difference?
See, if constant conversations were to help, all of our rape culture and demeaning of women in India would have gone down a lot more. Only constant talking about it does not help, we don’t realize one thing. When we teach our girls what a right touch is, we are helping her, but the second you do that with a boy and you tell him what is right and wrong, you are helping yourself, you are helping your daughter, you are helping his to-be girlfriends, his wife, you are helping his daughter. We don’t realize educating boys helps keeping a vast amount of girls’ life safe. By educating a girl, we only save her life.
You are working with Bobby Deol in another franchise Housefull, was it easier to work with him on the second project?
The second project became easier because Bobby was there. The thing is that I have become the queen of sequels, Raaz Reboot (2016) was a sequel, Guest Iin London (2017) was a sequel, Yamla Pagla Deewana: Phir Se is a sequel and Housefull 4 is a sequel. I am very used to doing this but it’s great that he is on set because, for the first couple of days, I thought I would be really lost there. It was the first time I was meeting a lot of people on the set. I think we saw each other, Bobby and I, and we saw cupcakes (laughs). But he is great to work with, and I am actually looking forward to my next schedule.
What’s next?
I am not the kind of person who thinks about tomorrow, unfortunately. I try really hard to plan for the future but unfortunately, I have never gone further with it. I strategize my moves in the current day but I don’t strategize thinking what will happen tomorrow? What if I don’t wake up tomorrow? You don’t know so why ruin your today thinking about what will happen tomorrow?
Ed Sheeran’s latest single, Sapphire, is out now, and it marks a new chapter in his musical journey. With the Indian rhythms, rich storytelling, and unexpected star power, Sapphire is a big cross-cultural leap for the British singer-songwriter.
A musical journey through India with Arijit and SRK in the spotlight
Bringing together the soulful voice of Arijit Singh, choreography by Bollywood icon Farah Khan, and a surprise appearance by Shah Rukh Khan, the song celebrates global connection. Recorded during Sheeran’s visit to India earlier this year, Sapphire captures the spirit of collaboration and joy. From a sitar-laced melody to Arijit's vocals, the track has the feel of a summer anthem rooted in shared sounds and stories.
Shah Rukh Khan makes a special appearance in the Sapphire music video
The music video, directed by Liam Pethick, traces Sheeran’s journey across India, starting on a rooftop at sunrise and winding through beaches, bustling markets, and backlot film sets. There is even a stop at A.R. Rahman’s music school, where he jams with young musicians. One standout moment was a studio session with Arijit and a bike ride around his hometown.
In his own words, Ed says, " Sapphire was the first track that really gave me direction for the album. I finished it in Goa with some amazing Indian musicians. Getting Arijit on board was the missing puzzle piece. We even recorded a Punjabi version that drops soon; it’s one of my favourites on the record."
Ed Sheeran and Arijit Singh in India
New album Play coming this September and live shows sell out instantly
Sapphire is part of Sheeran’s upcoming album Play, releasing on 12 September 2025. After closing the Mathematics era, this album sees him experimenting with sounds from India and Iran.
In other exciting news, Sheeran’s homecoming gigs in Ipswich, his first UK headline shows since 2023, sold out immediately. Taking place at Portman Road Stadium in July, the three-night run will feature guests like Tori Kelly, James Blunt, and Busted. A portion of ticket sales will go to The Live Trust, a new fund aimed at supporting grassroots music professionals.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
Badshah reacts to backlash over controversial Dua Lipa comment
Rapper Badshah found himself in hot water after a social media post about global pop sensation Dua Lipa. What started as a simple tweet, her name with a heart emoji, quickly spiralled into chaos when a fan asked if they were collaborating. Badshah's response? "I'd rather make babies with her bro."
Badshah's viral response to the comment under his tweet Twitter Screengrab
The backlash was instant. Critics called the remark objectifying and disrespectful, forcing Badshah to clarify. Trying to douse the fire, he later posted, "I think one of the most beautiful compliments you can give a woman you really admire is to wish for her to mother your children. Meri soch nahi, tumhari soch saamne aayi hai." But the clarification didn't sit well with many, who criticised him for doubling down rather than acknowledging the issue. "Since when did that qualify as a compliment?" one user wrote, while others called it tone-deaf and entitled.
— (@)
Honey Singh joins the fray with a sarcastic jab
As the debate raged on, Badshah's longtime rival, Honey Singh, couldn't resist chiming in. Reacting to the rapper's explanation on Instagram, Singh dropped a sarcastic "Genius 😂👏👏," clearly mocking the justification. Fans caught the dig immediately, with some laughing at the not-so-subtle jab between the two, who've had a rocky relationship for years.
Badshah had previously expressed a desire to end their feud, but Singh's latest comment suggests the tension isn't fading anytime soon. Meanwhile, the rapper continues to make headlines, whether for his dramatic weight loss, rumoured romance with Tara Sutaria, or this latest controversy. One thing's clear: Badshah knows how to stay in the spotlight, but not always for the right reasons.
Keep ReadingShow less
Anurag Kashyap reacts sharply to Ted Sarandos’ remarks on Sacred Games
Anurag Kashyap is known for being outspoken, and this weekend he made headlines again, this time taking aim at Netflix’s top boss Ted Sarandos. The filmmaker lashed out after Sarandos questioned the streaming platform’s early approach in India, particularly their decision to kick things off with Kashyap’s gritty crime drama Sacred Games in 2018.
During an interview on Nikhil Kamath’s podcast People by WTF, Sarandos said he may have chosen a more “populist” route if he could go back, admitting the series was perhaps too novel for the Indian market at the time. The comments didn’t sit well with Kashyap, who fired back on social media, calling Sarandos “the definition of dumb” and sarcastically suggesting the platform should’ve launched with traditional “saas-bahu” content instead.
Kashyap takes aim at Netflix’s shift to mass-market content
Kashyap’s reference wasn’t just casual; it came at a time when Netflix India has partnered with Balaji Telefilms, led by Ektaa Kapoor, best known for her highly successful daily soaps like Kyunki Saas Bhi Kabhi Bahu Thi. The filmmaker’s post read: “He should have started with Saas Bahu… he would have done well. Which he is doing now. I always knew tech guys are dumb when it comes to storytelling, but @tedsarandos is the definition of dumb is what I didn’t know.”
The post sparked debate online, with even singer-actor Lisa Mishra chiming in to support Kashyap, saying that everything on OTT today is “derivative… specifically of Sacred Games.”
Kapoor, without naming Kashyap, responded via Instagram by accusing unnamed artists of being classist. She defended soap operas, claiming they gave a voice to Indian women and were even studied by international researchers. Her post ended with a call for inclusivity and “graciousness.”
Ekta Kapoor's story Instagram screengrab/ektakapoor
A clash of content ideologies in India’s OTT landscape
Sacred Games, co-directed by Kashyap and Vikramaditya Motwane and starring Saif Ali Khan and Nawazuddin Siddiqui, was a landmark moment for Indian streaming content. Though it didn’t continue past two seasons, it opened doors for darker, more experimental storytelling in Indian OTT.
Sarandos’ comments appear to suggest that while Sacred Games earned critical acclaim, it may not have been the right commercial launchpad for Netflix in India. Kashyap, however, sees the platform’s current pivot toward formula-driven programming as a step backward.
Ted Sarandos talks about Sacred Games for Netflix IndiaGetty Images
This very public disagreement brings to light a bigger conversation in the entertainment industry, between art that challenges and content that simply sells.
Keep ReadingShow less
Fans react as Billie and Nat’s long-rumoured romance takes centre stage
Billie Eilish appears to have confirmed her latest romance in the most cinematic way possible, with a champagne-fuelled kiss on a sunny balcony in Venice. The singer was spotted with actor and musician Nat Wolff, and the intimate moment has fans convinced that the long-rumoured pair are now officially a couple.
In photos circulating online, the Chihiro singer and Wolff are seen locking lips while casually dressed in matching grey T-shirts, enjoying champagne and sunshine in one of the world’s most romantic cities.
— (@)
A long-rumoured connection comes into focus
While this is the first clear public display from the duo, Eilish and Wolff’s bond goes back a while. They worked together on her music video Chihiro, which she directed. Around the same time, Nat and his brother Alex opened for her during the North American leg of her Hit Me Hard and Soft tour in 2024.
Fans first started speculating about their closeness earlier this year when the two were seen leaving the iHeart Music Awards together and later on a night out in New York City. Although both had previously described their friendship as platonic, there seemed to be more under the surface.
Fans react as Billie and Nat’s long-rumoured romance takes centre stageGetty Images
In past interviews, Wolff described their connection as one of shared understanding, particularly around living with Tourette syndrome, a condition both have spoken about. “It’s rare to find people you don’t have to explain yourself to,” Wolff once shared, adding that he and Eilish could just “be” around each other.
Keeping it private until now
Eilish has openly said she regrets how much she’s shared about her personal life in the past. In an interview, she stated she wanted to keep her dating life and sexuality out of the spotlight going forward.
A kiss in Italy sparks fresh buzz around Billie Eilish’s love lifeGetty Images
“I wish no one knew anything about my dating life,” she said. “And I’m never talking about who I’m dating ever again.”
Still, their recent public outing in Venice may signal a quiet shift in that. Whether or not they’ll speak out, the photos seem to say plenty.
Keep ReadingShow less
The cast of Maybe Happy Ending celebrates their big night at the Tony Awards
South Korea just scored a historic milestone at the Tony Awards, with the musical Maybe Happy Ending bagging six trophies, including Best Musical and Best Lead Actor. The show, centred on two ageing helper robots living on the edge of Seoul, left the awards night buzzing. Korean entertainment, long a force in film, television, and music, is now making serious inroads into Western theatre too.
From Seoul to Broadway: A story born in two languages
Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.
Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.
While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.
A cultural shift, decades in the making
With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.
The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.
As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.