Kartik Aaryan has been working in Bollywood since 2013. He debuted on celluloid with Pyaar Ka Punchnama (2013), but the turning point of his career was the role of Sonu in Sonu Ke Titu Ki Sweety (2018), which catapulted him to overnight stardom. He followed SKTKS with yet another box-office success Luka Chuppi (2019) which further cemented his position in the industry.
The talented actor, known for his relatable presence, charming looks and great comic-timing, will shortly be seen in Pati Patni Aur Woh, an official remake of the 1978 hit Hindi of the same name. Besides Kartik, the much-awaited film also features Bhumi Pednekar and Ananya Panday in pivotal roles.
As Kartik Aaryan gears up for the theatrical release of Pati Patni Aur Woh on 6th December, Eastern Eye catches up with him in Mumbai for a freewheeling chat. In this fun interview, the actor talks about his role in the movie, how it is different from the characters that he has essayed before onscreen and, of course, his forthcoming projects lined-up for release in 2020. Excerpts…
Tell us something about your character in Pati Patni Aur Woh and how it is going to be different than your previous roles?
I think people are going to relate a lot to the character of Chintu Tyagi that I play in Pati Patni Aur Woh. Some people have already started relating to it. A lot of hard work went into etching out this character, and we made sure that it does not go on some different tangent, you know.
Also, I had to work on the dialect to perfect the part. Physical appearance was another thing I had to work on, because I had never looked and been like Chintu in my real life. I also sported moustache. My character works in a PWD office, so I had to gain a little bit of weight as well, because he slips into monotony after a point in his life. He starts living a life where he does not care about himself at all. He does his 9AM to 5PM job, reaches home and just sleeps. So, that is Chintu Tyagi for you. I wore very simple clothes and sported unkept hair in the film. It turned out to be a very different look as you can see. People even made memes after the trailer came out.
How did you react to the script when the makers approached you?
Juno Chopra, who is the creative producer of the film, brought this script to me. After meeting him, I met Mudassar Aziz, the director of the film. Pati Patni Aur Woh is the remake of B.R Chopra’s film of the same name. When Juno came to meet me and narrated the script, I got very excited. It’s an interesting subject. Even the title is so catchy that you would want to watch the film.
Bollywood has been making love-triangles for a long time now. What makes Pati Patni Aur Woh special is the fact that it is told in a very comical way. I think Pati Patni Aur Woh is a very commercial film in that sense. The modern take on relationships that this film is something that I am sure you would have never seen before. I am sure people will talk about it after the release of the film. It is also a very progressive film in a way. It has a very strong message. Besides the lead characters, there are several other important characters that are involved in it.
So, I was very excited when this film came to me, simply because all the characters had been written so beautifully. Since the film is based in Kanpur, all the characters are very UP-centric which everyone can understand. After Luka Chuppi, I was not sure of doing a small-town centric film immediately. But the script of Pati Patni Aur Woh was so strong that I could not let go off it. I jumped on it.
Did you see the original film before giving a nod to the remake?
No, I did not see the original film. Sanjeev Kumar is a legendary actor who starred in the original film. The remake is a very modern, new film based on a completely new script. I did not watch the original film because I did not want to get influenced by it. I did not want that film to affect my process of approaching this character. So, if you see my look in the film, it is completely new, something that people may have not expected from me. It was a conscious decision to not watch that film.
With the trailer of the film receiving stupendous response, do you think that half of the battle is already won?
The trailer of the film has indeed garnered great response. After watching the trailer, a lot of people are saying that the picture is blockbuster or an already hit. It’s true that we have been receiving great response, but we don’t want to be over-confident. Having said that, it always feels great when you get positive response from the audience. Everybody is saying that they are planning to watch the film in theatres.
Not just the trailer, all the songs which have been dropped so far have received excellent response from the audience. ‘Dheere-Dheere’ has already become a hit. ‘Akhiyon Se Goli Maare’ is also doing well. ‘Dilbara’ has received some different kind of response. The response has empowered us in a way that we are now promoting the film even more.
Are you happy that people have now started looking beyond the Pyaar Ka Punchnama guy?
I feel I am in a very good space right now, and I want to continue this phase. Earlier, I did not have many choices. I used to audition for films, and if I get any, I would try to give my hundred percent. Sonu Ke Titu Ki Sweety (2018), which released last year and went on to do a business of over Rs. 100 crores domestically and around Rs. 150 globally, was a turning point of my career. The success of the film made producers show their belief in me as an actor.
But even after Sonu Ke Titu Ki Sweety, I did not get as many offers as I received after Luka Chuppi which released earlier this year. Luka Chuppi was also a box-office hit which made approximately Rs. 100 crores worldwide. Now people are reacting positively to Pati Patni Aur Woh’s trailer and saying that this also looks a very commercial film.
So, earlier, I did not have many options, but now I have. After Pati Patni Aur Woh, I am doing an Imtiaz Ali film which is an intense romantic story. That is again a very different film for me. You will be surprised. Then I have Bhool Bhulaiyaa 2 with Anees Bazmee sir, which is an out-and-out massy film. I don’t want to reveal anything about that character at the moment. What all I can say now is that it will be again a very, very different character for me, but with a relatability factor. Whenever I choose a role, I make sure it has relatability factor and people can relate to it.
Take us through your projects lined-up in 2020. It is going to be an important year in your career.
As I mentioned earlier also, you will see me next in Imtiaz Ali sir’s film. He is one of my favourite directors and working with him changed my entire thought process. He changed me as an actor. He changed the process how I look at a character now. That film is releasing on 14th February, on Valentine’s Day. It is a character that I am really looking forward to. I have finished shooting for the film, but I do not know what all is going to be there in it. I have not seen it yet. But I had a blast shooting for it.
After that, I have Bhool Bhulaiyaa 2, which is going to be a massy film. From head to toe, I am going to be massy in it. My character is a desi ghost-buster that you will see in the movie. After Bhool Bhulaiyaa 2 will come Dostana 2. Dostana 2 will push the envelop further. It is something that my audience will ever expect me to do. It is a very unconventional film, yet something which I really feel is the need of the hour. It is that kind of a film.
Ed Sheeran’s latest single, Sapphire, is out now, and it marks a new chapter in his musical journey. With the Indian rhythms, rich storytelling, and unexpected star power, Sapphire is a big cross-cultural leap for the British singer-songwriter.
A musical journey through India with Arijit and SRK in the spotlight
Bringing together the soulful voice of Arijit Singh, choreography by Bollywood icon Farah Khan, and a surprise appearance by Shah Rukh Khan, the song celebrates global connection. Recorded during Sheeran’s visit to India earlier this year, Sapphire captures the spirit of collaboration and joy. From a sitar-laced melody to Arijit's vocals, the track has the feel of a summer anthem rooted in shared sounds and stories.
Shah Rukh Khan makes a special appearance in the Sapphire music video
The music video, directed by Liam Pethick, traces Sheeran’s journey across India, starting on a rooftop at sunrise and winding through beaches, bustling markets, and backlot film sets. There is even a stop at A.R. Rahman’s music school, where he jams with young musicians. One standout moment was a studio session with Arijit and a bike ride around his hometown.
In his own words, Ed says, " Sapphire was the first track that really gave me direction for the album. I finished it in Goa with some amazing Indian musicians. Getting Arijit on board was the missing puzzle piece. We even recorded a Punjabi version that drops soon; it’s one of my favourites on the record."
Ed Sheeran and Arijit Singh in India
New album Play coming this September and live shows sell out instantly
Sapphire is part of Sheeran’s upcoming album Play, releasing on 12 September 2025. After closing the Mathematics era, this album sees him experimenting with sounds from India and Iran.
In other exciting news, Sheeran’s homecoming gigs in Ipswich, his first UK headline shows since 2023, sold out immediately. Taking place at Portman Road Stadium in July, the three-night run will feature guests like Tori Kelly, James Blunt, and Busted. A portion of ticket sales will go to The Live Trust, a new fund aimed at supporting grassroots music professionals.
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Badshah reacts to backlash over controversial Dua Lipa comment
Rapper Badshah found himself in hot water after a social media post about global pop sensation Dua Lipa. What started as a simple tweet, her name with a heart emoji, quickly spiralled into chaos when a fan asked if they were collaborating. Badshah's response? "I'd rather make babies with her bro."
Badshah's viral response to the comment under his tweet Twitter Screengrab
The backlash was instant. Critics called the remark objectifying and disrespectful, forcing Badshah to clarify. Trying to douse the fire, he later posted, "I think one of the most beautiful compliments you can give a woman you really admire is to wish for her to mother your children. Meri soch nahi, tumhari soch saamne aayi hai." But the clarification didn't sit well with many, who criticised him for doubling down rather than acknowledging the issue. "Since when did that qualify as a compliment?" one user wrote, while others called it tone-deaf and entitled.
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Honey Singh joins the fray with a sarcastic jab
As the debate raged on, Badshah's longtime rival, Honey Singh, couldn't resist chiming in. Reacting to the rapper's explanation on Instagram, Singh dropped a sarcastic "Genius 😂👏👏," clearly mocking the justification. Fans caught the dig immediately, with some laughing at the not-so-subtle jab between the two, who've had a rocky relationship for years.
Badshah had previously expressed a desire to end their feud, but Singh's latest comment suggests the tension isn't fading anytime soon. Meanwhile, the rapper continues to make headlines, whether for his dramatic weight loss, rumoured romance with Tara Sutaria, or this latest controversy. One thing's clear: Badshah knows how to stay in the spotlight, but not always for the right reasons.
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During an interview on Nikhil Kamath’s podcast People by WTF, Sarandos said he may have chosen a more “populist” route if he could go back, admitting the series was perhaps too novel for the Indian market at the time. The comments didn’t sit well with Kashyap, who fired back on social media, calling Sarandos “the definition of dumb” and sarcastically suggesting the platform should’ve launched with traditional “saas-bahu” content instead.
Kashyap takes aim at Netflix’s shift to mass-market content
Kashyap’s reference wasn’t just casual; it came at a time when Netflix India has partnered with Balaji Telefilms, led by Ektaa Kapoor, best known for her highly successful daily soaps like Kyunki Saas Bhi Kabhi Bahu Thi. The filmmaker’s post read: “He should have started with Saas Bahu… he would have done well. Which he is doing now. I always knew tech guys are dumb when it comes to storytelling, but @tedsarandos is the definition of dumb is what I didn’t know.”
The post sparked debate online, with even singer-actor Lisa Mishra chiming in to support Kashyap, saying that everything on OTT today is “derivative… specifically of Sacred Games.”
Kapoor, without naming Kashyap, responded via Instagram by accusing unnamed artists of being classist. She defended soap operas, claiming they gave a voice to Indian women and were even studied by international researchers. Her post ended with a call for inclusivity and “graciousness.”
Ekta Kapoor's story Instagram screengrab/ektakapoor
A clash of content ideologies in India’s OTT landscape
Sacred Games, co-directed by Kashyap and Vikramaditya Motwane and starring Saif Ali Khan and Nawazuddin Siddiqui, was a landmark moment for Indian streaming content. Though it didn’t continue past two seasons, it opened doors for darker, more experimental storytelling in Indian OTT.
Sarandos’ comments appear to suggest that while Sacred Games earned critical acclaim, it may not have been the right commercial launchpad for Netflix in India. Kashyap, however, sees the platform’s current pivot toward formula-driven programming as a step backward.
Ted Sarandos talks about Sacred Games for Netflix IndiaGetty Images
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In photos circulating online, the Chihiro singer and Wolff are seen locking lips while casually dressed in matching grey T-shirts, enjoying champagne and sunshine in one of the world’s most romantic cities.
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A long-rumoured connection comes into focus
While this is the first clear public display from the duo, Eilish and Wolff’s bond goes back a while. They worked together on her music video Chihiro, which she directed. Around the same time, Nat and his brother Alex opened for her during the North American leg of her Hit Me Hard and Soft tour in 2024.
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Fans react as Billie and Nat’s long-rumoured romance takes centre stageGetty Images
In past interviews, Wolff described their connection as one of shared understanding, particularly around living with Tourette syndrome, a condition both have spoken about. “It’s rare to find people you don’t have to explain yourself to,” Wolff once shared, adding that he and Eilish could just “be” around each other.
Keeping it private until now
Eilish has openly said she regrets how much she’s shared about her personal life in the past. In an interview, she stated she wanted to keep her dating life and sexuality out of the spotlight going forward.
A kiss in Italy sparks fresh buzz around Billie Eilish’s love lifeGetty Images
“I wish no one knew anything about my dating life,” she said. “And I’m never talking about who I’m dating ever again.”
Still, their recent public outing in Venice may signal a quiet shift in that. Whether or not they’ll speak out, the photos seem to say plenty.
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The cast of Maybe Happy Ending celebrates their big night at the Tony Awards
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From Seoul to Broadway: A story born in two languages
Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.
Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.
While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.
A cultural shift, decades in the making
With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.
The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.
As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.