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Karan Nath on Bigg Boss OTT: My brain is saying that Shamita will win, but the heart wants Divya or Pratik to win (Exclusive)

Karan Nath on Bigg Boss OTT: My brain is saying that Shamita will win, but the heart wants Divya or Pratik to win (Exclusive)

Actor Karan Nath was one of the contestants on the show Bigg Boss OTT. He was evicted from the house in the second week along with his connection Ridhima Pandit.

We recently interacted with Karan and when we asked him about his journey in the reality show, the actor said, “My phone is ringing a lot these days, so overall it was a nice experience inside the house, and now, as I am out I am enjoying my time outside. A lot of people are still calling me and appreciating the way I was inside the house. It’s the history of Bigg Boss that people go inside and change themselves completely and they go mad. But, I was the same as I am outside. The journey (in the house) was short, but I enjoyed myself, and made some new friends.”


When asked who are his favourite contestants in the house right now, and who should win the show, Karan said, “Honestly, from the heart I want Divya (Agarwal) to win the show because I had a genuine-nice bond with her, like a brother-sister kind of bond. More than my connection, I think I and Divya were connected. After Divya, I would want Pratik (Sehajpal) to win. He is doing a good job; he is playing the game well. However, my brain is saying that Shamita (Shetty) will win, but the heart wants Divya or Pratik to win.”

Karan Nath started his acting career with the film Paagalpan (2001) but rose to fame with the 2002 release Yeh Dil Aashiqanaa. He later featured in movies like Sssshhh, LOC Kargil, and Tum.

Last year, he made a comeback with the film Guns of Banaras. While talking to us about his upcoming projects, Karan told us, “Post Bigg Boss OTT, there are a lot of opportunities that are knocking on my door. I am already doing a web series which I can’t talk about elaborately, but it’s a big web series that I will be doing. It’s an interesting concept and it’s with a known director. I can’t give out the details right now, but very soon you will be hearing about it.”

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Razid Season’s 'Elijah' examines immigration, identity, and the fragile promise of the American dream

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  • Short film Elijah traces the emotional toll of migration on a Bangladeshi family in the US
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  • The film links personal conflict to wider despair among displaced communities

A quiet opening that sets the divide

Razid Season’s short film Elijah opens on an unassuming domestic moment: a family seated around a dining table. The parents eat with their hands, while their daughter uses a spoon. The contrast, subtle but deliberate, signals the generational gap that underpins the film. This divide soon sharpens when the child resists her mother’s insistence on traditional clothing and asks to be called Elijah.

Further tension emerges when the father dismisses same-sex relationships while watching a television news segment, unaware that his own child is already questioning both gender and identity. Season avoids direct explanation, allowing everyday interactions to reveal the growing distance between parents and child.

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