Life in showbiz might be glittery but it’s not easy at all. It takes so much of you physically, mentally and emotionally that, at times, you find the difference between your personal and professional life totally blurred. But then there are actors who just surprise us with how precisely they juggle a career and a family. The kind of balance that Bollywood diva Kajol has struck between her personal and professional life is just amazing. In addition to being a hands-on mom to two kids, the actress splits her time between acting and social work.
Kajol, one of the most popular faces of Indian cinema, will shortly be seen in Pradeep Sarkar’s upcoming film Helicopter Eela, produced by her husband, Ajay Devgn. The movie stars her in the role of a single mother. The trailer of the film has already struck the right chord with the audience and the buzz around it is quite high in the trade. Ahead of the release of the flick, our correspondent, Mohnish Singh, sat down with the actress and talked to her about the film, her character, her relationship with mother and kids, and much more.
Helicopter Eela is produced by your husband, Ajay Devgn. Were you ever involved in the production side of the movie during the course of its shooting?
Not really. No, I wasn’t. I was strictly on the creative side and acting side of it.
What per cent of you is Eela in real-life?
I would say I am definitely Eela, like about 50 per cent of her. No two ways about it. She is a little bit over the top at times, but when it comes to taking care of kids and all, then definitely I am 50 per cent like her.
Earlier, the film was titled Eela. Whose idea was to prefix Helicopter and why?
The credit goes to Mr Ajay Devgn. I would like to honour him for that. The title suits him more than it suits me though (laughs).
I think Helicopter is also a way of saying that you keep an eye on your children 24/7. The term ‘Helicopter mom’ is quite popular on social media these days. It’s basically for a mom who interferes a lot in her children’s lives. That happens too much at times, but we as mothers don’t realize that very often. We don’t realize that feeding your grown-up kids with your hands is not required anymore; they can have their food on their own. But let me tell you very frankly, I still feed Nysa (daughter) at the dining table and she happily eats it. At times, not always though (laughs). Having said that, everything that a Helicopter mom does is not always wrong. Her way of looking at things might be different, but at the core of it, there is love and care.
Was your mother Tanuja also a Helicopter mom?
My mother was definitely not like a Helicopter mom at all. She was a working woman. She would seldom ask me if I did my homework or not. If I faced any problem in my homework, I never went to my mother asking for any help or any solution. My mother was a very forward-thinking woman in her time. She was not a typical mother. She always looked at us as individuals. I also try to look at my kids as individuals.
You don’t take up many projects these days. Do you miss working actively in films, the way you used to do in your heydays?
Never. Not at all. I don’t miss it at all. I am happy working in one film in three years, one film in two years or one film in five years is also fine with me. I like working. I enjoy working. But I believe that work is just a part of your life. It’s not your whole life. You have a life beyond work also. There is your family that is very, very important.
I think my kids need me a lot. No matter how mature kids get, they always want their parents by their sides. They need us even after their marriage (laughs). So, I enjoy my life. I enjoy working. If people think that I should be seen more often in films because I do not have anything else to do in my life, I don’t agree with that.
At one recent event, you said that your mother had stopped using expletives after you were born to kind of set an example. Did you also renounce any bad habit after the birth of Nysa and Yug?
No. Unfortunately, I didn’t do anything like that. That means either I am too good or I am unable to change my habits. I think my mom was a very, very brave parent. I am trying to be as brave as I can. I try to be as brave as she was and is. But I think I cannot succeed in every area. And that’s also fine. This is a different word. My kids are different than what I was like. I am different than my mother.
I was raised in a pure female household where there had been no male at all. There was my mother, my mother’s mother, and my mother’s mother’s mother who used to take care of me. And there was my younger sister. Even my maternal uncle had two daughters. So, there was not much of a male influence, I would say. But in my house, there are a lot of males. There is my husband. There is my father-in-law. There is an equal balance, I would say. So, the situation is very different today. But again, I hope and pray that I can teach my children the same things that my mother taught me. I try to teach my kids by practising what I preach.
What is your definition of a perfect mom?
I think every mom is a perfect mom, especially from children’s point of view. If you ask any child who is the perfect mom according to him, he would say my mom. See, if a mother fails to make Tiffin for her kids that does not mean she is a bad mom. That does not mean she needs to feel guilty about it or it would lead to a bad relationship with her kids. I think every child shares a different kind of relationship with his or her parents.
Your mother is still working in films. Is there any chance we can get to see both of your in a film together?
I hope and pray. I always ask my mother if there is something, tell me. So far, her taste and my taste are completely different.
Helicopter Eela is about celebrating motherhood and you yourself are a great mother in real-life. Your co-actor in the film, Neha Dhupia, is in the family way. Did you give her any tips or advice?
Actually, I didn’t even know she was pregnant (during the shoot). She very smartly kept everything hidden about her personal life. I met her recently. She’s already seven months pregnant. The film and her baby both are on the way (laughs).
Most importantly, I would say to every parent that please don’t listen to everything that everybody says to you. Don’t take anybody’s advice. Do whatever you feel is good. Do something that makes you feel good. If you are in a good space mentally, your baby also feels the same and that is the biggest influence on him or her. If the mother is okay, the whole world will be fine (smiles).
Margot Robbie revealed a bedazzled thong beneath a sheer Armani Privé gown at a London premiere.
Dakota Johnson attended Kering’s Caring for Women gala in New York in a floral-embroidered sheer Gucci dress.
The two separate outings in different cities fuelled the naked dressing conversation across red carpets.
The trend of sheer, lingerie-inspired couture continues to dominate major events in 2025.
Margot Robbie bares her butt in one high-profile moment while Dakota Johnson made headlines for a separate sheer Gucci look, but the two were not at the same event. Robbie returned to the red carpet in London wearing a sheer Armani Privé couture gown that exposed a bedazzled thong, while Johnson attended Kering’s Caring for Women gala in New York in a see-through Gucci dress embroidered with floral motifs. Together, the appearances proved how naked dressing like sheer fabrics and lingerie silhouettes is shaping this year’s red carpet conversations across different cities.
Margot Robbie’s thong and Dakota Johnson’s sheer Gucci prove naked dressing is ruling 2025 red carpets Getty Images
What happened at the London premiere?
Robbie wore an Armani Privé gown with a sheer base and ornate beadwork for the London premiere of her new film. The gown’s design revealed a sparkling thong when she turned, a detail that drew immediate attention on the carpet. Her styling was pared back; a sleek updo and bronzed makeup allowing the couture piece to be the focal point of the appearance.
Margot Robbie attends the European Premiere of "A Big Bold Beautiful Journey" at Odeon Luxe LeicesterGetty Images
What did Dakota Johnson wear at Kering’s Caring for Women gala in New York?
Dakota Johnson arrived at the Kering-hosted Caring for Women gala in a sheer Gucci gown embroidered with floral details that revealed a matching bra and underwear set beneath. Styled to balance transparency with tailoring, Johnson’s look followed her ongoing collaboration with Gucci, maintaining her reputation for daring red carpet choices.
Dakota Johnson attends the Kering Foundation's Fourth Annual Caring for Women Dinner at The Pool Getty Images
Were Margot Robbie and Dakota Johnson at the same event?
No, the two stars were photographed in separate cities. Robbie’s naked dressing moment occurred on the London red carpet for her film premiere, while Johnson’s sheer Gucci look was on show at the charity gala in New York. Both looks emerged within a similar timeframe and together highlighted how sheer dressing is appearing simultaneously on international red carpets.
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Why is naked dressing dominating red carpets in 2025?
Sheer fabrics, strategically placed embellishments and lingerie-inspired silhouettes have become ubiquitous at major events this year. Designers from Gucci to Mugler and Valentino continue to reinterpret transparency through couture techniques, making the trend both a design challenge and a red carpet focal point. For public figures, these looks offer a way to make a fashion statement while tapping into ongoing conversations about personal expression and couture craftsmanship.
Both Robbie’s Armani Privé gown and Johnson’s Gucci creation are clear examples of how the trend is being used differently: Robbie’s moment was a revealing, head-turning red carpet stunt connected to a film premiere, while Johnson’s was a polished, fashion-house statement at a high-profile charity event and together they emphasise why naked dressing remains one of 2025’s most talked-about fashion movements.
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A still from Hotel London showing the Bangladeshi family navigating life in a temporary hotel room
Newly restored 4K version to debut at the festival on 16 October
Part of BFI National Archive’s ambitious Black and South Asian Workshop remasters project
Explores 1980s London housing crisis and South Asian migrant experience
Marks a cultural milestone for Retake Film and Video Collective, Britain’s first all-Asian film collective
The long-overlooked 1987 drama Hotel London is set for a fresh spotlight as its 4K remaster world premieres at the upcoming BFI London Film Festival. Spearheaded by the BFI National Archive, the restoration forms part of a major project honouring the groundbreaking Black and South Asian Workshop movement, which redefined British screen culture in the 1980s. The film, directed by Ahmed Alauddin Jamal, vividly portrays the harsh realities of London’s housing crisis while centring the South Asian immigrant experience.
A still from Hotel London showing the Bangladeshi family navigating life in a temporary hotel room www.easterneye.biz
What is the BFI National Archive Black and South Asian Workshop remasters project?
The BFI National Archive has launched an extensive initiative to digitally restore and preserve key works from the Black and South Asian Workshop era, which flourished in the 1980s and 1990s. These collectives, including Retake Film and Video Collective, Sankofa Film and Video Collective, Black Audio Film Collective, Ceddo Film and Video Workshop and Birmingham Film and Video Workshop, used drama, documentary and experimental forms to tell urgent stories about race, class and identity in Britain.
The workshops grew out of the 1982 ACTT Declaration and early backing from Channel 4, creating space for marginalised voices to make and distribute films collaboratively. So far, 14 titles have entered the BFI’s restoration pipeline, with Hotel London being the second to premiere at the festival, following the 4K revival of The Passion of Remembrance in 2022.
Hotel London was originally made in 1987 during the International Year of the Homeless. It follows a Bangladeshi family placed in temporary bed and breakfast accommodation by local authorities, exploring how they navigate bureaucratic neglect, racism and the emotional toll of housing insecurity.
Combining fictional storytelling with video activism, the film depicts the makeshift hotel as a microcosm of 1980s London, showing interactions between diverse communities in precarious situations. Actor Jonathan Pryce appears as an Irish rough sleeper drifting through the city, while dancer Alpana Sengupta and actor Aftab Sachak round out the ensemble cast. The production was shot inside an actual bed and breakfast after extensive research with homeless residents.
‘Hotel London’ 4K remaster premieres at BFI London Film Festival spotlighting Black and South Asian Workshop legacy
Why is Hotel London’s restoration significant?
The 4K remaster of Hotel London is a major step in reclaiming and preserving Britain’s Black and South Asian film heritage. The original 16mm negatives were scanned and restored by Silver Salt Restoration, with sound remastered by the BFI National Archive. This revival not only protects the film’s legacy but also reintroduces contemporary audiences to the ethos of the Retake collective, which was Britain’s first all-Asian film group. Retake championed democratic collaboration, training emerging filmmakers and challenging the invisibility of South Asians on British screens. Their efforts earned them the Arthur Young BFI Award for Independent Film and Television in 1988.
‘Hotel London’ resurfaces in 4K after decades to confront Britain’s housing injustice and lost South Asian screen history
How did the Black and South Asian Workshops change British film?
The Workshops emerged amid 1980s social unrest, when media representation of Black and Asian communities was minimal and often stereotypical. Their issue-driven films disrupted this narrative, inspiring a generation of creatives including John Akomfrah, Maureen Blackwood, Isaac Julien, Menelik Shabazz and D. Elmina Davis.
By offering paid training roles, access to equipment and editorial control, the Workshops opened doors for diverse talent to tell authentic stories. Their influence continues to shape British screen culture, making the BFI’s remastering effort both a cultural and archival milestone.
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Priyanka Chopra Jonas commands NYFW 2025 front row with Mindy Kaling as Nick Jonas looks on proudly
Power couple attend Ralph Lauren’s showcase at Madison Avenue
Priyanka dazzles in sheer skirt and structured blazer ensemble
Nick opts for earthy brown tailored look with relaxed flair
The duo join a star-studded front row including Oprah Winfrey and Jessica Chastain
Priyanka Chopra Jonas and Nick Jonas commanded attention as they attended Ralph Lauren’s New York Fashion Week 2025 show on 10 September. Arriving hand-in-hand on Madison Avenue, the pair stopped for photographers before entering the designer’s headquarters. Their appearance at the high-profile event was one of the evening’s most talked-about moments, with Priyanka’s daring outfit and Nick’s understated elegance sparking admiration from fans and onlookers.
Priyanka Chopra Jonas commands NYFW 2025 front row with Mindy Kaling as Nick Jonas looks on proudly Getty Images
What did Priyanka Chopra Jonas wear at New York Fashion Week 2025?
Priyanka opted for a bold yet refined take on power dressing. She paired a sharply tailored grey blazer with a sheer flowing maxi skirt, creating a balance of structure and softness. Instead of a buttoned shirt, she chose to cinch her waist with a wide statement belt, giving her look an edge that stood out on the monochrome-heavy runway backdrop.
Her accessories were deliberately minimal. Delicate hoop earrings and a few rings, while bronzed makeup tones and voluminous, softly waved hair framed her face perfectly. This merge of minimal styling with a high-fashion silhouette reflected her style perfectly, making her one of the evening’s best-dressed attendees.
Nick went for earthy sophistication, donning a relaxed brown suit layered over a crisp white shirt. He added subtle detailing with a patterned tie, matched it with polished brown shoes, and finished off with rimmed sunglasses for a cool, composed vibe.
His tousled curls gave the look a casual softness that contrasted nicely with the tailored suit, making him appear effortlessly stylish beside Priyanka. Their complementary colour palettes, her muted grey tones and his warm browns, created a coordinated yet individualistic statement look.
Nick opts for an earthy brown suit for the event Getty Images
Which celebrities were seen at the Ralph Lauren NYFW show?
The event gathered an impressive front row of fashion and entertainment heavyweights. The couple were seated beside Usher and his wife Jennifer Goicoechea, with industry icons including Oprah Winfrey, Anna Wintour, Jessica Chastain, Naomi Watts, Laura Dern and Gayle King also present.
Also in attendance was Mindy Kaling, who sat in the front row at Ralph Lauren’s intimate Spring 2026 presentation on Madison Avenue. Speaking to AP News, Kaling said the brand symbolised the “American dream” for her immigrant parents, adding that the polo logo felt like “the sign of making it.” Photographers singled her out in roundups of the best front-row style, where she was pictured alongside Oprah Winfrey, Usher and the Jonas couple.
Ralph Lauren unveiled their Spring 2026 collection at the showcase, which featured minimalist silhouettes, oversized jackets, fitted dresses and monochrome palettes. Priyanka’s presence was especially fitting, as she has a long-standing association with the brand, notably wearing a custom Ralph Lauren gown for her wedding to Nick Jonas in 2018.
Mindy Kaling attends the Ralph Lauren show Getty Images
Why does Priyanka Chopra Jonas remain a front-row favourite?
Priyanka’s journey from Bollywood star to Hollywood regular has a lot to do with her consistently strong style choices and a willingness to take risks. Her high-profile international projects, from leading Quantico to starring in Citadel and producing The White Tiger, have cemented her as a global figure, making her an obvious pick for designers looking to spotlight influential personalities on their front rows.
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Tamannaah Bhatia opens up about her unique mental trick to tackle sexism in Indian cinema
Tamannaah Bhatia reveals her unique mental trick to handle sexism in the film industry
The Baahubali star opens up on her two-decade journey across South Indian and Bollywood films
She now headlines Amazon Prime Video’s Do You Wanna Partner opposite Diana Penty
Bhatia stresses that women must bring ideas forward rather than worry about pleasing others
Tamannaah Bhatia has shared an unusual but powerful way of dealing with sexism in the entertainment industry. Speaking about her rise in South Indian and Bollywood films, the Baahubali actor said she would often use a mental trick, imagining men in sarees or glamorous outfits, whenever someone tried to undermine her. This candid revelation about navigating gender bias comes as she fronts Amazon Prime Video’s new series Do You Wanna Partner, co-starring Diana Penty.
Tamannaah Bhatia opens up about her unique mental trick to tackle sexism in Indian cinema Getty Images
What did Tamannaah Bhatia say about her mental trick?
In her conversation with The Hollywood Reporter India, Bhatia recalled how early in her career she would encounter situations where men tried to make her feel insignificant.
“Whenever a man tried to make me feel like he had the final say in things and I had nothing to contribute, I’d always imagined him in a saree or a really glamorous outfit,” she said. “And then I’d think he’d look really bad in it. That’s when I realised what I can do, he can’t. So, they will need me.”
The actor explained that this quirky strategy gave her confidence to continue making bold choices on screen. She credited this self-belief with sustaining her through 85 films and maintaining her position as one of the highest-paid actors in Indian cinema.
Tamannaah Bhatia says imagining men in sarees gave her courage to thrive in a male-dominated industryGetty Images
How does Tamannaah Bhatia view her career after Baahubali ?
Bhatia’s career is often divided into two phases: before and after Baahubali. The blockbuster’s global success in 2015 gave her a visibility that few female actors in South Indian cinema had enjoyed before. “Nobody gives you work because you’re a nice person,” she noted, stressing that success comes only when performers bring concrete ideas and value to the table.
She emphasised that actors who speak up and contribute to scripts or scenes are often remembered more than those who stay quiet. For her, the turning point was recognising that assertiveness and creativity win respect in the long run.
Tamannaah Bhatia reflects on her journey across Bollywood and South Indian cinema after Baahubali successGetty Images
What is Do You Wanna Partner about?
In her latest outing on Amazon Prime Video, Bhatia plays Shikha Roy Chowdhury, a marketing professional who loses her job and decides to rebuild her career with the help of her best friend, played by Diana Penty. Together, the two women take on the alcohol-beverage industry, traditionally dominated by men, in a story that mirrors Bhatia’s own journey of breaking stereotypes.
The series talks about female entrepreneurship and friendship, with Bhatia’s character proving that resilience and wit can challenge established power structures.
Tamannaah Bhatia stars in Amazon Prime Video’s new series Do You Wanna Partner alongside Diana PentyGetty Images
Why does Tamannaah Bhatia’s story matter today?
Bhatia’s honesty about handling sexism offers a refreshing perspective in an industry where women are often sidelined. By openly sharing her unusual coping mechanism, she has in fact sparked discussion about how female actors build inner strength to thrive in challenging environments.
Tamannaah Bhatia stresses the importance of women voicing their ideas in an industry that often sidelines themGetty Images
Her latest project arrives at a time when representation and gender equality are under the spotlight in Indian cinema as well as on global streaming platforms. As one of the few actors to successfully straddle multiple film industries and now digital space, Bhatia continues to carve a path that reflects both resilience and reinvention.
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Rick and Morty face their most dangerous hunt yet in Oni Press finale
Oni Press announces Rick and Morty: The End six-part miniseries starting 3 December 2025
The comic marks a dramatic conclusion after more than 100 issues of the hit franchise
Writer Daniel Kibblesmith and artist Jarrett Williams lead the final saga following Rick and Morty vs. the Universe
Rick Sanchez becomes the multiverse’s most wanted as Morty and Space Beth hunt him down
Adult Swim’s cult animated hit Rick and Morty is set to close a major chapter with Oni Press confirming the launch of Rick and Morty: The End this December. The new comic book miniseries will spin directly out of Rick and Morty vs. the Universe and promises a high-stakes finale unlike anything the duo has faced before. Fans searching for details on Rick and Morty The End will now have confirmation that this marks the start of a six-issue showdown.
Rick and Morty face their most dangerous hunt yet in Oni Press finale Instagram/rickandmorty
What is Rick and Morty The End about?
According to Oni Press, Rick and Morty: The End throws Rick Sanchez into his most desperate battle yet. Wanted across every reality, Rick’s bounty has attracted governments, militaries, pirates, mobsters, bounty hunters, and even circus clowns.
The only ones with a real chance of catching him are Morty and Space Beth, but they’re not on the same side. The story sets up a deadly family clash where Morty and Beth must decide whether Rick comes back alive.
The six-part series reunites the creative team from Rick and Morty vs. the Universe. Writer Daniel Kibblesmith, known for Marvel’s Loki, and artist Jarrett Williams, who worked on Speed Force, will continue steering the franchise towards its explosive finale. Oni Press confirmed the first issue launches on 3 December 2025, featuring covers by Dave Bardin, Troy Little, Tom Fowler, and others.
How does it connect to Rick and Morty vs. the Universe ?
The storyline spins directly out of the events of Rick and Morty vs. the Universe, Oni Press’s crossover saga that concluded in October. That series followed Rick and Morty as they battled every universe they had ever crossed, leaving Rick with few allies and no escape routes. The End picks up after that chaos, positioning the finale as a natural continuation of the franchise’s long-running comic arc.
The teaser sparked debate when Oni Press first hinted at “The End.” While Rick and Morty: The End signals the conclusion of Oni Press’s decade-long run of tie-in comics, the animated series on Adult Swim is continuing. The Emmy-winning show, featuring voices from Ian Cardoni, Harry Belden, Sarah Chalke, Chris Parnell, and Spencer Grammer, remains a central part of Warner Bros. Discovery’s programming. For fans, this comic miniseries is the definitive closing act for Oni Press’s part of the multiverse.