Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Jeff Bezos and Lauren Sánchez’s wedding celebrations kick off in Venice with around 200 high-profile guests.
Celebrities including Leonardo DiCaprio, the Kardashians, Oprah, and Bill Gates have arrived.
The three-day celebration is expected to cost £43–51 million (₹427–506 crore).
Venice locals protest the event, accusing the billionaire couple of turning the city into a playground for the elite.
Amazon founder Jeff Bezos and media personality Lauren Sánchez have begun their lavish wedding festivities in Venice, Italy, drawing a guest list that reads like the Oscars after-party. The ultra-exclusive, multi-day affair has transformed the floating city into a buzzing hub of private yachts, paparazzi, and tight security.
The couple, who have been engaged since 2023, arrived earlier this week and are hosting a welcome event ahead of their expected Friday wedding ceremony. The celebrations are reportedly set across Venice’s most luxurious venues, with the final reception on Saturday.
Lauren Sanchez and Jeff Bezos leave the Aman Hotel in Venice ahead of their wedding Getty Images
Celebrities, billionaires, royals: a who’s who of wedding guests
Familiar faces are pouring into Venice. Kim Kardashian made a headline-grabbing entrance at Marco Polo Airport, followed by sisters Khloé, Kendall, and Kylie Jenner, along with matriarch Kris Jenner. Oprah Winfrey, joined by Gayle King, arrived in a summery outfit and was spotted greeting fans as she left her hotel. Leonardo DiCaprio tried to go unnoticed in a baseball cap but was quickly recognised by photographers.
Kardashians seen boarding a boat ahead of the evening celebrations in VeniceGetty Images
Ivanka Trump, Jared Kushner, Tom Brady, Karlie Kloss, Orlando Bloom, and even royalty like Queen Rania of Jordan were seen making their way to the festivities. Guests are staying in top-tier hotels like the Gritti Palace and Aman, where rooms overlook the Grand Canal.
Oprah Winfrey wave to fans while heading to the welcome event Getty Images
Venice residents push back against the mega-event
While the city is buzzing with glamour, not everyone is celebrating. Local activists have criticised the event for highlighting the growing gap between Venice’s global appeal and its local struggles. A protester scaled a flagpole in St Mark’s Square, unveiling a banner reading, “The 1 per cent ruins the world,” targeting the excessive nature of the celebration.
Jeff Bezos and Lauren Sanchez gesture in direction of Bezos' lookalike from the taxi boatGetty Images
The wedding, estimated to cost between £43–51 million (₹427–506 crore), may not dent Bezos’s £182 billion (₹18.1 lakh crore) fortune, but it has sparked debates about overtourism and inequality in one of Europe’s most fragile heritage cities.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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