Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Jackie Chan is set to receive one of international cinema’s top honours, the career achievement award at the 78th Locarno Film Festival, taking place from August 6 to 16 in Switzerland. At 71, the actor, stunt performer and director will be celebrated not only for his on-screen charisma but for transforming action cinema across cultures and generations.
Chan will be awarded the prestigious Leopard of Honour on August 9 in recognition of his decades-long influence on global filmmaking. With over 200 films under his belt, Chan’s legacy spans continents, genres and roles from Hong Kong martial arts legend to Hollywood box office staple. His unique style has long combined physical comedy, elaborate fight choreography and a deep commitment to doing his own stunts, often at great personal risk.
Chan will present his iconic films Project A and Police Story as part of the festival tributeGetty Images
But his talents stretch well beyond acting. Over the years, Chan has directed, written, choreographed, produced and even sung in his films. This complete command over his craft helped him stand out in an industry that often keeps such roles separate.
Locarno Film Festival Artistic Director Giona A. Nazzaro praised Chan as a “multifaceted genius” and a game-changer whose work has “rewritten the rules of Hollywood cinema.” His career began with stunt work as a teenager and eventually developed into a signature blend of heart, humour and hard-hitting action. Films like Police Story, Drunken Master, and Rush Hour remain global favourites decades after their release.
The 71-year-old star will take part in a live conversation on August 10 in LocarnoGetty Images
As part of the celebration, Chan will personally introduce two of his early films at the festival including Project A (1983) and Police Story (1985), both of which he directed and starred in. In fact, these classics played a major role in defining what audiences came to expect from modern action films.
Chan will also take part in a live conversation in Locarno, reflecting on his journey from the film sets of Kowloon to Hollywood’s red carpets.
Jackie Chan’s career spans over five decades and more than 200 films across Hong Kong and HollywoodGetty Images
This isn’t his first major recognition though. The Academy gave him an honorary Oscar in 2017. And last year, Bollywood’s Shah Rukh Khan was the recipient of the same Locarno award, celebrating non-Western voices in global cinema.
Up next, Chan will return to screens in Karate Kid: Legends, set to release on May 30. Despite stepping back from performing risky stunts, Chan is still an enduring force in film, showing no signs of slowing down.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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