‘It’s been an absolute honour to make an Indian adaptation,’ says The Archies director Zoya Akhtar as she talks to CEO of Archie Comics, Jon Goldwater | EasternEye
The Archies, based on the popular comic and set in the fictional town of Riverdale in the 60s, will soon debut on Netflix. The much-anticipated film launches several fresh faces, including popular star children Suhana Khan, Agastya Nanda, and Khushi Kapoor.
Well-known writer-director Zoya Akhtar is behind the Indian adaptation of the iconic comics. Ahead of its release, she sat down with the CEO of Archie Comics, Jon Goldwater, and opened up about the film.
“It has been an absolute honour to be asked to make an Indian adaptation and the first-ever film for this very iconic Archies franchise. This is a surreal experience since Archie Comics was a part of my childhood. It is super exciting to take these beloved characters and introduce them to a new generation but still keep the nostalgia of the original comic alive,” Akhtar said in a video message shared at Netflix Films Day in Mumbai.
Earlier, the makers dropped the first look of The Archies. In the photo, we can see Suhana Khan sitting in the middle of the couch. Next to her sits Agastya Nanda and Khushi Kapoor.
While many loved the poster and how Akhtar presented her cast and the world that it inhabits, a few internet users did not seem pleased with it and complained that it looked ‘unrelatable’ or too ‘western’ for the Indian audience.
However, in her video message, Akhtar added that the show is set in the Anglo-Indian community in India.
“We have set it in the Anglo-Indian community in India and can't wait to transport you to the magical, fictional town of Riverdale,” she said.
Headlined by Mihir Ahuja, Dot, Khushi Kapoor, Suhana Khan, Yuvraj Menda, Agastya Nanda, and Vedang Raina, The Archies is produced by Tiger Baby, Graphic India, and Archie Comics and is helmed by Zoya Akhtar.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.