Popular Bollywood star Aftab Shivdasani plays an important role in filmmaker Neeraj Pandey’s streaming show Special Ops 1.5: The Himmat Singh Story (2021), a prequel to Special Ops (2020) which turned out to be a mega success on Disney+ Hotstar. The show also features award-winning actor Kay Kay Menon as the titular Himmat Singh, alongside Gautami Kapoor.
In a candid conversation with Eastern Eye, Shivdasani revealed why the trailer of Special Ops 1.5: The Himmat Singh Story did not divulge much about his character, how he landed the role, the experience of filming during the peak of the coronavirus pandemic, and the favourite part of working with a master storyteller like Neeraj Pandey.
The actor also opened about his most favourite London memories.
As expected, the trailer of Special Ops 1.5: The Himmat Story looks very promising, but it does not reveal much about your character. Could you please tell us what do you play in the series without giving away much about the plot?
I cannot divulge more about the character because that’s the way it has been structured. There is a certain intrigue to it, which is why, I think, there is an attempt to not really say too much about it in the trailer. Unfortunately, I cannot divulge too many details, but I can tell you that it is a very interesting character, something that I have not done before. It has a great contribution to Himmat Singh’s life also.
How did you bag the role?
When I saw Special Ops (2020), I became a huge fan of the show just like everybody else. I sent a message to Neeraj sir, congratulating him and everybody associated with the show and telling him that it is such a fabulous show and if there is ever an opportunity, I would love to work with him. Coincidently, earlier in January this year, when he was casting for Special Ops 1.5: The Himmat Singh Story, I got a call from his casting director telling me about it. Then we had a Zoom call as I was out of the country. He explained everything to me over the Zoom call, and that’s it. I was sold. I always wanted to work with him and what better than to work on a show which has been loved by one and all? It was pretty much kind of a no-brainer for me.
If not this, which other character would you have loved to play if given a chance?
None. This was the only character that I would play.
What was it like filming Season 2 during the pandemic?
It has been a challenge, but covid is something that we have to learn to co-exist with now. We obviously had to have all safety measures in place to work around it. It is going to be a reality for a long time, so one has to be careful about these things. At the same time, one’s livelihood cannot stop because it stopped for a really long time. So, we had to learn to co-exist. Special Ops 1.5: The Himmat Singh Story had a lot of weathering to do in terms of protocols, safety measures, and hats off to Shital Bhatia sir and his entire team to make it so smooth for all of us. They were very, very careful about how they operated as a team and they made it that much more comfortable for us. But, yes, we had to take all precautions even if as we speak as we cannot let our guards down. And hopefully, we have come up with a product that will make all of us proud on 12th November.
How is the exponential growth of streaming media platforms going to change the landscape of filmmaking and storytelling?
First of all, with the influx of streaming media platforms, you have so many different kinds of stories being told. That will anyway change the landscaping of how films will be made in the future because people are watching those kinds of stories and loving it. We always believe in progression and never regression. So, there will be a certain difference in storytelling by default because of the changing trends and patterns. Whether any of them will eat into each other is something that I don’t know, but I do know that they can co-exist because the experience that you get in cinema is very different vis a viz an experience sitting at home and watching content on your phone, television or laptop. I think that they can co-exist, but the kind of stories that will be told and the way they will be told might change in the near future if it already hasn’t.
What is your favourite part about working with a master storyteller like Neeraj Pandey?
I think it is his clarity. He is perhaps the clearest person I have met. He does so much of work on what he wants that he leaves really no room for any sort of confusion for an actor because everything is so perfectly designed in his head. He knows what kind of a performance he wants from his actor. And if it goes one degree up or one degree down, he knows how to tone it up and tone it down. And that is incredible for a filmmaker to have that kind of clarity and that is all because of the homework that he does. He works very hard on the writing-table. His writing is pretty much airtight, so he does not leave any scope for any sort of confusion or any sort of questions. There will be very, very extremely minor adjustments that one can do to enhance it. It is a delight to work with someone who is so clear. That’s how I would like to humbly encapsulate it.
Do you have a favourite memory from Season 2?
The whole thing is etched in my mind. There are so many moments I can think of. I cannot really think of just one. I think the whole experience is so memorable and so beautiful that I did not want to get over it. But the show goes on and we move on, but it is going to be a part of me forever.
If you could give your character any piece of advice, what would it be?
Just listen to Neeraj Pandey and don’t bother to improvise too much because he has got it perfectly designed.
Share with us your favourite London memories with Nin.
I guess it was when my daughter was born last year in July. The entire process of going through everything so smoothly in the healthcare system in London was amazing. I say so because it was in the thick of the coronavirus pandemic and just the way everything was done over there and then to see our wonder of joy to come out happy and healthy was the most wonderful thing. I have got tons of London memories but that one, I think, would top the list, for sure.
Special Ops 1.5: The Himmat Singh Story is currently streaming on Disney+ Hotstar.
Ed Sheeran’s latest single, Sapphire, is out now, and it marks a new chapter in his musical journey. With the Indian rhythms, rich storytelling, and unexpected star power, Sapphire is a big cross-cultural leap for the British singer-songwriter.
A musical journey through India with Arijit and SRK in the spotlight
Bringing together the soulful voice of Arijit Singh, choreography by Bollywood icon Farah Khan, and a surprise appearance by Shah Rukh Khan, the song celebrates global connection. Recorded during Sheeran’s visit to India earlier this year, Sapphire captures the spirit of collaboration and joy. From a sitar-laced melody to Arijit's vocals, the track has the feel of a summer anthem rooted in shared sounds and stories.
Shah Rukh Khan makes a special appearance in the Sapphire music video
The music video, directed by Liam Pethick, traces Sheeran’s journey across India, starting on a rooftop at sunrise and winding through beaches, bustling markets, and backlot film sets. There is even a stop at A.R. Rahman’s music school, where he jams with young musicians. One standout moment was a studio session with Arijit and a bike ride around his hometown.
In his own words, Ed says, " Sapphire was the first track that really gave me direction for the album. I finished it in Goa with some amazing Indian musicians. Getting Arijit on board was the missing puzzle piece. We even recorded a Punjabi version that drops soon; it’s one of my favourites on the record."
Ed Sheeran and Arijit Singh in India
New album Play coming this September and live shows sell out instantly
Sapphire is part of Sheeran’s upcoming album Play, releasing on 12 September 2025. After closing the Mathematics era, this album sees him experimenting with sounds from India and Iran.
In other exciting news, Sheeran’s homecoming gigs in Ipswich, his first UK headline shows since 2023, sold out immediately. Taking place at Portman Road Stadium in July, the three-night run will feature guests like Tori Kelly, James Blunt, and Busted. A portion of ticket sales will go to The Live Trust, a new fund aimed at supporting grassroots music professionals.
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Badshah reacts to backlash over controversial Dua Lipa comment
Rapper Badshah found himself in hot water after a social media post about global pop sensation Dua Lipa. What started as a simple tweet, her name with a heart emoji, quickly spiralled into chaos when a fan asked if they were collaborating. Badshah's response? "I'd rather make babies with her bro."
Badshah's viral response to the comment under his tweet Twitter Screengrab
The backlash was instant. Critics called the remark objectifying and disrespectful, forcing Badshah to clarify. Trying to douse the fire, he later posted, "I think one of the most beautiful compliments you can give a woman you really admire is to wish for her to mother your children. Meri soch nahi, tumhari soch saamne aayi hai." But the clarification didn't sit well with many, who criticised him for doubling down rather than acknowledging the issue. "Since when did that qualify as a compliment?" one user wrote, while others called it tone-deaf and entitled.
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Honey Singh joins the fray with a sarcastic jab
As the debate raged on, Badshah's longtime rival, Honey Singh, couldn't resist chiming in. Reacting to the rapper's explanation on Instagram, Singh dropped a sarcastic "Genius 😂👏👏," clearly mocking the justification. Fans caught the dig immediately, with some laughing at the not-so-subtle jab between the two, who've had a rocky relationship for years.
Badshah had previously expressed a desire to end their feud, but Singh's latest comment suggests the tension isn't fading anytime soon. Meanwhile, the rapper continues to make headlines, whether for his dramatic weight loss, rumoured romance with Tara Sutaria, or this latest controversy. One thing's clear: Badshah knows how to stay in the spotlight, but not always for the right reasons.
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Anurag Kashyap reacts sharply to Ted Sarandos’ remarks on Sacred Games
Anurag Kashyap is known for being outspoken, and this weekend he made headlines again, this time taking aim at Netflix’s top boss Ted Sarandos. The filmmaker lashed out after Sarandos questioned the streaming platform’s early approach in India, particularly their decision to kick things off with Kashyap’s gritty crime drama Sacred Games in 2018.
During an interview on Nikhil Kamath’s podcast People by WTF, Sarandos said he may have chosen a more “populist” route if he could go back, admitting the series was perhaps too novel for the Indian market at the time. The comments didn’t sit well with Kashyap, who fired back on social media, calling Sarandos “the definition of dumb” and sarcastically suggesting the platform should’ve launched with traditional “saas-bahu” content instead.
Kashyap takes aim at Netflix’s shift to mass-market content
Kashyap’s reference wasn’t just casual; it came at a time when Netflix India has partnered with Balaji Telefilms, led by Ektaa Kapoor, best known for her highly successful daily soaps like Kyunki Saas Bhi Kabhi Bahu Thi. The filmmaker’s post read: “He should have started with Saas Bahu… he would have done well. Which he is doing now. I always knew tech guys are dumb when it comes to storytelling, but @tedsarandos is the definition of dumb is what I didn’t know.”
The post sparked debate online, with even singer-actor Lisa Mishra chiming in to support Kashyap, saying that everything on OTT today is “derivative… specifically of Sacred Games.”
Kapoor, without naming Kashyap, responded via Instagram by accusing unnamed artists of being classist. She defended soap operas, claiming they gave a voice to Indian women and were even studied by international researchers. Her post ended with a call for inclusivity and “graciousness.”
Ekta Kapoor's story Instagram screengrab/ektakapoor
A clash of content ideologies in India’s OTT landscape
Sacred Games, co-directed by Kashyap and Vikramaditya Motwane and starring Saif Ali Khan and Nawazuddin Siddiqui, was a landmark moment for Indian streaming content. Though it didn’t continue past two seasons, it opened doors for darker, more experimental storytelling in Indian OTT.
Sarandos’ comments appear to suggest that while Sacred Games earned critical acclaim, it may not have been the right commercial launchpad for Netflix in India. Kashyap, however, sees the platform’s current pivot toward formula-driven programming as a step backward.
Ted Sarandos talks about Sacred Games for Netflix IndiaGetty Images
This very public disagreement brings to light a bigger conversation in the entertainment industry, between art that challenges and content that simply sells.
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Fans react as Billie and Nat’s long-rumoured romance takes centre stage
Billie Eilish appears to have confirmed her latest romance in the most cinematic way possible, with a champagne-fuelled kiss on a sunny balcony in Venice. The singer was spotted with actor and musician Nat Wolff, and the intimate moment has fans convinced that the long-rumoured pair are now officially a couple.
In photos circulating online, the Chihiro singer and Wolff are seen locking lips while casually dressed in matching grey T-shirts, enjoying champagne and sunshine in one of the world’s most romantic cities.
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A long-rumoured connection comes into focus
While this is the first clear public display from the duo, Eilish and Wolff’s bond goes back a while. They worked together on her music video Chihiro, which she directed. Around the same time, Nat and his brother Alex opened for her during the North American leg of her Hit Me Hard and Soft tour in 2024.
Fans first started speculating about their closeness earlier this year when the two were seen leaving the iHeart Music Awards together and later on a night out in New York City. Although both had previously described their friendship as platonic, there seemed to be more under the surface.
Fans react as Billie and Nat’s long-rumoured romance takes centre stageGetty Images
In past interviews, Wolff described their connection as one of shared understanding, particularly around living with Tourette syndrome, a condition both have spoken about. “It’s rare to find people you don’t have to explain yourself to,” Wolff once shared, adding that he and Eilish could just “be” around each other.
Keeping it private until now
Eilish has openly said she regrets how much she’s shared about her personal life in the past. In an interview, she stated she wanted to keep her dating life and sexuality out of the spotlight going forward.
A kiss in Italy sparks fresh buzz around Billie Eilish’s love lifeGetty Images
“I wish no one knew anything about my dating life,” she said. “And I’m never talking about who I’m dating ever again.”
Still, their recent public outing in Venice may signal a quiet shift in that. Whether or not they’ll speak out, the photos seem to say plenty.
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The cast of Maybe Happy Ending celebrates their big night at the Tony Awards
South Korea just scored a historic milestone at the Tony Awards, with the musical Maybe Happy Ending bagging six trophies, including Best Musical and Best Lead Actor. The show, centred on two ageing helper robots living on the edge of Seoul, left the awards night buzzing. Korean entertainment, long a force in film, television, and music, is now making serious inroads into Western theatre too.
From Seoul to Broadway: A story born in two languages
Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.
Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.
While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.
A cultural shift, decades in the making
With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.
The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.
As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.