Skip to content
Search

Latest Stories

“It’s a delight to work with someone like Neeraj Pandey who is so clear,” Special Ops 1.5: The Himmat Singh Story star Aftab Shivdasani

“It’s a delight to work with someone like Neeraj Pandey who is so clear,” Special Ops 1.5: The Himmat Singh Story star Aftab Shivdasani

Popular Bollywood star Aftab Shivdasani plays an important role in filmmaker Neeraj Pandey’s streaming show Special Ops 1.5: The Himmat Singh Story (2021), a prequel to Special Ops (2020) which turned out to be a mega success on Disney+ Hotstar. The show also features award-winning actor Kay Kay Menon as the titular Himmat Singh, alongside Gautami Kapoor.

In a candid conversation with Eastern Eye, Shivdasani revealed why the trailer of Special Ops 1.5: The Himmat Singh Story did not divulge much about his character, how he landed the role, the experience of filming during the peak of the coronavirus pandemic, and the favourite part of working with a master storyteller like Neeraj Pandey.


The actor also opened about his most favourite London memories.

As expected, the trailer of Special Ops 1.5: The Himmat Story looks very promising, but it does not reveal much about your character. Could you please tell us what do you play in the series without giving away much about the plot?

I cannot divulge more about the character because that’s the way it has been structured. There is a certain intrigue to it, which is why, I think, there is an attempt to not really say too much about it in the trailer. Unfortunately, I cannot divulge too many details, but I can tell you that it is a very interesting character, something that I have not done before. It has a great contribution to Himmat Singh’s life also.

How did you bag the role?

When I saw Special Ops (2020), I became a huge fan of the show just like everybody else. I sent a message to Neeraj sir, congratulating him and everybody associated with the show and telling him that it is such a fabulous show and if there is ever an opportunity, I would love to work with him. Coincidently, earlier in January this year, when he was casting for Special Ops 1.5: The Himmat Singh Story, I got a call from his casting director telling me about it. Then we had a Zoom call as I was out of the country. He explained everything to me over the Zoom call, and that’s it. I was sold. I always wanted to work with him and what better than to work on a show which has been loved by one and all? It was pretty much kind of a no-brainer for me.

If not this, which other character would you have loved to play if given a chance?

None. This was the only character that I would play.

What was it like filming Season 2 during the pandemic?

It has been a challenge, but covid is something that we have to learn to co-exist with now. We obviously had to have all safety measures in place to work around it. It is going to be a reality for a long time, so one has to be careful about these things. At the same time, one’s livelihood cannot stop because it stopped for a really long time. So, we had to learn to co-exist. Special Ops 1.5: The Himmat Singh Story had a lot of weathering to do in terms of protocols, safety measures, and hats off to Shital Bhatia sir and his entire team to make it so smooth for all of us. They were very, very careful about how they operated as a team and they made it that much more comfortable for us. But, yes, we had to take all precautions even if as we speak as we cannot let our guards down. And hopefully, we have come up with a product that will make all of us proud on 12th November.

How is the exponential growth of streaming media platforms going to change the landscape of filmmaking and storytelling?

First of all, with the influx of streaming media platforms, you have so many different kinds of stories being told. That will anyway change the landscaping of how films will be made in the future because people are watching those kinds of stories and loving it. We always believe in progression and never regression. So, there will be a certain difference in storytelling by default because of the changing trends and patterns. Whether any of them will eat into each other is something that I don’t know, but I do know that they can co-exist because the experience that you get in cinema is very different vis a viz an experience sitting at home and watching content on your phone, television or laptop. I think that they can co-exist, but the kind of stories that will be told and the way they will be told might change in the near future if it already hasn’t.

What is your favourite part about working with a master storyteller like Neeraj Pandey?

I think it is his clarity. He is perhaps the clearest person I have met. He does so much of work on what he wants that he leaves really no room for any sort of confusion for an actor because everything is so perfectly designed in his head. He knows what kind of a performance he wants from his actor. And if it goes one degree up or one degree down, he knows how to tone it up and tone it down. And that is incredible for a filmmaker to have that kind of clarity and that is all because of the homework that he does. He works very hard on the writing-table. His writing is pretty much airtight, so he does not leave any scope for any sort of confusion or any sort of questions. There will be very, very extremely minor adjustments that one can do to enhance it. It is a delight to work with someone who is so clear. That’s how I would like to humbly encapsulate it.

Do you have a favourite memory from Season 2?

The whole thing is etched in my mind. There are so many moments I can think of. I cannot really think of just one. I think the whole experience is so memorable and so beautiful that I did not want to get over it. But the show goes on and we move on, but it is going to be a part of me forever.

If you could give your character any piece of advice, what would it be?

Just listen to Neeraj Pandey and don’t bother to improvise too much because he has got it perfectly designed.

Share with us your favourite London memories with Nin.

I guess it was when my daughter was born last year in July. The entire process of going through everything so smoothly in the healthcare system in London was amazing. I say so because it was in the thick of the coronavirus pandemic and just the way everything was done over there and then to see our wonder of joy to come out happy and healthy was the most wonderful thing. I have got tons of London memories but that one, I think, would top the list, for sure.

Special Ops 1.5: The Himmat Singh Story is currently streaming on Disney+ Hotstar.

More For You

Ed Sheeran releases ‘Sapphire’ with Arijit Singh and Shah Rukh Khan in an India inspired collaboration

Ed Sheeran drops Sapphire with Arijit Singh and Shah Rukh Khan

Getty images

Ed Sheeran releases ‘Sapphire’ with Arijit Singh and Shah Rukh Khan in an India inspired collaboration

Ed Sheeran’s latest single, Sapphire, is out now, and it marks a new chapter in his musical journey. With the Indian rhythms, rich storytelling, and unexpected star power, Sapphire is a big cross-cultural leap for the British singer-songwriter.

- YouTubeyoutu.be

Keep ReadingShow less
Badshah Faces Heat Over Dua Lipa Remark as Honey Singh Weighs In

Badshah reacts to backlash over controversial Dua Lipa comment

Getty Images

Badshah criticised for saying he wants to make babies with Dua Lipa as Honey Singh mocks his defence

Rapper Badshah found himself in hot water after a social media post about global pop sensation Dua Lipa. What started as a simple tweet, her name with a heart emoji, quickly spiralled into chaos when a fan asked if they were collaborating. Badshah's response? "I'd rather make babies with her bro."


Keep ReadingShow less
Anurag Kashyap Blasts Netflix CEO Over Sacred Games Comment

Anurag Kashyap reacts sharply to Ted Sarandos’ remarks on Sacred Games

Getty Images

Anurag Kashyap calls Netflix CEO Ted Sarandos "the definition of dumb" over 'Sacred Games' remark

Anurag Kashyap is known for being outspoken, and this weekend he made headlines again, this time taking aim at Netflix’s top boss Ted Sarandos. The filmmaker lashed out after Sarandos questioned the streaming platform’s early approach in India, particularly their decision to kick things off with Kashyap’s gritty crime drama Sacred Games in 2018.

During an interview on Nikhil Kamath’s podcast People by WTF, Sarandos said he may have chosen a more “populist” route if he could go back, admitting the series was perhaps too novel for the Indian market at the time. The comments didn’t sit well with Kashyap, who fired back on social media, calling Sarandos “the definition of dumb” and sarcastically suggesting the platform should’ve launched with traditional “saas-bahu” content instead.

Keep ReadingShow less
Billie Eilish and Nat Wolff Fuel Romance Rumors with Venice Kiss

Fans react as Billie and Nat’s long-rumoured romance takes centre stage

Getty Images

Billie Eilish and Nat Wolff spotted kissing in Venice as dating rumours heat up

Billie Eilish appears to have confirmed her latest romance in the most cinematic way possible, with a champagne-fuelled kiss on a sunny balcony in Venice. The singer was spotted with actor and musician Nat Wolff, and the intimate moment has fans convinced that the long-rumoured pair are now officially a couple.

In photos circulating online, the Chihiro singer and Wolff are seen locking lips while casually dressed in matching grey T-shirts, enjoying champagne and sunshine in one of the world’s most romantic cities.

Keep ReadingShow less
Maybe Happy Ending Creates Broadway Milestone with Six Tony Wins

The cast of Maybe Happy Ending celebrates their big night at the Tony Awards

Instagram/maybehappyending

‘Maybe Happy Ending’ wins six Tony Awards as Korean musical makes Broadway history

South Korea just scored a historic milestone at the Tony Awards, with the musical Maybe Happy Ending bagging six trophies, including Best Musical and Best Lead Actor. The show, centred on two ageing helper robots living on the edge of Seoul, left the awards night buzzing. Korean entertainment, long a force in film, television, and music, is now making serious inroads into Western theatre too.


From Seoul to Broadway: A story born in two languages

Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.

Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.


While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.


A cultural shift, decades in the making

With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.

The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.


As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.

Keep ReadingShow less