It has been four years since the world lost one of its most versatile and beloved actors, Irrfan Khan. On April 29th, we commemorate the fourth anniversary of his passing, yet his legacy continues to thrive through his timeless performances. Irrfan Khan, with his extraordinary talent and captivating presence, left an indelible mark on both Indian and international cinema.
While Khan’s contribution to Bollywood is immense, his foray into international cinema has also been noteworthy. His ability to seamlessly transition between roles, genres, and cultures showcased his unmatched prowess as an actor. As we honor his memory, let’s revisit some of his must-watch international films that exemplify his exceptional talent:
1. Life of Pi (2012)
Directed by Ang Lee, Life of Pi is a visually stunning adaptation of Yann Martel’s novel, where Irrfan Khan plays the adult version of Pi Patel, reflecting on his extraordinary journey stranded at sea with a Bengal tiger named Richard Parker. Khan’s portrayal of Pi exudes wisdom, resilience, and introspection, grounding the fantastical narrative with his nuanced performance.
2. The Namesake (2006)
Based on Jhumpa Lahiri’s novel, The Namesake directed by Mira Nair, follows the journey of an Indian-American family navigating the complexities of identity, culture, and belonging. Irrfan Khan’s portrayal of Ashoke Ganguli, a thoughtful and introspective father, captures the nuances of the immigrant experience with grace and authenticity, making it a poignant and heartfelt exploration of cultural assimilation.
3. Jurassic World (2015)
In the fourth installment of the Jurassic Park franchise, Jurassic World, Irrfan Khan plays Simon Masrani, the CEO of the Masrani Corporation and the owner of the Jurassic World theme park. Khan's portrayal of Masrani is charismatic and charming, yet also carries a sense of responsibility and moral complexity as he grapples with the consequences of genetic engineering and corporate greed.
4. Slumdog Millionaire (2008)
While Irrfan Khan’s role in Slumdog Millionaire may be brief, his portrayal of the police inspector is memorable and impactful. Directed by Danny Boyle, this Academy Award-winning film offers a gritty portrayal of life in Mumbai’s slums and follows the remarkable journey of Jamal Malik, a young chaiwallah who becomes a contestant on India’s version of Who Wants to Be a Millionaire? Khan’s performance adds depth and gravitas to the narrative, showcasing his ability to leave a lasting impression with even the smallest of roles.
5. The Darjeeling Limited (2007)
Wes Anderson’s The Darjeeling Limited sees Irrfan Khan in a supporting role as the enigmatic businessman, the father of three brothers embarking on a spiritual journey across India aboard a train. Khan’s portrayal adds a layer of mystery and wisdom to the whimsical narrative, further enriching the film’s exploration of familial bonds, self-discovery, and cultural immersion.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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