With four films from India on the Oscars shortlist, producer Guneet Monga, who has backed short documentary "The Elephant Whisperers", says it is time for the country's cinema to shine globally.
The heartwarming documentary directed Kartiki Gonsalves, revolves around Bomman and Bellie, a tribal couple in south India, who devote their lives to caring for an orphaned baby elephant named Raghu, forging a family like no other. The Netflix film is an Oscar contender for Best Documentary Short. It is among the four films from India to have made it to the shortlist and Monga says it feels like the country has "finally arrived".
Besides "The Elephant Whisperers", Saunak Sen's "All That Breathes" is in the shortlist for the Best Documentary, Pan Nalin's "The Last Show" is vying for a nomination in the International Film category while 'Naatu Naatu', the blockbuster song from SS Rajamouli's "RRR", hopes to bag a nomination in the Best Song segment.
“This year, it feels like it is the culmination of years of work. With ‘All That Breathes’, Pan Nalin’s ‘The Last Show’, 'Naatu Naatu' from ‘RRR’ and with us as ‘The Elephant Whisperers’, I feel India has just arrived.
"We just got started and what a bang and what an incredible way to start with four films competing,” the Oscar-winning producer told PTI.
All eyes are now on the nominations on January 24. The Oscars ceremony will be held on March 12, in LA.
Monga, who served as an executive producer on the Best Documentary Short Oscar-winner 2019 film "Period. End of Sentence", believes the recognition that Indian cinema is receiving now is the result of years of hard work.
“It (Oscar nominations) is (due to) the emergence of all these (OTT) platforms, it is bringing the whole country together and it is celebrating all of us as a one country.
“I am grateful we are shortlisted again with a debutant filmmaker. The credit should go to Kartiki (Gonsalves) for the hard work. We are praying to get nominated. Next step is to win, (we are) gunning for our own trophy.” Gonsalves, who spent around five years documenting the unique family, said she is nothing but thrilled as everything is "very new for me".
“The Elephant Whisperers” depicts an unbreakable bond between two abandoned elephants (Raghu and Ammu) and their caretakers (Bomman and Belli), who belong to Kattunayakan tribe. It is produced by Monga and Achin Jain of Sikhya Entertainment.
Through the 41-minute Netflix film, narrated by Bomman and Bellie, the idea was to demonstrate the co-existence of mankind and animals, in harmony, the director said.
“There are so many stories of animals being killed and species dying out and this is a positive story that highlights the beauty of man and animal working together." "And this is the way to move forward in future, with mutual respect and cooperation we can save the planet,” Gonsalves said.
An unexpected encounter with Raghu at the Theppakadu Elephant camp, at the Mudumalai Tiger Reserve in South India, inspired the director to capture the unadulterated moments between Bomman, who was a father, mother, and a friend to the injured calf.
She recalls how Bomman welcomed her after he realized she was excited to see the then three-month-old Raghu, while she was in a car.
Being a wildlife photographer, the director said, she has interacted with adult elephants but never with a calf.
“It takes a lot of time for one person to understand how elephants move around, how they go about their day, and when they do something, you need to understand what that means.
"I have been out in the wilderness and I have seen that animals are similar to humans in many ways. Elephants are so large it was interesting to see how vulnerable a calf can be. And that’s how it all began. I wanted to share this special bond,” Gonsalves said.
The director said their team was running behind the elephants and family to seize daily routine and special moments, but they were also cautious about respecting their space.
“Documentary is about going out there and observing, capturing what’s there and the story comes (together) on the edit table as you have 450 hours of footage. It all boils down to what is the strongest story,” she said.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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