Actor Jitendra Kumar says it was not easy to step into the world of Panchayat for the second season as he wanted to maintain the rhythm of the character without “overdoing” anything.
Released on May 20, the comedy-drama series, which captures the journey of an engineering graduate in rural India, received positive reviews from the critics and has been hailed for its impressive writing and performance.
The 31-year-old actor said the team knew that viewers were expecting a lot from them following the success of the first season.
“We had to better ourselves. As an actor, when you do a series, it is important to maintain the rhythm and yet not overdo it. It was a task to maintain the rhythm. So, we were relying completely on the writing,” Kumar told PTI in an interview.
To prepare for the second season, Jitendra revisited the first season and did extensive rehearsals with the writer, director, and his co-actors.
“I didn’t want to miss the rhythm of the season. Initially, there was a nervousness but within two-three days of commencing shoot for season two, things fell in place.”
The actor describes his character, an engineering graduate and a CAT aspirant who lands in the village for the lack of better job opportunities, as someone who is sensitive and a bit selfish.
“He wants to do certain things for himself, like for his career. He doesn’t express things all out. In season two, Abhishek is comfortable, he is very much involved with the situation of the village,” Kumar said, adding, that in real life he is different from Abhishek Tripathi.
The Alwar-born actor credits writer Chandan Kumar and director Deepak Kumar Mishra for creating a complex character in Tripathi.
“I don’t think any character or film has been made on the lines of ‘Panchayat’. I have relied on the writer and director to play this character. They had done the research for the show, so I used all that information for reference.
“I also saw some YouTube videos of how Panchayat meetings are held and what is the work of a sachiv,” he said.
“Panchayat”, created by The Viral Fever for the Amazon Prime Video, first premiered in April 2020.
Also starring Neena Gupta, Raghubir Yadav, Chandan Roy, among others, the first season was appreciated for exploring rural life and its people.
With “Panchayat 2”, Kumar said the team was hoping it will strike a chord with the audience as they believed it is a well-written script.
“We all thought our writer Chandan has written it better than the first one. So, we were quite hopeful that it will be liked by people, but there was a bit of nervousness. When the trailer came out, we saw the excitement of the audience and the fact that people have not forgotten the first season, which came two years ago,” Kumar added.
The set-up of “Panchayat” — which the actor said is unlike any other small-town story — has appealed to viewers, Kumar said.
“The presentation is different from whatever small-town stories that we have seen in the last 10-15 years onscreen. But what really clicked well with the audience was the halka-phulka (light-hearted) drama of the show.”
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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