Some of her notable films are Tiger franchise, Zindagi Na Milegi Dobara, Bharat, Raajneeti, and Namastey London.
“It is important for all of us as actors to just focus on the script and the film. As long as we don't try to fall into a trap of repeating ourselves and do instinctively what we feel... if that happens to be an action film, it is fantastic, or comedy that's also good,” Katrina told PTI in an interview.
“It is important to choose films based on the merit of the script and what is connecting to you in that moment. You have to believe in it and you have to go out there and give your 1000 percent and be on set with that conviction. Then the rest is up to God, whether it connects with the audience or not,” she added.
The 40-year-old said she is a self-critical person and often searches for ways to better herself.
"I always, in my mind, think a lot. I overthink a lot of things. So, I’m always trying to look for ways I can better myself next time, or how can I give something more to the role. That’s self-improvement," she said.
Elated with the success ofTiger 3, Katrina expressed her gratitude to the public for their love and support.
The third part of the Salman Khan-fronted franchise, which released on November 12, is directed by Maneesh Sharma of Fan fame.
"Audiences' love and support is what allows us to keep making these films. The Tiger franchise has been such an important part of our lives for the last 11 years. Whenever time comes to do another Tiger film, it’s such a thrilling and exciting time for me and we look forward to it so much," the actor said.
Having worked on more than half a dozen films together, including Maine Pyar Kyun Kiya, Partner, and Bharat, Katrina said she and Salman are aware of each other’s process as actors.
"When we are on set... Salman is constantly thinking, he is thinking about the scene, and he is trying to ideate it. We have worked together in so many films, you are able to read that person, you are able to know them. Also, having that tuning is also very beneficial for how it comes across on screen," she added.
Tiger 3 is backed by Yash Raj Films (YRF). The film is a part of the studio's spy universe, which also features Shah Rukh Khan's Pathaan and Hrithik Roshan's War.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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