A superhero film at the CannesFilm Festival? It is not what you think.
Maya: The Birth of a Superhero, a staunchly feminist playable artwork with a pronounced South Asian accent, is a 30-minute virtual reality (VR) piece. It is in contention for the Best Immersive Work prize in a competition introduced by the festival this year.
The Immersive Competition at the 77th Cannes Film Festival (May 14 to 25) "aims to spotlight the next generation of international artists who are redefining storytelling and inventing new narrative-driven experiences that move beyond the traditional two-dimensional cinema screen."
Maya: The Birth of a Superhero, created by UK-based interdisciplinary artist-activist Poulomi Basu, does that and more. It tells the story of an ordinary 21st-century girl who, as her sexuality awakens, transforms into a female superhero powered by the process of menstruation.
The protagonist is faced with the challenge of overcoming her own shame, fear, and society's restrictive practices to find her inner strength and her true superpower.
"Maya: The Birth of a Superhero decolonises the superhero convention, and represents a South Asian character with power and agency," she said.
Basu directed the project with longtime collaborator C.J. Clarke, who is a photographer and filmmaker, and wrote it with him and actor-writer Manjeet Mann.
"She uses her South Asian futurism, wisdoms, and philosophies to heal the societies here. Maya is above all a story of her journey to empowerment," she said.
Basu was inspired to make Maya: The Birth of a Superhero after the law-changing impact of her previous art project 'Blood Speaks' about menstrual exile and violence against women in South Asia.
Described by the Guardian as "part superhero satire, part psychological thriller", Maya, which world premiered at the South by Southwest (SXSW) Film Festival, Austin, US, in March, employs an extreme story to illustrate the prevalence of misogyny and gender oppression in all societies.
About what she expects from the work's European premiere at Cannes, Basu said: "It's really visibility for the work and for the taboo subjects that it portrays."
"The project is also aimed at reminding women that they are magical powerful beings capable of reclaiming their narratives and their bodies to achieve true liberation, justice, and joy. The festival platform is important to highlight that intersectional feminism is for everyone, not just for women," she added.
"It is critical," Basu continued, "to show this work in a Western space because Maya is about a South Asian girl in London battling patriarchy in the West."
Growing up in Kolkata, Basu had first-hand brushes with patriarchy within her home. Raised by her mother, she found early inspiration in the city's rich cinematic history but, following the untimely death of her father, she left home to lead a life that would allow her the choices that earlier generations of women in the family did not have.
The character of Maya is voiced by Indian-British actor Charithra Chandran, who played Edwina Sharma in the second season of the hit Netflix series "Bridgerton". Indira Varma (who debuted in Mira Nair's Kama Sutra: A Tale of Love and was more recently seen in Mission: Impossible – Dead Reckoning Part One) has voiced an illusory past avatar of Maya.
Basu revealed that the immersive film will have a worldwide release via Meta Oculus Quest on May 30.
"People with Oculus can watch it for free for a year all over the world," she said. It can be experienced with Oculus Quest headsets 2, 3 and Pro.
"Outside of this, we will do more film festivals and are open to displays and installations in art spaces," she added.
The Cannes Film Festival opens on Tuesday.
Rahul’s casual dismissal of that controversy has added fuel to the fire
Rahul Bhatt sparks controversy over 'insensitive' remarks about sisters Alia and Pooja Bhatt
Rahul Bhatt, fitness trainer and son of veteran filmmaker Mahesh Bhatt, has found himself at the centre of a social media storm following controversial remarks about his half-sister, Alia Bhatt. In a recent interview, Rahul drew comparisons between Alia and their older sister Pooja Bhatt, calling the latter more talented, attractive, and principled.
The comments, which many have labelled inappropriate and insensitive, have sparked widespread criticism online. During the interview, Rahul stated, “In my opinion, she (Alia) is not even half of what my real sister Pooja is. Not in talent, not in looks, not in terms of being sexy. In front of my sister, she is ‘paani kam chai’ (watery tea). Amongst the siblings, the most talented and the most moralistic is Pooja.”
Social media users reacted strongly, questioning why Rahul would compare his sisters in such personal terms. Several users were particularly disturbed by his reference to their appearance and sex appeal, pointing out that such comparisons within a family cross boundaries of propriety. One comment read, “This is disturbing. Why talk about your sisters like that? It’s not just weird, it’s wrong.” Another post said, “There’s nothing respectful about comparing your siblings’ attractiveness in public.”
The backlash also reignited conversation around a decades-old controversy involving Mahesh Bhatt and Pooja Bhatt. Rahul was asked about the infamous 1990s magazine cover where the father-daughter duo shared a kiss, which had stirred public outrage at the time. Dismissing the criticism, Rahul said, “It doesn’t make any difference. It’s like water off a duck’s back. We know the truth, and we’ve seen everything since childhood.”
Rahul’s casual dismissal of that controversy has added fuel to the fire, with critics saying it reflects a broader issue of the Bhatt family being insensitive to public perception and boundaries. Many users questioned the need for bringing up old incidents in a bid to defend new and equally questionable statements.
As of now, neither Alia Bhatt nor Pooja Bhatt has issued any public response to Rahul’s remarks. Both actors, known for their significant contributions to Indian cinema, have typically kept family matters private despite living in the public eye.
This episode has also sparked debate over the role of public figures in maintaining respect when discussing family matters in the media. Observers say such comments, especially when involving women’s appearance and personal qualities, reinforce problematic attitudes and fuel unnecessary controversies.
While Rahul Bhatt is not as prominent in the entertainment industry as his father or sisters, his comments have made headlines and placed the Bhatt family in the spotlight for reasons beyond their creative work. For many, this serves as a reminder that public platforms come with responsibility, and that family ties should not be trivialised or dissected for attention or comparison.
The backlash is unlikely to subside soon, especially as fans and followers of Alia and Pooja continue to express disappointment over the way the situation has unfolded. Whether or not Rahul chooses to clarify or apologise remains to be seen.