Bollywood actor Adhyayan Suman is quite psyched up about his upcoming film Bekhudi, a delicious thriller with a love story thrown in the middle. Directed by Amit Kasaria, the film traces the story of an affluent man who falls in love with a woman who has a dark past. After facing an inordinate delay, Bekhudi finally finds its way into theatres on October 29.
Talking about the film, Suman says, “One of the reasons why I did the film was because I had liked the script back then. I had also liked how clear Amit was in his vision and how accommodating he was for an actor like me who had his sense of opinion. I am very grateful that Amit gave me an opportunity back then. Abhishek, my producer, is a young guy who decided to make this film. It takes a lot for a producer to arrange funds and make a film. He never interfered during the process of making this film.”
Bekhudi was shot before the coronavirus pandemic brought the whole world to its knees. “Unfortunately, for whatever circumstances, the film did not release. For the last couple of years, it did not see the light of day. Finally, the film will be coming out now. Back then, I was looking for a love story and this was something that really intrigued me. It is not a flat love story, which is what I liked. I am excited and I hope that people like it. It is going to have a theatrical release and hopefully make it to the OTT platform. OTT is booming in such a big way that we are hoping to catch some eyeballs when the film comes out on the OTT space,” adds the actor.
Director Amit Kasaria, says “When you write a film, it becomes your baby and it is always close to your heart. For me, writing a movie like Bekhudi was technically challenging because I had to write something in the thriller/love-story genre. The story is written from multiple perspectives. Normally in a love story - a boy meets a girl and they fall in love. In stories, we usually glorify the hero. But, when it comes to women, we show them like good girls. We never try to show the real side of the female psyche and I think that while making this film, I have never followed a certain kind of a frame.”
He credits Suman for making his job easy. “Adhyayan, in particular, has done a fantastic job. I think this is Adhyayan’s best performance ever. He was actually living the character. He knew exactly what I was looking for.”
Kasaria doubles up as one of the music directors for the film. “As I am the music director of two songs in the film, I have also written lyrics and also composed music. Music is a strong point here. Daler Mehndi, Jubin Nautiyal. Sonu Nigam has sung our songs. The first requirement to any love story is soulful music and we have that spot on.”
Abhishek Tyagi stated, “I am very passionate about filmmaking. This is something very close to my heart, Initially, when I read the story is really liked it and thought of making a feature film, and now we are really excited to showcase our baby to the audience. The film is set to release in theatres and we are hoping to come on Ott as well. The film has some beautiful songs and we are hoping that the audience will love it.”
The film, which features Angel as the female lead, is produced by Dreamspark Movies’ Abhishek Tyagi and Vijay Arts' Vijay Bansal.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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