There is no denying the fact that S. Shankar is one of the finest filmmakers of Indian cinema. He has given us a series of exceptionally well-made movies like Robot (2010) and 2.0 (2018). He is one of those rare filmmakers who everyone wants to work with. So, it should not come as a surprise if you come to learn that after Akshay Kumar, now superstar Hrithik Roshan is also teaming up with the visionary filmmaker.
According to fresh reports, S. Shankar has narrated a sci-fi thriller script to Junior Roshan and the superstar has quite liked it. He is almost onboard, but the project is yet to be signed on the dotted line.
Shankar is presently gearing up to helm Indian 2, a sequel to the National award-winning 1996 Tamil film Indian. The film features megastar Kamal Haasan and Nayanthara in lead roles. The flick will mount the shooting floor as soon as Haasan wraps up hosting the television reality show, Bigg Boss 2 (Tamil).
Revealing some exclusive details, a trade source says, “Shankar has always been keen to work with Hrithik Roshan and has been trying since the last four years, but somehow it has never worked out. Shankar feels with Hrithik’s good looks, great physique and superb dancing skills, he can do justice to the kind of scripts that he has.”
The source goes on to add, “Few know that Hrithik and Shankar have been in talks for months to do a film together after 2.0 got complete and it’s the main lead. Shankar approached Hrithik Roshan for his next after Indian 2 and while Hrithik has liked the script, they are working on other factors including remuneration and dates. It’s another sci-fi action thriller movie in 3D and with extra-ordinary VFX like 2.0 – almost like a superhero film. Shankar had earlier wanted Hrithik to do Akshay Kumar’s role, ornithologist Pakshi Rajan, in 2.0 but Hrithik was busy shooting for Super 30 at that time and couldn’t commit. Hrithik is known to be very choosy with his scripts and the only movie he has given his nod till now is his father Rakesh Roshan’s Krrish 4. Right now, he is completing Super 30 and YRF’s movie with Tiger Shroff and Vaani Kapoor. If he agrees to do Shankar’s movie, it will definitely be an announcement of sorts.”
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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