A LOOK BACK AT THE POPULAR BOLLYWOOD MUSIC STAR’S GREATEST HITS OF THE LAST 20 YEARS
by ASJAD NAZIR
Singing sensation Sunidhi Chauhan made a name for herself as a child star and even recorded her first film song in 1996 at the age of 13, but it was in 1999 when she signalled her arrival to the big time with hit songs powered by her incredible voice.
Since then Sunidhi has gone onto become one of the greatest Bollywood playback singers in history and an explosive live performer who has delivered dynamite performances all over the world. She marks her 20th year in the music industry by returning to the UK for two concerts in Leicester and London on September 6 and 7.
To mark Sunidhi’s super success and prepare audiences for her concerts, Eastern Eye went back through the last two decades to carry out the impossible task of finding her best song of each year.
1999: Ruki Ruki from Mast – This duet with Sonu Nigam was star-making for Sunidhi and showed early signs of the explosive power in her voice. The teenager would earn a well-deserved Filmfare RD Burman Award for New Music Talent and a Best Female Playback singer nomination at the same ceremony.
2000: Mehboob Mere from Fiza: The next big turning point was this catchy song featuring Sushmita Sen, which would be the first step towards establishing the singer as perhaps the finest exponent of the item number in the modern era. Equally explosive song Bumbro from Mission Kashmir would quickly follow and carry on the momentum.
2001: Mehbooba Mehbooba from Ajnabee:By 2001, the hard-working singer saw her voice appear in a massive number of films and this duet with Adnan Sami was a major highlight. The cleverly-crafted song combined the contrasting vocals well and would help turn the movie into a major hit.
2002: Ishq Samundar from Kaante: By 2002, Sunidhi had become the go-to girl for explosive item numbers. Many, like this magnificent song, were remembered long after audiences had forgotten about the star-studded movie and remain popular on playlists even today.
2003: Sajna Ve Sajna from Chameli: Sunidhi owned this entire soundtrack and had big musical moments in it like this sizzling song, which swept across the globe like wildfire. The vocal acrobatics of the singer added an extra dimension to a song that remains a cult classic.
2004: Dhoom Machale from Dhoom:Sunidhi got a well-deserved Filmfare Award for this magnificent effort, which helped turn the movie into a hit and launch a profitable franchise. The song was so successful that it would reappear in various forms with other singers in subsequent films, but none could match the rendition by Sunidhi.
2005: Deedar De from Dus: There were plenty of awful films that were made less painful with the presence of a blockbuster from Sunidhi like this one. The catchy number with Arabic influences still fills up dance floors and earned her further award nominations.
2006: Beedi Jalaile from Omkara: One of the biggest hits of her career shook the foundations of the film industry when it released and got Sunidhi well-deserved awards. The catchy dance number was a global hit and crossed over to non-Asian audiences, including being a major success in Brazil. It still causes a firestorm over a decade later.
2007: Sajnaji Vari Vari from Honeymoon Travels Pvt. Ltd: The singer had delivered many joy-filled numbers across the years and this dance-floor filler was another one. Another track that got under the skin of film fans in a big way once again shows off the singer’s vocal acrobatic skills.
2008: Race Saanson Ki from Race: Sunidhi was given the title track for one of the biggest soundtracks of 2008. The dynamic duet saw her team up with Neeraj Shridhar for the various versions of the song, which included Sunidhi showing off her ability to deliver Hindi and English language lyrics with equal ease.
2009: Hadippa from Dil Bole Hadippa: Sunidhi had big hits in 2009, including the award-nominated Chor Bazaari from Love Aaj Kal, but this explosive duet with Mika Singh smashed up dance floors worldwide and doesn’t get the credit it deserves because the film failed at the box office, so we are including it and celebrating its brilliance.
2010: Sheila Ki Jawani from Tees Maar Khan: The biggest hit of Sunidhi’s career earned her further awards and consolidated her position as the greatest item number singer of the modern era. The gigantic hit overshadowed the high-profile film and continues to tower above other item numbers of the modern era.
2011: Ishq Sufiyana from The Dirty Picture: Although she is most associated with dance numbers, the singer showed off her soulful side superbly with this heartfelt rendition of a romantic number filled with love.
2012: Halkat Jawani from Heroine: Sunidhi was showing off her impressive range on a variety of songs in 2012, but the stand-out moment was another dance number, which featured Kareena Kapoor Khan. The track would get her another Filmfare Award nomination.
2013: Kamli from Dhoom 3: The hardworking singer released a massive number of songs in 2013, but the jewel in the crown was this sparkling number from the record-breaking film. What added magic to the song was the way it was picturised on Katrina Kaif, who had earlier created magic onscreen with Sheila Ki Jawani.
2014: Punjabi Wedding Song from Hasee Toh Phasee: The fact Sunidhi has the ability to put a smile on your face is illustrated by the number of fun songs she has recorded over the years, which includes this playful duet with Benny Dayal. You can sing along to it or just bust some moves.
2015: Girls Like To Swing from Dil Dhadakne Do: Perhaps the only female singer who has the power to match up to a big band in full flow was on fine form again with the infectious number, which gained her further acclaim.
2016: Je T’aime from Befikre: This musically-rich duet with Vishal Dadlani saw both singers effortlessly mix French and Hindi lyrics. The romantic number showed that Sunidhi can match up to any challenge and would have been even bigger had the film done well.
2017: Bloody Hell from Rangoon: The singer has made a name for herself with out-of-the-box and original songs, which included this one from the Second World War-set drama. When the song comes on you can’t help but sing along to the (naughty sounding) title.
2018: Ae Watan from Raazi: The spy drama contains this deeply patriotic number delivered by Sunidhi. She puts in heartfelt emotion and feeling into a soul-stirring song, which was nominated for a Filmfare Award.
2019: Vaddi Sharaban from De De Pyaar De: The party anthem is a fun duet with Navraj Hans that has filled up the dance floor and clocked-up over 27 million views on YouTube in 2019. It’s another fun and joyous song and looking back at her career, that is what Sunidhi has always been.
Sunidhi Chauhan will be in concert at Morningside Arena in Leicester on September 6 and Indigo at The O2 in London on September 7. www.rockonmusicuk.com
Mohini Dey laughs down the line, a deep, unfiltered chuckle that cuts through the noise. “Ronnie Scott’s? With my band, playing my music? That’s crazy,” she says, still letting it sink in. Speaking exclusively to Eastern Eye from Los Angeles, where she recently wrapped a show at the Hollywood Bowl with Willow Smith, the 28-year-old bassist is now preparing for her first headline performance in the UK this July.
For Dey, who grew up riding Mumbai’s local trains with a Walkman and no room for childhood distractions, this moment feels both improbable and hard-earned. It’s the kind of full-circle milestone that doesn’t come from luck, but from surviving, insisting, and showing up anyway.
A childhood full of sounds and music
Mohini was never a regular child. Born into a musically disciplined home in Mumbai, her father a bassist, her mother a singer, Mohini’s life was all structure and sound. But not the kind most children grow up with. “I didn’t have friends my age,” she says plainly. “My dad was strict. He believed childhood was for building something, not wasting time.”
While most kids her age were at birthday parties, Mohini was at Nirvana Studio, jamming with jazz legends like Ranjit Barot and Louis Banks. “It was like going to two schools: one for academics, one for music history and reality checks,” she recalls. “I was surrounded by giants, and I learned early that to make it, I had to be exceptional.”
Mohini Dey will make her UK headline debut at London’s iconic Ronnie Scott’s Jazz Club this July Instagram/dey_bass
That early push turned her into a master of her craft but also left scars. “I was depressed as hell,” she admits. “I was constantly being moulded into someone else’s dream.”
At 17, she left it all and became the family’s breadwinner
At 17, she snapped. In a moment of quiet rebellion, she left home. Cut ties. Lived alone. And decided to prove, especially to her father, that she could make it on her own. “He told me I wouldn’t be successful without him,” she remembers. “I needed to show him he was wrong.”
Those three years were lonely, but transformative. Mohini toured, hustled, and became her family’s main earner. “I learned to navigate everything. The business side, the gigs and all of it,” she says.
Bassist Mohini Dey is redefining what it means to be an Indian woman on the global music stageInstagram/dey_bass/bassplayunited
When music became medicine
The silence with her father finally broke when he called her after three years. “He said he was proud. That was enough. He didn’t apologise, but he didn’t need to.” She began taking him to her shows. In the last two years before he passed away, Mohini made sure he saw what she’d become.
“I took him to my shows. Introduced him to the life I’d built. It was healing,” she says, voice softening. “His death hit hard... but also made me push even more,” she says. “The last two years before he passed… they were good. Really wholesome. I’m glad we had that.”
Her father’s death could have derailed her. Instead, she kept playing. “I got back on stage within days. Because music took care of me when I couldn’t take care of myself.”
Mohini Dey opens up about burnout, ambition, and finding balance in a demanding industryInstagram/dey_bass
Not just the bass girl
Mohini is now one of India’s most sought-after musicians, having worked with legends like A.R. Rahman, Clinton Cerejo, Zakir Hussain, Salim–Sulaiman, and even Willow Smith, with whom she just played the Hollywood Bowl.
She’s crossed genres with ease, from Carnatic to rock, from fusion to pop. Her only rule? Never stay comfortable. “I’ll do a metal tour one week, a classical show the next,” she grins. “If it feels too easy, I’m bored.”
But don’t mistake that hustle for perfectionism. “I’m burnt out,” she says without flinching. “I’ve been working nonstop, albums, tours, even managing a side business. Sometimes I just want to disappear into a cave with my bass.”
Still, when she plays, the burnout fades. “There are these rare moments when I’m on stage, not overthinking, just being. That’s what I chase.”
Mohini Dey’s journey from a musically strict childhood in Mumbai to international acclaim is a story of rebellion, resilience, and rhythmInstagram/dey_bass
“I’m not a diversity hire. I’m just good”
Despite being a young Indian woman in an industry that rarely makes space for either, Mohini refuses to paint herself as a victim. “If anything, I used it to my advantage,” she says with a shrug. “I’m talented, I’m beautiful, I’m Indian. It made people take notice. But then I had to prove I deserved it.”
That confidence comes from lived experience. “I’ve never been treated like a diversity hire. I get called because I deliver. And because I’m versatile.” Her mentor, drummer Ranjit Barot, taught her early on: “You’re a musician first. The rest is noise.” That philosophy stuck.
From Mumbai to the world stage, Mohini plays life her own wayInstagram/dey_bass
Redefining success on her own terms
Despite the accolades, Forbes 30 Under 30, global acclaim, and sold-out venues, Mohini says awards never meant much to her. “In India, there are no awards for instrumentalists. Everything is for playback singers.”
So how does she define success? “I don’t know what it means yet,” she admits. “But contentment? That’s what I chase. Those rare moments when I play and I’m not overthinking, just flowing. That’s a win.”
Mohini Dey says music saved her when nothing else couldInstagram/dey_bass
What’s next: less travel, more life
As she readies her set for Ronnie Scott’s, including unreleased tracks and new sounds, Mohini is also thinking about slowing down. “I hate travelling,” she laughs. “By the time I’m 38, I want to be working from home, running a studio, picking only what excites me.”
She’s already laying the foundation with a social media company, side hustles and plans to support young musicians. “Music can’t feel like a grind,” she says. “It has to stay personal.”
Mohini Dey has become one of India’s most in-demand musicians across genresInstagram/dey_bass/bahrainjazzfest
Advice to dreamers: trust your gut
Asked what she’d tell her 14-year-old self, Mohini smiles. “Nothing. That kid was solid. She did what her dad told her to do. Then she did what she wanted to do. I’m proud of her.”
Her advice to young artists is blunt but inspiring: “People will try to drag you down. You’ve got to stay consistent, stay grounded, and own your story. Don’t wait for validation. Let your work speak. And if it doesn’t? Keep going until it does.”
From lonely train rides in Mumbai to sold-out shows at Ronnie Scott’s, from rejection and burnout to quiet moments of clarity on stage, Mohini Dey’s journey isn’t just about music, it’s about survival, rebellion, and learning to finally breathe in a life she built for herself.
And through it all, one truth remains: the bass didn’t just give her rhythm. It gave her voice.
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Ezra Miller attends the Los Angeles premiere of Warner Bros. "The Flash"Getty Images
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Ezra Miller attends the Apple Store Soho presentation Getty Images
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