The makers ofHouse of the Dragon dropped two distinct trailers for season 2.
The first season of House of the Dragon concluded with Aemond (Ewan Mitchell) murdering Rhaenyra (Emma D'Arcy)'s son Lucerys (Elliot Grihault).
Taking place 200 years before the events of Game of Thrones, season 2 of House of the Dragon will officially mark the start of the Dance of the Dragons, the Targaryen civil war, according to Variety.
The series will premiere on June 16. The first trailer focuses on Rhaenrya, Prince Daemon, and their forces on Dragonstone, while the other focuses on the King's Landing team of Alicent, her father Otto, and her children King Aegon and Prince Aemond.
This second season of House of the Dragon is based on George RR Martin's novel Fire & Blood.
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As per Variety, in the wake of the Season 1 finale, in which Aemond murders Rhaenyra's son Lucerys and his dragon, war is imminent in Westeros. The blacks and the greens are both gathering their forces, dragons, and new allies to face off in a bloody, fiery battle to the death. In King's Landing, young King Aegon is doubling down on his claim to the Iron Throne, which his half-sister Rhaenyra views as her rightful inheritance from their late father. The trailers also tease a return to Winterfell, the snowy home of the Starks that is ruled over by Cregan Stark in the prequel.
Emma D'Arcy returns as Rhaenyra Targaryen, Olivia Cooke as Alicent Hightower, Matt Smith as Daemon Targaryen, Ewan Mitchell as Aemond Targaryen, Eve Best as Rhaena Targaryen, Rhys Ifans as Otto Hightower, Steve Toussaint as Corlys Velaryon, Fabien Frankel as Criston Cole, and Tom Glynn-Carney as Aegon Targaryen.
New faces joining the series include Tom Taylor as Lord Cregan Stark, Clinton Liberty as Addam of Hull, Jamie Kenna as Ser Alfred Broome, Kieran Bew as Hugh Hammer, Tom Bennett as Ulf, and Vincent Regan as Ser Rickard Thorne. Other newcomers are Abubakar Salim as Alyn of Hull, Gayle Rankin as Alys Rivers, Freddie Fox as Ser Gwayne Hightower, and Simon Russell Beale as Ser Simon Strong. The cast also includes Sonoya Mizuno, Harry Collett, Phoebe Campbell, Bethany Antonia, Phia Saban, Jefferson Hall, and Matthew Needham.
Episode 1 of Season 1 drew nearly 10 million viewers, marking HBO's biggest series premiere in history.
The 10-episode first season of House of the Dragon aired from Aug. 21 to Oct. 23, 2022.
Martin is the co-creator and executive producer. Ryan Condal is the co-creator, showrunner, and executive producer. Sara Hess, Alan Taylor, Melissa Bernstein, Kevin de la Noy, Loni Peristere, and Vince Gerardis are executive producers, reported Variety.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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