Sargam Koushal brought back the Mrs World crown to India after 21 years and hopes to use her win as a "catalyst" to inspire women and children to follow their dreams.
The Jammu-born model was announced the winner of the beauty pageant at a ceremony held in Las Vegas on December 17. She is the first Indian to win the title after model actor Aditi Govitrikar (2001).
Koushal succeeded US's Shaylyn Ford, who was crowned Mrs World 2021.
“I'm grateful to God for giving me the opportunity to be a medium and a catalyst of change. It is a way of empowering other women and kids around. This fame comes with a lot of responsibility,” Koushal told PTI in an interview here. The Mumbai-based model, who dons multiple hats of being a painter, a content writer and a teacher, said her father motivated her to start modelling.
“From the very beginning, my father never looked down upon modelling or pageantry. He thought it was beautiful... Whenever he used to see Sushmita Sen, Aishwarya Rai Bachchan or any other beauty queen, he would say 'I want my daughter to do something of that sort'."
Even though her father believed that Koushal would have a bright future in modelling, she wasn't confident about it. Things took a turn for the better post her marriage in 2018 to an Indian Navy officer. She discovered she had a knack for public speaking after hosting a social gathering for the service personnel and their families.
“With dad's persistence and my determination, it all just happened,” Koushal said, adding that she soon enrolled for the beauty pageant. She also hopes people from her native Jammu look at her win as a shining example of the region's potential. "I hope with this people of Jammu start realising that the youth have a lot of potential and can do much better if given the right platform,” she added.
Koushal said she will soon visit Jammu to meet her parents, extended family and friends. Going forward, she would continue to pursue modelling. “I enjoy being in front of the camera... I don't know about acting, but I would like to pursue modelling,” she said.
Kamal Haasan announced the long-awaited collaboration at the SIIMA Awards 2025 in Dubai
The reunion marks their first film together since 1979’s Alavuddinum Athbutha Vilakkum
Speculation points to Lokesh Kanagaraj as director, having worked with both actors before
The two stars, once pitched as rivals, emphasised they were never competitors
Indian cinema will witness a landmark moment as Kamal Haasan has confirmed his reunion with Rajinikanth on screen after 46 years. The Thug Life actor revealed the news during the SIIMA Awards 2025 in Dubai, ending weeks of buzz around the project. The pairing of the two superstars, both introduced to audiences by mentor K Balachander, is one of the most interesting pieces of news in Tamil cinema this decade.
Kamal Haasan confirms Rajinikanth reunion after 46 years with cryptic biscuit remark at SIIMA Awards 2025 Instagram/ikamalhaasan
What did Kamal Haasan say about reuniting with Rajinikanth?
Haasan confirmed the reunion when host Sathish asked him directly on stage. “We were united long ago but chose to remain apart because they kept splitting a biscuit and giving us only half each. We wanted a full biscuit each, and we got it and relished it well. Now we are content with just half a biscuit again, so we have come together,” he said.
The 70-year-old star emphasised that their so-called rivalry was a narrative created by fans and the industry, not by the actors themselves. “That we got such opportunities is a huge deal. We had decided long ago to be like this and to set an example,” he added.
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Which was the last Kamal Haasan and Rajinikanth film together?
The two legends last played lead roles together in Alavuddinum Athbutha Vilakkum (1979), a fantasy drama based on the tale of Aladdin. Before that, they shared screen space in several films, including Apoorva Raagangal (1975), Moondru Mudichu (1976), 16 Vayathinile (1977), Avargal (1977), and Ninaithale Inikkum (1979).
They often appeared in love triangles or contrasting roles, with Haasan typically essaying layered protagonists and Rajinikanth taking on intense, often antagonistic parts. Despite their divergent on-screen personas, both actors went on to become the biggest stars of Tamil cinema in the decades that followed.
Alavuddinum Athbutha Vilakkum poster IMDB
Will Lokesh Kanagaraj direct Kamal Haasan and Rajinikanth’s new film?
Though no official details have been released, strong speculation suggests Lokesh Kanagaraj is set to helm the project. Kanagaraj directed Haasan in the 2022 blockbuster Vikram and Rajinikanth in this year’s Coolie.
The filmmaker has openly spoken about his desire to bring the two icons together, even revealing in earlier interviews that he had once planned a Rajinikanth film produced by Haasan’s Raaj Kamal Films International before the pandemic halted it.
Given his track record with ensemble thrillers and star-driven films, fans believe Kanagaraj is the natural choice to direct this historic collaboration.
Lokesh Kanagaraj directing the Rajnikanth-Kamal Haasan starrer heat up Instagram/\u00a0lokesh.kanagaraj
Why is this reunion significant for Tamil cinema?
The pairing of Haasan and Rajinikanth represents more than nostalgia. Both actors shaped modern Tamil cinema, commanding audiences across India and overseas for decades. Their reunion is not just about two stars coming together; it is a rare moment of unity at the very top of the industry.
With global audiences for South Indian cinema growing rapidly, the collaboration could also set new box office benchmarks. Distributors and exhibitors are already predicting record-breaking numbers when the film eventually releases, both in India and internationally.
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‘Dabangg’ director Abhinav Kashyap says Salman Khan stopped caring about acting 25 years ago and calls him a goon
Dabangg director Abhinav Kashyap has reignited his feud with Salman Khan
He accused the actor of being “not interested in acting for 25 years”
Kashyap also labelled the Khan family “vindictive” and controlling in Bollywood
His remarks come days before Dabangg’s 15th anniversary
Filmmaker Abhinav Kashyap has once again targeted Bollywood star Salman Khan, this time using strong words ahead of the 15th anniversary of Dabangg. The director alleged that Salman, despite his superstardom, has shown little interest in acting for decades and only “does a favour by turning up to work.” He further claimed the Khan family operates vindictively in the industry, echoing past allegations that they derailed his career.
‘Dabangg’ director Abhinav Kashyap says Salman Khan stopped caring about acting 25 years ago and calls him a goon Getty Images/ IMDB
What did Abhinav Kashyap say about Salman Khan?
In a new interview, Abhinav Kashyap did not hold back when describing his former leading man. He called Salman Khan a “gunda, badtameez, ganda insaan” (a goon, ill-mannered and bad person). The director alleged that the actor has not been involved in his craft for the past 25 years.
“Salman is never interested in acting. He does a favour by turning up. He is more into the power of being a celebrity than the art of cinema,” Kashyap said. He added that he only realised the extent of this behaviour during the making of Dabangg in 2010.
Abhinav Kashyap alleges Salman Khan has lost interest in acting for more than two decadesIMDB
Why did Abhinav Kashyap clash with the Khan family?
Kashyap also spoke about his fraught relationship with the Khan family, claiming they use their influence to control Bollywood. “He (Salman) is the father of the star system. The family has been in the industry for 50 years. They are vindictive people. If you don’t agree with them, they come after you,” he said.
The filmmaker walked away from Dabangg 2 and has long maintained that the Khans tried to block his opportunities afterwards. In 2020, he posted on social media accusing Salman, Arbaaz, Sohail, and veteran writer Salim Khan of sabotaging his career.
Salman Khan, mother Salma, father Salim Khan, sister Arpita and Arbaaz Khan stand on the balcony on arrival at his house in Galaxy Apartment Getty Images
What role did Anurag Kashyap play in the fallout?
Abhinav Kashyap recalled how his brother, acclaimed director Anurag Kashyap, had faced a similar situation years earlier. Anurag was initially attached to Tere Naam (2003), written by him and starring Salman Khan. He eventually left the project after clashes with producer Boney Kapoor, and his contribution allegedly went uncredited.
“Anurag told me before Dabangg that I wouldn’t be able to make a film with Salman. He thought I’d get easily bullied. The same thing happened with him on Tere Naam. They misbehaved, and he had to leave,” Abhinav said.
Abhinav Kashyap says Anurag warned him never to work with the Salman Khan Getty Images
Where does Salman Khan stand now?
While Abhinav Kashyap continues to criticise him, Salman Khan has remained publicly silent on the matter. His father, Salim Khan, previously dismissed the director as “a frustrated person” and said the industry knows the truth about his family’s work.
Salman Khan silent as Abhinav Kashyap calls him a goon during a recent interviewGetty Images
Professionally, Salman was last seen in AR Murugadoss’ Sikandar, opposite Rashmika Mandanna. He is now preparing for Apoorva Lakhia’s Battle of Galwan, in which he plays an Indian Army soldier. He also continues his long-running stint as host of Bigg Boss 19.
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Anuparna Roy becomes first Indian to win Best Director at Venice Film Festival 2025
Indian filmmaker Anuparna Roy creates history at 82nd Venice Film Festival
Wins Orizzonti Award for Best Director, the first Indian to do so
Songs of Forgotten Trees stars Naaz Shaikh and Sumi Baghel
Presented by Anurag Kashyap, the film highlights migrant women’s lives in Mumbai
Indian filmmaker Anuparna Roy has made history by winning the Best Director award at the Venice Film Festival in the prestigious Orizzonti section. Her debut feature, Songs of Forgotten Trees, became the only Indian film selected in this category in 2025, bringing home a milestone moment for Indian cinema. The Venice recognition comes especially at a time when global attention is increasingly turning towards diverse voices and independent storytelling.
Anuparna Roy becomes first Indian to win Best Director at Venice Film Festival 2025 Getty Images
What is the Venice Film Festival Best Director award?
The Best Director award at Venice Film Festival is one of the highest honours in international cinema. Within the Orizzonti section, it is presented to filmmakers pushing the boundaries of style and narrative. This year’s jury was led by French director Julia Ducournau, who announced Roy’s name to a standing ovation. Roy walked up in a white sari, visibly emotional, and thanked her cast, crew, and supporters for believing in a film that resisted mainstream formula.
The Orizzonti competition is known for spotlighting new cinematic trends. Previous Indian films recognised in this section include Chaitanya Tamhane’s Court and Karan Tejpal’s Stolen, but Roy is the first Indian director to win in this category.
Songs of Forgotten Trees follows the lives of two migrant women in Mumbai, Thooya, played by Naaz Shaikh, and Swetha, played by Sumi Baghel. Their unlikely connection unfolds in the bustling city, exploring themes of survival, selfhood, and solidarity. The narrative, inspired by Roy’s own observations, centres on how women find strength and empathy in urban struggles.
The film is produced by Bibhanshu Rai, Romil Modi, and Ranjan Singh, with Anurag Kashyap presenting it. Kashyap has often supported experimental and independent cinema, and his backing helped Songs of Forgotten Trees reach international audiences.
In her acceptance speech, Anuparna Roy dedicated the Best Director award to women worldwide, saying, “This film is a tribute to every woman who’s ever been silenced, overlooked, or underestimated. May this win inspire more voices, more stories, and more power for women in cinema and beyond.”
She also used the stage to speak about the Palestinian crisis, declaring, “Every child deserves peace, freedom, and liberation, and Palestine is no exception.” Her words were met with applause, clearly showing how filmmakers are using international platforms to amplify global concerns beyond cinema.
Anuparna Roy dedicates her Venice win to women worldwide while speaking about Palestine on stageGetty Images
Why is Anuparna Roy’s win significant for Indian cinema?
Roy’s award marks a breakthrough for Indian filmmakers on the international stage. While Indian cinema has long been recognised at global festivals, Best Director wins at Venice remain rare. Her achievement, in fact, shows the growing acceptance of independent Indian storytelling, away from the stereotypes often associated with Bollywood.
This recognition also signals greater visibility for women directors from India, many of whom struggle for space in a male-dominated industry. Producers behind the film emphasised that backing Roy was “not just a choice, but a responsibility,” pointing to the honesty and strength of stories told by women.
Anuparna Roy accepts her award in a white saree, thanking her cast and crew for believing in her storyGetty Images
Who were the other winners at Venice 2025?
The Golden Lion for Best Film went to Jim Jarmusch’s Father Mother Sister Brother, while Kaouther Ben Hania’s The Voice of Hind Rajab earned the Grand Jury Prize. Benny Safdie won the Silver Lion for Best Director in the main competition for The Smashing Machine.
Rick Davies, co-founder of Supertramp, has died at 81 after a long battle with cancer
The British musician wrote and sang classics including Goodbye Stranger and Bloody Well Right
Davies kept the band alive after Roger Hodgson’s departure in 1983 and toured until 2022
His music, especially Breakfast in America, continues to inspire generations worldwide
Rick Davies' death has left a profound mark on the music world, as fans remember the Supertramp co-founder who turned a progressive rock outfit into one of the most successful British bands of the late 1970s. Alongside partner Roger Hodgson, he penned songs that defined an era, while his unique keyboard style helped shape rock history. Beyond his artistry, Davies’ determination kept Supertramp going long after internal disputes and creative differences split the group.
Rick Davies, British rock legend of Supertramp, dies at 81 Getty Images
Who was Rick Davies in Supertramp?
Born in Swindon, England in 1944, Rick Davies developed an early fascination with jazz and blues before moving into rock. In 1969, he placed an advert to form a new band, eventually bringing in Roger Hodgson. Together, they rebranded as Supertramp in January 1970.
While Hodgson’s higher-pitched vocals carried The Logical Song and Give a Little Bit, Davies’ deeper tones became the backbone of tracks like Bloody Well Right, Rudy and Goodbye Stranger. His mastery of the Wurlitzer electric piano gave Supertramp its signature sound, combining pop hooks with progressive structures.
John Helliwell, Rick Davies, Roger Hodgson, Bob Siebenberg and Dougie ThomsonGetty Images
What were Supertramp’s biggest hits?
Supertramp first tasted commercial success with the 1974 album Crime of the Century, which featured Davies’ single Bloody Well Right. The band’s true breakthrough, however, came in 1979 with Breakfast in America.
The record sold more than 30 million copies worldwide, topping charts across the US and Europe. Its singles The Logical Song, Take the Long Way Home, and Goodbye Stranger remain radio staples. The album earned the group two Grammy Awards, strengthening their place in rock history. Davies’ role as songwriter, singer and pianist was central to this success, his songs carrying a soulful, world-weary edge that contrasted with Hodgson’s more whimsical lyrics.
By the early 1980s, tensions between Davies and Hodgson intensified over songwriting royalties and creative direction. Following the release of Famous Last Words in 1982, Hodgson quit the band.
While many assumed this would end Supertramp, Davies chose to carry on. He released four more albums under the band’s name, including 2002’s Slow Motion. Though the band never again reached the commercial heights of Breakfast in America, they maintained a devoted fan base. Davies’ leadership ensured the group’s legacy endured, with tours continuing into the 2000s.
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How did Rick Davies spend his later years?
In 2015, Davies was diagnosed with multiple myeloma, a cancer affecting bone marrow. This forced him to cancel a planned reunion tour. Despite his illness, he continued performing with local musicians in the US under the name Ricky and the Rockets, entertaining fans with blues and rock classics.
Davies died on 5 September at his home in Long Island, aged 81. A statement from the band said: “His soulful vocals and unmistakable touch on the Wurlitzer became the heartbeat of the band’s sound… Rick’s music and legacy continue to inspire many and bears testament to the fact that great songs never die, they live on.”
Rick Davies, Supertramp’s guiding force, dies at 81Getty Images
He is survived by his wife Sue, who had been Supertramp’s manager since 1984.
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Onam 2025: 5 celebrity fits that nailed the Onam mood
Mohanlal kept it timeless in a crisp mundu and shirt
Prithviraj & Supriya Menon looked like the perfect festive album shot
Malavika Mohanan brought in a twist with her kasavu saree with traditional jewellery
Malaika Arora embraced Kerala’s spirit with a kasavu saree, temple jewellery, and a warm Sadhya
R. Madhavan & Sarita Birje showed coordinated elegance in mundu and saree
Festivals tell their own stories. Sometimes it’s not in the captions, not even in the feasts, but in the clothes, the smiles, and the way people carry tradition without trying too hard. Onam this year gave us just that: celebrities, often dripping in designer labels, strip it back to something pure, elegant, and powerfully rooted.
Here’s who absolutely nailed the Onam vibe.
Mohanlal: The godfather in white
The man does not need to try. In a simple, crisp white mundu. Simple shirt. A straight camera greeting. That is it. No frills, no staged glamour. Just the veteran looking like the festival itself: timeless.
Prithviraj in a mundu with a printed shirt. Supriya in a kasavu saree with a gold border, her jewellery adding the final shine. The picture looked less like a posed post, more like a family album moment you would want to keep.
While others went classic, Malavika played. She wore a cream-white kasavu saree with a golden border, the drape beautifully, turning the attire into almost a contemporary painted canvas. Paired with ethnic gold jewellery, parted loose hair, her styling was classy, traditional and on point.
Bollywood meets Kerala elegance. Malaika in a kasavu saree, gold border flowing, finished with temple jewellery. Add to that a banana leaf sadhya moment with her mother Joyce also in kasavu. Warm, rooted, real. She got the spirit, not just the outfit.
R. Madhavan & Sarita Birje: The coordinated class act
The couple matched steps in traditional wear, smiling in sync. Madhavan in mundu, Sarita in saree, it felt celebratory without being curated. Just a family, a festival, and a frame that spoke togetherness.
Onam does not need long stories. A mundu tucked neatly, a kasavu saree draped with care, a smile that feels familiar, that is enough. That simple, handwoven kasavu cloth does something interesting. It momentarily strips away the movie star, the influencer, the Bollywood diva. For a second, they all just look… Malayali. Connected. Because no matter how famous you get, some looks just feel like coming home.