Bollywood star Kriti Sanon says she is “extremely proud” of “Adipurush”, the big screen adaptation of the Ramayana.
Fronted by "Baahubali" star Prabhas, who features in the title role as Lord Ram, the multilingual period saga sees Saif Ali Khan in the role of Lakesh and Sanon as Sita.
"It is a film that the entire team is extremely proud of. I hope and pray that people will also equally be proud of it. It is something that is so important to all of us. It is just not a film for us, it is way more than that. I hope it gets its due. I have a feeling it will," Sanon told PTI in an interview.
There was some controversy over the depiction of Ravana in the film after the makers launched the teaser in October last year. The film was earlier scheduled to arrive in theatres on January 12 but the release date has now been shifted to June 16.
It is directed by Om Raut and produced by Bhushan Kumar-led T-Series.
The "Mimi" star, who did not get to see Ramanand Sagar's "Ramayana” while growing up, hopes the film appeals to the younger generation.
“It is important to make these stories. It is educational for kids. I feel if I had not seen it then, today’s children would also have not seen it,” she said.
“I feel visual memory is way stronger than anything else. The best way to make kids know (this) story is to have it imprinted in their minds, it is important to watch it. If you are getting it out now after so many years, that same story also needs to relate to the audience it is catering to.” Up next for Sanon is action-drama “Shehzada” opposite Kartik Aaryan. The film is a remake of a 2020 Telugu blockbuster “Ala Vaikunthapurramuloo”, which featured Allu Arjun and Pooja Hegde.
The Hindi movie, directed by Rohit Dhawan, will release theatrically on February 17. She will be reteaming with her “Heropanti” co-star Tiger Shroff for a futuristic action film “Ganapath”. The Vikas Bahl directorial will arrive in cinemas this year.
Sanon is also excited to be collaborating with Shahid Kapoor for a movie, to be backed by Maddock Films, and to be working with stalwarts like Kareena Kapoor Khan and Tabu on “The Crew”.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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