There are some onscreen jodis that moviegoers love to watch on the big screen. Some actors really share good chemistry with each other and their jodis surely ensure that the film will be a hit at the box office.
So, today let’s look at the list of hit jodis that are reuniting on the big screen this year, after a long gap.
Tiger Shroff and Shraddha Kapoor starred together in 2016 release Baaghi. The film was a hit at the box office and Tiger and Shraddha’s jodi was liked by the moviegoers. Fans of both the actors were expecting that they will get to see them in Baaghi 2 as well, but that didn’t happen. However, now after four years, they are coming back together on the big screen in Baaghi 3.
Namastey London, Humko Deewana Kar Gaye, Singh Is Kinng, Welcome, Tees Maar Khan and De Dana Dan, Akshay Kumar and Katrina Kaif have starred together in many super hit films. Now, after more than a decade we will get to see them on the big screen in Sooryavanshi. Fans of both the actors are super excited to watch them on the big screen together again.
Ranveer Singh and Deepika Padukone’s last film together was 2018 release Padmaavat. But the two were not paired opposite each other and didn’t even have a single scene together in the film. So, their last film as a jodi was 2015 release Bajirao Mastani. Now, after five years, the two will be seen as a jodi on the big screen in the film 83.
Hum Tum, Ta Ra Rum Pum and Thoda Pyaar Thoda Magic, Saif Ali Khan and Rani Mukerji impressed one and all with their chemistry in these films. This year, the two are reuniting for Bunty Aur Babli 2. They will be seen together on the big screen after a gap of 12 years. It will surely be interesting to watch them after such a long gap.
Aamir Khan and Kareena Kapoor Khan have starred in films like 3 Idiots and Talaash. Their chemistry in both films was liked by the moviegoers. Now, the two have teamed up for Laal Singh Chaddha after a gap of eight years. We surely can’t wait to watch Aamir and Kareena romance on the big screen again.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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