Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
BRITAIN's Heathrow Airport has refused to allow extra flights from India before the country is added on Friday (23) to Britain's "red-list" of locations from which most travel is banned due to a high number of Covid-19 cases, the airport said.
The move by Britain comes after it detected more than 100 cases of a coronavirus variant first identified in India, health minister Matt Hancock said.
"We've made the difficult but vital decision to add India to the Red List. This means anyone who is not a UK or Irish resident or a British citizen cannot enter the UK if they've been in India in the previous 10 days," Hancock had told parliament.
Heathrow Airport's refusal to allow extra flights from India was reported earlier by the BBC, with the airport adding that it turned down the requests from airlines because of concerns about queues at passport control.
The airport also told Reuters it did not want to exacerbate existing pressures at the border by allowing more passengers to fly in.
Four carriers had requested to operate an additional eight flights from India as travellers seek to fly before the new rule comes into effect, reported the PTI.
Currently, 30 flights a week are operating between the UK and India.
India's civil aviation authority has confirmed that it also received applications for charter flight permits from India to the UK - but these had been declined or withdrawn as they did not meet the qualifying criteria.
India's addition to the travel 'red list' was announced in the House of Commons on Monday (19) amid 103 cases recorded in the UK of a new variant of coronavirus first detected in India.
Hancock told MPs that the decision had been made after studying the data and on a precautionary basis.
Since then, online travel agent Skyscanner said searches for flights returning to the UK from India had increased by more than 250 per cent.
The ban means that those with valid residency rights returning to the UK after the deadline on Friday face the additional financial burden of compulsory hotel quarantine and tests costs, estimated at around £2,000 per person.
A briefing document drawn up by officials at Public Health England shows that between March 25 and April 7, a total of 3,345 arrivals from India were registered in UK border travel data. Of those 161 tested positive for Covid-19 after a PCR test.
Covid 'storm'
India now faces a coronavirus 'storm' overwhelming its health system, prime minister Narendra Modi said in a national address on Tuesday (20), with the world's second-most populous nation reporting over 300,000 new coronavirus infections on Thursday (22) - the biggest daily rise reported in any country - stretching its hospitals to breaking point.
At least 24 Covid-19 patients in western India died on Wednesday (21) when the oxygen supply to their ventilators ran out, amid a nationwide shortage of the gas and a surge in infections.
Health experts said India had let its guard down when the virus seemed to be under control during the winter, allowing big gatherings such as weddings and festivals.
Modi is himself facing criticism for addressing packed political rallies for local elections and allowing a religious festival to go ahead where millions gathered.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.