Indian actor R Madhavan, who is as much known for his infectious smile and charming looks as his unrivalled acting talent, is celebrating his 51st birthday today on June 1, 2021. Madhavan, who began his acting career with an uncredited gig in the 1966 Hindi film Is Raat Ki Subah Nahi, has been a true pan-India star since even before the term was coined by the Indian media. The talented actor has proved his acting mettle across industries, having appeared in several Hindi, Tamil and Telugu blockbusters over the years.
To celebrate his 51st birthday, let us take you through his five must-watch Hindi films that you can never get bored watching.
5. Rang De Basanti (2006)
R Madhavan does not play the male lead in this iconic Rakeysh Omprakash Mehra directorial, but it is as much remembered for his brief yet moving act as for Aamir Khan, Siddharth, Sharman Joshi, Atul Kulkarni, Kunal Kapoor and Soha Ali Khan’s searing leading performances. Imbued with patriotism and nationalism, Rang De Basanti hit theatres on January 27, 2006, and turned out to be an instant box-office blockbuster. R Madhavan as Flight Lt. Ajay Singh Rathod won millions of hearts with his act. If you have not watched it yet, go to Netflix now!
4. Tanu Weds Manu (2011)
You put Madhavan in any role and he will not only deliver but also exceed your expectations. This Aanand L Rai directorial is the best testimony to his unparalleled acting chops. It’s true that Kangana Ranaut walked away with all awards and accolades for her animated, uninhibited performance as Tanuja Trivedi in the film, but there are millions who just cannot get over Madhavan’s restrained performance as Manoj Kumar Sharma. Alas, it remains criminally underrated! Tanu Weds Manu is available on Netflix in case you have not seen it yet.
3. Tanu Weds Manu Returns (2015)
As the title aptly suggests, Tanu Weds Manu Returns is the sequel to Tanu Weds Manu. Both R Madhavan and Kangana Ranaut return to reprise their respective characters from the first installment. However, what makes the sequel far better than its predecessor is the fact that Madhavan’s character here is meatier than what we saw before. He does not only get great dialogues to mouth but two Kangana Ranauts to romance. If you did not get what are we talking about, stream the film on ZEE5 now.
2. 3 Idiots (2009)
One of the most successful films of Indian cinema, 3 Idiots offers R Madhavan a well fleshed out character whose likability lies in his innocence, something which makes it so much relatable. His character Farhan Qureshi, who is also the narrator of the film, deals with all kinds of insecurities that mirror the real life of a student. Despite the presence of superstar Aamir Khan, Madhavan manages to leave an indelible impression on audiences’ mind with his genuine, earnest performance. Netflix is currently streaming 3 Idiots.
1. Rehnaa Hai Terre Dil Mein (2001)
R Madhavan and Rehnaa Hai Terre Dil Mein are synonymous with each other. It very rarely happens that one talks about the actor and RHTDM does not find any mention in the conversation. The film marked Madhavan’s full-fledged acting debut in Bollywood and also launched former beauty queen Dia Mirza alongside him. RHTDM did not set the cash registers jingling upon its theatrical release, but it went on to attain cult status a few years after its release thanks to countless repeats on television. Madhavan’s character Madhav Shashtri is remembered as his most endearing role to date. Rehnaa Hai Terre Dil Mein is currently streaming on Disney+ Hotstar.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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