When music runs in your veins, it is only a matter of time before the world hears your song. For Gxrnoor, born Gurnoor Anand, music was both a calling and a legacy.
The daughter of acclaimed music director Harry Anand, she grew up surrounded by melody and rhythm, but her sound is entirely her own. Blending sleek pop hooks with the swagger of hip hop, the soul of r’n’b and the spirit of Punjabi beats, Gxrnoor represents a bold new wave of Indian artists unafraid to mix styles and shatter expectations.
From scribbling down Rihanna lyrics as a child to releasing her debut single Relive in 2024, she has been winning hearts with a boss girl energy.
Eastern Eye caught up with the rising music star you will be hearing more about to discuss her songs, inspirations and hopes.
What first connected you to music?
I used to listen to a lot of pop and hip hop as a child – artists like Rihanna, Shakira and Nicki Minaj. Seeing their music videos and performances always intrigued me. They reflected a boss girl energy, and I wanted to be like them someday. I started writing down their lyrics in my notebook, and one day, I thought of writing a song of my own. That is how my journey began. I was only 12 when I wrote my first song and eventually started playing instruments, becoming more inclined towards this path.
How do you reflect on your music journey?
So far, I am grateful. God has been kind. I have received immense love and support in just one year of starting out, and I am eternally thankful for it. There is so much more to come and do – so many things I am yet to achieve. I believe hard work and consistency can get me exactly where I hope to be one day.
What has been your most memorable moment so far?
Seeing people make reels using my songs felt emotional. Watching real people add my songs to their playlists and listen to them daily is a beautiful feeling. Every artist can relate to that. It feels amazing when someone appreciates your craft and connects to it.
Which of your songs is closest to your heart and why?
Relive and Darham. Relive is my debut single, so it will always be closest to my heart. I have achieved a lot and been discovered because of that song. Darham was composed in two minutes – it just flowed out, raw and unfiltered. I love the simplicity and airiness of it. Plus, the word itself is unique. Darham means ‘confused’ in Persian.
Tell us about your next song.
I am working on a summer track with a house feel. It is a great melody – very easy listening. I love its vibe and, hopefully, the audience will too. Fingers crossed! Who are you hoping this song connects with most? It is a light, feel-good song that anyone can relate to. You could play it while driving, chilling at the beach, sitting in the park or just going about your day. It has a good, summery vibe.
What is the music masterplan going forward for your career?
India still has a limited number of female artists. If you look internationally, the music scene is largely dominated by women. My masterplan is to bring that change to India – to inspire more women to step forward and chase their dreams without hesitation. Confidence and belief are key. And if I can make it to the top, they will know they can too.
Who would you love to collaborate with?
Shubh is a great artist. I would love to collaborate with him someday.
What music genres dominate your personal playlist these days?
(Laughs) There is no in-between. It is either extreme hip hop or extreme melody – the best of both worlds.
Who is your music hero?
My father. I have seen him at his peak, and he inspires me to aim that high. He has sold out stadiums and ruled India’s pop music scene in the 1990s and 2000s. I hope I can follow in his footsteps and make him proud.
If you could master something new in music, what would it be?
I would love to master advanced music production. I only know the basics for now, but if I had more time, I would love to make beats just for fun. It is something that really fascinates me.
What inspires you?
Nature inspires me. If you leave me in the hills or by the sea for hours, I will come back with ten compositions. It opens up my creativity. I also love stargazing – just staring at the vastness of the universe. That inspires me too. And I admire other artists and their creativity. We should always support each other in this community.
Why do you love music?
I love music! I breathe music! Imagine how empty the world would be without it. Music heals your soul. It connects you to yourself. You do not need company when you are listening to music. It helps you enjoy life.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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