Gayathri Kallukaran is a Junior Journalist with Eastern Eye. She has a Master’s degree in Journalism and Mass Communication from St. Paul’s College, Bengaluru, and brings over five years of experience in content creation, including two years in digital journalism. She covers stories across culture, lifestyle, travel, health, and technology, with a creative yet fact-driven approach to reporting. Known for her sensitivity towards human interest narratives, Gayathri’s storytelling often aims to inform, inspire, and empower. Her journey began as a layout designer and reporter for her college’s daily newsletter, where she also contributed short films and editorial features. Since then, she has worked with platforms like FWD Media, Pepper Content, and Petrons.com, where several of her interviews and features have gained spotlight recognition. Fluent in English, Malayalam, Tamil, and Hindi, she writes in English and Malayalam, continuing to explore inclusive, people-focused storytelling in the digital space.
A major exhibition showcasing the works of renowned Italian fashion designer Gianni Versace is set to open in London this summer. The Gianni Versace Retrospective will feature over 450 original pieces from the designer’s iconic collections, including outfits worn by some of the world’s most famous personalities such as Princess Diana, Kate Moss, Sir Elton John, Naomi Campbell, and George Michael.
Opening on 16 July at Arches London Bridge, the exhibition promises a vivid exploration of Versace's bold vision and 1990s fashion scene. Organisers have described the event as offering a “kaleidoscopic view of the 90s,” immersing visitors in the opulence and revolutionary style that Versace brought to the fashion world.
Gianni Versace, who was murdered in 1997, was one of the most influential designers of his generation. His designs were known for their audacity, bright colours, and intricate prints, reshaping the fashion landscape and influencing a host of celebrities and models. Following his death, his sister Donatella Versace took over as creative director, maintaining the brand’s legacy.
The announcement of the London exhibition follows the news that Donatella will step down from her position as creative director this month. Her successor, Dario Vitale, will take over, although Donatella will continue to represent the brand as an ambassador. The exhibition’s launch in London is significant as it marks the first time the retrospective has been presented in its updated format, with new content added specifically for the UK audience. While previous iterations of the exhibition have been held in countries such as the Netherlands, Poland, Germany, Sweden, and Spain, the London exhibition will be the largest and most expansive of its kind.
His designs gained widespread acclaim for their luxurious materials and flamboyant styleGetty
The exhibition will be displayed in London’s iconic Arches London Bridge, a venue selected for its ability to provide an ideal setting to showcase the grandeur of Versace’s creations. A major addition to this edition of the retrospective is the segment “Gianni Versace in London,” highlighting the designer’s deep connection to the city, which has long been regarded as one of the world’s fashion capitals.
Curator Karl von der Ahe noted the importance of London as a backdrop for the exhibition, saying that Versace’s influence on fashion was undeniable and that London, a city known for its creativity and cultural impact, was the perfect place to celebrate his legacy. He added, "Gianni Versace's bold, unapologetic vision revolutionised fashion, and this city provides the perfect stage to honour his contributions."
The exhibition in London will display the largest collection of vintage Versace designs ever shown in the UK. In addition to the famous outfits, visitors will be able to see accessories, sketches, photographs, and exclusive interviews, offering a deeper understanding of the designer’s innovative work. Liz Koravos, Managing Director of Arches London Bridge, praised Versace as a "genius of his time," noting the lasting influence of his work on modern culture.
Born in 1946 in Reggio Calabria, Italy, Gianni Versace showed an early interest in fashion, learning the craft from his mother who ran a sewing business. By the 1970s, Versace was establishing himself as a designer, and in 1978, he founded his own fashion brand. His rise to fame came in the 1980s, when his designs gained widespread acclaim for their luxurious materials and flamboyant style.
Versace’s clothes were favoured by some of the biggest names in music, politics, and entertainment, with Sir Elton John among his close friends and a regular wearer of Versace’s silk shirts. His work also became a key part of Princess Diana’s image reinvention in the 1990s. Versace’s clothes were worn by models such as Kate Moss and Naomi Campbell, and he was instrumental in the rise of the supermodel during the 1990s. His connection to music was also evident, with Versace designing the iconic looks for George Michael’s 1991 music video "Freedom," in which top supermodels lip-synced the song’s lyrics.
Versace’s life was tragically cut short when he was murdered on 15 July 1997 at the age of 50. He was shot in the head by serial killer Andrew Cunanan while walking back from his local newsagents in Miami. Eight days after the murder, Cunanan took his own life, but the designer’s legacy has continued to thrive.
The Gianni Versace Retrospective is a testament to his lasting influence on fashion and popular culture. The exhibition promises to be a must-see for anyone in
Two Zara adverts banned for featuring models deemed “unhealthily thin”
ASA cited use of shadows and styling that made models appear gaunt
One image highlighted “protruding collarbones”; another made legs appear unusually thin
Zara removed the flagged images and said both models had medical certification
ASA also banned adverts from Marks & Spencer and Next earlier this year
Fashion retailer Zara has had two adverts banned by the UK’s advertising watchdog for portraying models who appeared “unhealthily thin”.
The Advertising Standards Authority (ASA) ruled the adverts were “irresponsible” and said they must not appear again in their current form. Both images had appeared on Zara’s app and website as part of a carousel showcasing clothing both on and off models.
Zara has removed the images in question and said the models involved had received medical clearance confirming they were in good health at the time of the shoot.
What did the ASA find?
In one advert, which promoted a short dress, the ASA said shadows were used in a way that made the model’s legs appear “noticeably thin.” The watchdog also noted the positioning of the model’s upper arms and elbow joints gave an impression of being “out of proportion.”
The second banned advert was for a white shirt, where the model's pose and the shirt’s low neckline made her “protruding collarbones” a central visual element.
The ASA said the slicked-back hairstyle and lighting in both ads contributed to the models appearing “gaunt.”
Two other adverts investigated as part of the same inquiry were not banned. Zara confirmed it had voluntarily removed all the flagged images.
The ASA’s decision follows similar rulings earlier this yearZara
Zara's response
Zara said it did not receive any direct complaints and maintained that the images had not been heavily altered—only minor edits to lighting and colour were made.
The retailer added that it follows guidance from Fashioning a Healthy Future, a report issued by the UK Model Health Inquiry in 2007. Zara specifically cited compliance with recommendation three, which requires models to provide a medical certificate from a doctor experienced in recognising eating disorders.
A wider issue in fashion advertising
The ASA’s decision follows similar rulings earlier this year. In July, a Marks & Spencer advert was banned for portraying a model who appeared “unhealthily thin.” The regulator said the model’s pose, clothing choice, and the use of “large pointed shoes” exaggerated the slimness of her legs.
Next also had an advert banned earlier this year, involving a model wearing blue skinny jeans. The ASA criticised the use of camera angles that emphasised the thinness of the model’s legs and declared the advert “irresponsible.”
Next disagreed with the decision and said the model had a “healthy and toned physique,” despite being slim.
The debate around body image in advertising continues, with some consumers questioning why adverts featuring models who appear unhealthily overweight are not subject to the same scrutiny.
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The players were seen in House of Cavani’s Bond Navy blue blazer
House of Cavani styled the India Champions team during the World Championship of Legends 2025
Cricketers including Yuvraj Singh, Harbhajan Singh, and Suresh Raina wore Cavani’s formalwear
Outfits included the Bond Navy blue blazer, Dakota beige chinos, and Ashley bi-stretch shirts
The team wore the brand to a pre-match press conference and dinner event
House of Cavani has 17 UK stores and is known for Italian-inspired menswear
29 July 2025, Birmingham – Leading menswear brand House of Cavani has partnered with the India Champions team for the World Championship of Legends 2025, styling the cricket legends for key events during the tournament.
Ahead of their opening match in the second season of WCL, the India Champions attended a press conference and team dinner dressed in Cavani’s signature pieces. The lineup included former international cricketers Yuvraj Singh, Harbhajan Singh, Suresh Raina, and brothers Irfan and Yusuf Pathan.
Outfitted by Cavani: Style meets sport
The players were seen in House of Cavani’s Bond Navy blue blazer, a piece suited to both formal occasions and professional appearances. This was paired with Dakota beige chinos, a versatile wardrobe staple, and the Ashley bi-stretch shirt, made with soft mercerised cotton for a slim, modern fit.
Brand and team speak on collaboration
Sukhi Mondair, CEO of House of Cavani, said:
“Styling the India Champions team has been a privilege, providing the perfect blend of performance excellence with sartorial craftsmanship. Their charisma deserves formalwear that matches the impact they’ve had on cricket.”
Jaspal Bahra, Co-Owner of the India Champions, added:
“It is flattering that the India Champions team is seen as a natural fit with such an iconic brand like House of Cavani, which is the epitome of timeless sophistication.”
About House of Cavani
House of Cavani is a UK-based menswear label known for its Italian-inspired tailoring, offering both formal and casualwear. With 17 stores across the UK, the brand continues to blend craftsmanship with contemporary style for the modern gentleman.
Let’s be honest. Most of us have paused mid-scroll on a red carpet photo and whispered, “How does their face look so… expensive?” Not plastic. Not filtered. Just expensive.
When Timothée Chalamet’s jawline cuts through a paparazzi swarm, or Zendaya glows like she’s powered by nuclear energy under stadium lights? That’s not genetics. Celebrities survive because they treat their faces like tactical gear in a war against 4K lenses and exhaustion. We stole the clinic playbooks. Here’s what’s actually happening.
It’s not about going under the knife anymore. It’s subtle tweaks, skin that bounces light a certain way, a jawline that suddenly exists, lips that aren’t overfilled but somehow perfect. And it’s not magic. It’s injectables.
These aren’t the old-school, frozen-face fixes. This is the new wave, celebrity-loved treatments that work quietly in the background to make you look like you’ve just come back from a month-long retreat in Provence. Here’s what’s hot, who's doing it, and why it's all anyone’s talking about in 2025.
Hollywood’s go-to face treatments before every red carpetiStock
1. Exosome glow-ups
Celebs call this "911 in a needle." Stem cell–derived exosomes are everywhere right now, especially ahead of major events. Why? They speed up skin repair, boost collagen, and give that “lit from within” shine with zero downtime. Think of them as microscopic couriers delivering glow directly into your skin cells. A few drops + a microneedling session and you wake up in 48 hours looking like you’ve slept for 14 days. Real talk? 68% of L.A. clinics now pack it into "Red Carpet Rescue" kits with IV drips. It’s not wellness. It’s damage control.
2. Micro-botox (SkinTox)
This isn’t your aunt’s Botox. SkinTox uses micro-doses to smooth out skin texture without freezing your face. It’s what gives celebs that blurred, “airbrushed IRL” look. Makeup glides better, pores shrink, and the skin just behaves better under camera flashes. It’s less about erasing expression lines and more about having a face that always looks like it’s in soft lighting.
3. Jawline contouring with biostimulator fillers
You’ve seen it! Some celeb jawlines could cut glass. But here’s the thing: subtle contouring via fillers (Radiesse and Sculptra) can mimic that bone structure even if you weren’t born with it. It’s sculptural but natural. Not puffy. Not obvious. This is one of the top treatments male celebs are doing quietly behind-the-scenes, and it’s why they suddenly start looking like editorial models overnight. Searches for "structural filler" exploded 290% after pap shots dropped. It’s for people who want definition, not dough.
4. . Skin boosters for hydrated, mobile lips
Forget duck lips. The 2025 trend is juicy but mobile. Skin boosters like Profhilo and Belotero Revive hydrate from the inside out, plumping lips and smoothing fine lines without stiffness. That soft-focus pout isn’t about volume, it’s about hydration. This technique works especially well under lipstick and makes your lips look healthier, not fake. 61% of under-35 clients at celeb clinics now demand this over traditional filler.
5. Under-eye revision via skin boosters & PDRN (Salmon DNA)
Tired eyes are a career hazard when you’re doing press tours across time zones. But instead of heavy tear-trough fillers, celebs now use diluted skin boosters and polynucleotides under the eyes. It doesn’t fill; instead, it is said to heal. Puffiness goes down, fine lines fade, and you look awake without looking… altered. Celebs swear by these for their “no-makeup makeup” days.
Inside the injectable glow-ups stars are secretly gettingiStock
The ugly truth
Hollywood isn’t obsessed with perfection. It’s obsessed with survival. When the camera sees everything and criticism comes faster than compliments, looking like the best version of yourself becomes self-preservation.
Injectables aren’t cheating. They’re choices. Some use them to soften time, others to boost what nature didn’t. And that’s okay. Not everyone needs it. Not everyone wants it. But for those who do, it’s not vanity. It’s control in a world that tries to take it from you.
The real problem isn’t Botox or fillers.
It’s thinking there’s only one right way to look.
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ASA previously banned similar ads by Next and others
M&S advert banned for promoting an "unhealthily thin" body image
ASA criticised model's pose, outfit, and styling
Retailer claimed campaign aimed to showcase confidence, not slimness
ASA previously banned similar ads by Next and others
A Marks & Spencer (M&S) advert has been banned after the UK’s advertising regulator said it irresponsibly depicted a model as “unhealthily thin”.
The Advertising Standards Authority (ASA) raised concerns over the model’s pose and outfit, including pointed shoes that exaggerated the slimness of her legs. The advert appeared on the M&S app and is no longer in use.
The ASA ruled that the M&S advert must not appear again in its current form, urging the brand to avoid promoting unhealthy body standards in future campaigns.
M&S responds to advert ban
M&S defended the campaign, stating it was intended to portray “confidence and ease”. The retailer said the model was selected with regard to her health and suitability, and the styling choices were purely fashion-driven.
The company added that its womenswear range is inclusive and adheres to industry health standards. M&S also noted it had withdrawn or updated other images investigated by the ASA.
Watchdog flags visual proportions in image
According to the ASA, the model’s head appeared out of proportion with her body, further drawing attention to her slim figure. This contributed to the impression that the image promoted an unhealthy body type.
While three other M&S ads were reviewed, none were banned, though the retailer chose to amend them voluntarily.
M&S joins list of brands with banned fashion ads
The M&S advert ban follows a similar decision involving high street chain Next earlier this year. An advert for skinny jeans was removed due to concerns that the model’s pose and camera angles emphasised thinness.
Next maintained the model had a “healthy and toned physique” and disagreed with the ASA’s ruling.
Separately, TV personality Gemma Collins was found to have breached advertising rules by promoting a prescription-only weight-loss drug on Instagram. Her post was among nine banned in a recent ASA crackdown.
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The Great British Sewing Bee is back for 2025, welcoming 12 new home sewers to the sewing room
Hosted by Sara Pascoe with judges Patrick Grant and Esme Young
12 contestants will compete across 10 themed sewing challenges
Each episode features a Pattern, Transformation, and Made to Measure challenge
Opening week focuses on shaping garments including pleats and circle skirts
Sewing Bee returns with a fresh cast of home sewing talent
The Great British Sewing Bee is back for 2025, welcoming 12 new home sewers to the sewing room. Host Sara Pascoe returns to guide the competition, alongside judges Patrick Grant and Esme Young, who will evaluate each contestant’s technical ability and creative flair.
Spanning 10 weeks, the series will feature themed challenges ranging from artistic and historical references to cultural inspirations like the 1920s and Korean fashion. Contestants will face the usual trio of tasks each week: a Pattern Challenge, a creative Transformation Challenge, and a Made to Measure Challenge where garments are tailored to real models.
This week’s theme centres on “creating shape”. Contestants must sew a tie-front blouse, transform a circle skirt into a new outfit, and design a pleated dress that fits perfectly. One sewer will be awarded Garment of the Week, while another will be eliminated.
The 2025 Sewing Bee line-up
Caz Age 59 | Staffordshire | Retired After retiring from the family printing business, Caz has devoted more time to sewing, which she began at age 11. She enjoys technical sewing, including French seams and topstitching.
Kit Age 24 | Manchester | Digital marketer Kit taught themselves to sew at school and returned to the hobby at university. They create one garment per week and are drawn to turning unusual fabrics into stylish pieces.
Gaynor Age 72 | Port Talbot, Wales | Retired office manager Gaynor has sewn since the 1950s and now teaches her granddaughter. Her style is described as smart and traditional.
Jess Age 33 | London | Head of communications Jess began sewing as a child to connect with her mother and grandmother. She resumed the hobby during lockdown and continues to create her own clothing.
Órla Age 19 | Inverness | Café worker and student The youngest contestant, Órla started sewing four years ago and enjoys experimenting with both androgynous and feminine looks. She dreams of building a self-made wardrobe.
Peter Age 45 | Devon | Senior pre-construction manager Peter took up sewing after watching the show with his daughters. He focuses on practical garments and enjoys upcycling, such as turning old jackets into bags.
Glendora Age 59 | Luton | Bus driver Glendora began sewing at eight and has since made over 30 quilts. She values durability and quality in her creations.
Yasmin Age 30 | Gateshead | Research and development scientist Yasmin learned to sew from her father, who inspired her to apply to the show. She honours his memory through her sewing, including a pink zebra dress they made together.
Novello Age 66 | London | Business owner and magistrate Inspired by Blue Peter, Novello began sewing at five and received her first machine at age seven. She enjoys creating unique and personalised garments.
Dan Age 37 | Durham | Performer Dan started hand-stitching garments at 10 and now uses his sewing skills to make costumes for stage performances.
Saffie Age 32 | London | Lecturer in Product and Industrial Design Taught to knit by her great-aunt at age eight, Saffie now creates a functional and stylish wardrobe using patterns from independent designers.
Stuart Age 53 | Herefordshire | Premises manager Stuart began sewing in 2020 intending to make hats but quickly expanded his repertoire. He combines practicality with creativity in his work.
How to watch
The Great British Sewing Bee 2025 airs weekly on BBC One, beginning Tuesday 15 July at 9pm.
Tune in to see which of these talented sewers will impress the judges and make it to the final.