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Game of Thrones star Lena Headey gets married for third time

Reportedly, Lena began dating Marc back in 2020 when she relocated to the USA following her split from her ex-husband Dan Cadan.

Game of Thrones star Lena Headey gets married for third time

Lena Headey, best known for her role as ruthless Queen of the seven kingdoms Cersei Lannister in 'Game of Thrones', recently tied the knot with actor Marc Menchaca.

Several images from the duo's ceremony have been doing the rounds on the internet.


'Game of Thrones' actors Peter Dinklage, Nikolaj Coster-Waldau, Emila Clarke, Sophie Turner, and Conleth Hill marked their presence at the wedding festivities in Italy.

Sophie Turner was joined by her husband and singer Joe Jonas at the ceremony.

This is Lena's third wedding. She was previously married to musician Peter Paul Loughran from 2007-2013, and director Dan Cadan from 2018 to 2019. She was also linked to Game Of Thrones co-star Jerome Flynn.

Reportedly, Lena began dating Marc - famed for his betrayal of tragic Russ Langmore on the hit Netflix show Ozark - back in 2020 when she relocated to the USA following her split from ex-husband Dan Cadan.

(ANI)

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5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

Instagram/Netflix

5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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