Fala Chen was already on top of her game when she left her successful TV career in Hong Kong for Juilliard. When she returned to America with renewed energy and enthusiasm, she was flooded with several powerful roles.
Chen is currently in news for playing the central character of Jiang Li in the high-profile American superhero film Shang-Chi and the Legend of the Ten Rings. What makes the project even more special is the fact that it’s Marvel Studios’ first film with a predominantly Asian cast.
In an exclusive interview with Eastern Eye, Chen talks in detail about the film, the character she essays, what she really appreciates about the film, and much more. The actress also opens up about how becoming a mother in real life helped her play a mother on reel-life.
You are part of Marvel’s first film with Asian-American leads in the majority. Does it hold a huge significance for you?
Of course, it means the world to me to be part of this film. And I think this film will be ground-breaking in many ways not only in the Marvel Universe but as a global blockbuster. I feel, hopefully, this film will influence not only the current but the whole next generation of kids growing up. Having their own superheroes who look like them is great. Also, this is a very entertaining film. So, I hope people will have fun while watching this film.
It’s so nice to see such strong female characters in the film. Is that something you enjoyed yourself and appreciate about the film?
What I especially appreciate about this film is the way Destin (Daniel Cretton) wrote and directed it. I think Destin intentionally wanted to create characters who are not just stereotyped, you know, mystic or sexy Asian women on screen. But also, he did not want to portray just one aspect of each character. So, there are always these complexities, these juxtapositions within characters’ relationships, to give humanity to each character.
As for my character, even though she is super strong, we also wanted to see the light-hearted, nurturing, loving side of her. And I really loved that about my character. She does not only have superpowers – she can fight, she can fly in the air – but she can also tell bedtime stories to her children.
Why do you think your character’s presence is so powerful in the film?
Because she is like any other mother in any family. The mother is always the center, the core of the family. She binds everyone together. Just like my mother. Whenever we have any decision that we want to make, we always ask my mother, we are always like, “We cannot make this decision without mom. Let’s wait mom to get home.” So, I honestly think this story also serves the same purpose. She is the creator of this family but, at the same time – I almost felt it when I was playing her or when I was reading the script – she knows a lot not only about the past but also about the future. She can plan if something is going to happen in some ways.
Also, she is very confident, reserved, and certain about her own fate that she never, you know, got upset or angry or worried about anything. She is always very calm and centered. So, yeah, that’s why everybody in the story loves her, admires her. And I hope the audience will do the same.
You welcomed your daughter in February earlier this year. Do you think now you can relate to your character in the film a little more because of your own motherhood?
Yeah, of course! You can always imagine what being a mother feels like, but once you really experience it for yourself, you realise it is very different than what you imagined. When I was playing a mother in this film, I only had to rely on research, and the young actors to give me ideas. Now, being a mother, I feel like it is my own individual experience. Even though I understand being a mother much more now, at the same time, I feel every family is different, every motherhood is individual, it is different. I am glad I had a practice round in the film first. Not the other way around that, “Oh, I already have a daughter. I know what being a mother is like so I know how to play it.” It is actually great to discover that with these young actors, with those kids, to have a very unique experience Li as the mother, whereas, in my own life, it is a different circumstance, very different experience. I am glad I got to do both (laughs).
You are already an established actress in the Asian film industry, but this is your first Hollywood film. So, how do you think this film has changed or going to change your life?
I do not know. I feel like I am always not thinking too much ahead. I always take things as they come. So, I have no idea what the future will hold. But I am just going to take one project at a time and really enjoy different opportunities that come my way because I really love my job. What I like most about it is that it is very different every time. You are collaborating with a different group of people, even if you work together again. If we work together, it will be a different time, a different story. So, everything will be different again. I am really excited to see what the future holds.
I am currently filming a TV series in France. So, the crew is totally different – it’s very French. The director is French. I am really enjoying this TV series I am currently filming as well.
You came to know about your casting in the film while you were on your honeymoon in Antarctica. It must have been a pretty surreal experience?
Yeah, it was actually around Christmas, so it was like an early Christmas gift to me. My husband and I celebrated it together. We literally could not tell anyone. Maybe that’s why Marvel told me this when I was in Antarctica. They knew I had no cell reception so that, you know, I could keep the secret because I was literally not able to tell my family, my parents or anyone. I had to keep the secret for the longest time. And then I directed went into training. So, yeah, it’s the best surprise that I have ever received.
Ed Sheeran’s latest single, Sapphire, is out now, and it marks a new chapter in his musical journey. With the Indian rhythms, rich storytelling, and unexpected star power, Sapphire is a big cross-cultural leap for the British singer-songwriter.
A musical journey through India with Arijit and SRK in the spotlight
Bringing together the soulful voice of Arijit Singh, choreography by Bollywood icon Farah Khan, and a surprise appearance by Shah Rukh Khan, the song celebrates global connection. Recorded during Sheeran’s visit to India earlier this year, Sapphire captures the spirit of collaboration and joy. From a sitar-laced melody to Arijit's vocals, the track has the feel of a summer anthem rooted in shared sounds and stories.
Shah Rukh Khan makes a special appearance in the Sapphire music video
The music video, directed by Liam Pethick, traces Sheeran’s journey across India, starting on a rooftop at sunrise and winding through beaches, bustling markets, and backlot film sets. There is even a stop at A.R. Rahman’s music school, where he jams with young musicians. One standout moment was a studio session with Arijit and a bike ride around his hometown.
In his own words, Ed says, " Sapphire was the first track that really gave me direction for the album. I finished it in Goa with some amazing Indian musicians. Getting Arijit on board was the missing puzzle piece. We even recorded a Punjabi version that drops soon; it’s one of my favourites on the record."
Ed Sheeran and Arijit Singh in India
New album Play coming this September and live shows sell out instantly
Sapphire is part of Sheeran’s upcoming album Play, releasing on 12 September 2025. After closing the Mathematics era, this album sees him experimenting with sounds from India and Iran.
In other exciting news, Sheeran’s homecoming gigs in Ipswich, his first UK headline shows since 2023, sold out immediately. Taking place at Portman Road Stadium in July, the three-night run will feature guests like Tori Kelly, James Blunt, and Busted. A portion of ticket sales will go to The Live Trust, a new fund aimed at supporting grassroots music professionals.
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Badshah reacts to backlash over controversial Dua Lipa comment
Rapper Badshah found himself in hot water after a social media post about global pop sensation Dua Lipa. What started as a simple tweet, her name with a heart emoji, quickly spiralled into chaos when a fan asked if they were collaborating. Badshah's response? "I'd rather make babies with her bro."
Badshah's viral response to the comment under his tweet Twitter Screengrab
The backlash was instant. Critics called the remark objectifying and disrespectful, forcing Badshah to clarify. Trying to douse the fire, he later posted, "I think one of the most beautiful compliments you can give a woman you really admire is to wish for her to mother your children. Meri soch nahi, tumhari soch saamne aayi hai." But the clarification didn't sit well with many, who criticised him for doubling down rather than acknowledging the issue. "Since when did that qualify as a compliment?" one user wrote, while others called it tone-deaf and entitled.
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Honey Singh joins the fray with a sarcastic jab
As the debate raged on, Badshah's longtime rival, Honey Singh, couldn't resist chiming in. Reacting to the rapper's explanation on Instagram, Singh dropped a sarcastic "Genius 😂👏👏," clearly mocking the justification. Fans caught the dig immediately, with some laughing at the not-so-subtle jab between the two, who've had a rocky relationship for years.
Badshah had previously expressed a desire to end their feud, but Singh's latest comment suggests the tension isn't fading anytime soon. Meanwhile, the rapper continues to make headlines, whether for his dramatic weight loss, rumoured romance with Tara Sutaria, or this latest controversy. One thing's clear: Badshah knows how to stay in the spotlight, but not always for the right reasons.
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Anurag Kashyap reacts sharply to Ted Sarandos’ remarks on Sacred Games
Anurag Kashyap is known for being outspoken, and this weekend he made headlines again, this time taking aim at Netflix’s top boss Ted Sarandos. The filmmaker lashed out after Sarandos questioned the streaming platform’s early approach in India, particularly their decision to kick things off with Kashyap’s gritty crime drama Sacred Games in 2018.
During an interview on Nikhil Kamath’s podcast People by WTF, Sarandos said he may have chosen a more “populist” route if he could go back, admitting the series was perhaps too novel for the Indian market at the time. The comments didn’t sit well with Kashyap, who fired back on social media, calling Sarandos “the definition of dumb” and sarcastically suggesting the platform should’ve launched with traditional “saas-bahu” content instead.
Kashyap takes aim at Netflix’s shift to mass-market content
Kashyap’s reference wasn’t just casual; it came at a time when Netflix India has partnered with Balaji Telefilms, led by Ektaa Kapoor, best known for her highly successful daily soaps like Kyunki Saas Bhi Kabhi Bahu Thi. The filmmaker’s post read: “He should have started with Saas Bahu… he would have done well. Which he is doing now. I always knew tech guys are dumb when it comes to storytelling, but @tedsarandos is the definition of dumb is what I didn’t know.”
The post sparked debate online, with even singer-actor Lisa Mishra chiming in to support Kashyap, saying that everything on OTT today is “derivative… specifically of Sacred Games.”
Kapoor, without naming Kashyap, responded via Instagram by accusing unnamed artists of being classist. She defended soap operas, claiming they gave a voice to Indian women and were even studied by international researchers. Her post ended with a call for inclusivity and “graciousness.”
Ekta Kapoor's story Instagram screengrab/ektakapoor
A clash of content ideologies in India’s OTT landscape
Sacred Games, co-directed by Kashyap and Vikramaditya Motwane and starring Saif Ali Khan and Nawazuddin Siddiqui, was a landmark moment for Indian streaming content. Though it didn’t continue past two seasons, it opened doors for darker, more experimental storytelling in Indian OTT.
Sarandos’ comments appear to suggest that while Sacred Games earned critical acclaim, it may not have been the right commercial launchpad for Netflix in India. Kashyap, however, sees the platform’s current pivot toward formula-driven programming as a step backward.
Ted Sarandos talks about Sacred Games for Netflix IndiaGetty Images
This very public disagreement brings to light a bigger conversation in the entertainment industry, between art that challenges and content that simply sells.
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Fans react as Billie and Nat’s long-rumoured romance takes centre stage
Billie Eilish appears to have confirmed her latest romance in the most cinematic way possible, with a champagne-fuelled kiss on a sunny balcony in Venice. The singer was spotted with actor and musician Nat Wolff, and the intimate moment has fans convinced that the long-rumoured pair are now officially a couple.
In photos circulating online, the Chihiro singer and Wolff are seen locking lips while casually dressed in matching grey T-shirts, enjoying champagne and sunshine in one of the world’s most romantic cities.
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A long-rumoured connection comes into focus
While this is the first clear public display from the duo, Eilish and Wolff’s bond goes back a while. They worked together on her music video Chihiro, which she directed. Around the same time, Nat and his brother Alex opened for her during the North American leg of her Hit Me Hard and Soft tour in 2024.
Fans first started speculating about their closeness earlier this year when the two were seen leaving the iHeart Music Awards together and later on a night out in New York City. Although both had previously described their friendship as platonic, there seemed to be more under the surface.
Fans react as Billie and Nat’s long-rumoured romance takes centre stageGetty Images
In past interviews, Wolff described their connection as one of shared understanding, particularly around living with Tourette syndrome, a condition both have spoken about. “It’s rare to find people you don’t have to explain yourself to,” Wolff once shared, adding that he and Eilish could just “be” around each other.
Keeping it private until now
Eilish has openly said she regrets how much she’s shared about her personal life in the past. In an interview, she stated she wanted to keep her dating life and sexuality out of the spotlight going forward.
A kiss in Italy sparks fresh buzz around Billie Eilish’s love lifeGetty Images
“I wish no one knew anything about my dating life,” she said. “And I’m never talking about who I’m dating ever again.”
Still, their recent public outing in Venice may signal a quiet shift in that. Whether or not they’ll speak out, the photos seem to say plenty.
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The cast of Maybe Happy Ending celebrates their big night at the Tony Awards
South Korea just scored a historic milestone at the Tony Awards, with the musical Maybe Happy Ending bagging six trophies, including Best Musical and Best Lead Actor. The show, centred on two ageing helper robots living on the edge of Seoul, left the awards night buzzing. Korean entertainment, long a force in film, television, and music, is now making serious inroads into Western theatre too.
From Seoul to Broadway: A story born in two languages
Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.
Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.
While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.
A cultural shift, decades in the making
With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.
The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.
As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.