Tapeshwari Sharma, who is a well-known name on Indian television, recently added one more feather to her cap. She won the first-ever Mrs. Femina 2021 crown after beating dozens of participants Femina had picked entirely through an online hunt over lockdown.
Mother to a 6-year-old son, Sharma is happy that the notion that only “fair and thin is beautiful” has changed drastically over the past few years, and she credits social media for the same. “It just makes me extremely happy and inspires me when I see all kinds of beautiful women pursuing their passion and telling the world that confidence is beautiful, vulnerability is beautiful, courage is beautiful, intelligence is beautiful, curvy is beautiful and so on,” she tells Eastern Eye.
In a candid conversation with EE, the actress-turned-beauty pageant winner also opens about how motherhood has changed her life, her deejaying career, and the limitless support that she receives from her husband and family to pursue her dreams.
How has life changed after winning the coveted Mrs. Femina 2021 crown?
Life hasn't changed much, thanks to the pandemic. Just kidding. Of course, it's a great honour to be known as the first Mrs. Femina. It has definitely changed people's outlook towards me. I feel that now they have more faith in me and a lot of opportunities are opening up. The only thing is the timing is a little crazy as not much can be done in a lockdown situation.
You are an actor, DJ, and now a beauty pageant winner. How do you juggle it all?
I know there is a lot on my plate and I am grateful for all of this. My passion, my planning, my consistency, and my hard work help me in making all of this work. Also, I have a very supportive husband and family and they are always there when I need help.
Being a beauty pageant winner, is there anything you would like to see change regarding beauty standards in India?
I think a lot has changed over the years, especially in this age of social media. Beauty standards have definitely changed and it's no longer the same as “fair and thin is beautiful”. It just makes me extremely happy and inspires me when I see all kinds of beautiful women pursuing their passion and telling the world that confidence is beautiful, vulnerability is beautiful, courage is beautiful, intelligence is beautiful, curvy is beautiful and so on.
You were doing pretty well on television, what led you to bid goodbye to it in 2014?
Honestly, bidding goodbye to television was never the plan. The plan was to take a leave for 3 months and then be back. Obviously, I had no idea what being a mother would be. Even though I really wanted to get back to television and start working, at that time, I did not have the heart to leave my baby and go for 13-14 hour-long shifts. Hats off to all the mothers who do that because I can understand what it takes for a mother to get back to work. Somehow, for me, it did not seem like an option anymore since I am a very possessive and hands-on mother. So, I had to figure something else out for myself which would not make me compromise my time with my child.
You are a mother to an adorable son, what would you say is the best part of being a mom?
My son gives me a purpose to live my life, not just for him but also for myself. I think it is because of him I am doing all these things which I never did or never would have done when I was single. It's funny how we take time for granted when we are carefree and not responsible to anyone. Being a mother has made me see my life in a different light and made me realise all the things I am capable of. The best part of being a mom is the unconditional love you feel for your child and the love that you get from them.
How was the entire process of transitioning back to work after your delivery? Was it difficult? Did you face any discrimination?
Television and acting were the only things I had done for years before having my baby. I did not know anything else. And since getting back to that was not an option for me anymore, so I had kind of settled with being a housewife until one day I realised I can do other things and still be there for my child. It took me a while to figure that out and when it struck me that I wanted to be a DJ, I was really happy. It was difficult because it was a completely different field that I was choosing and I needed training and classes and practice for that. I worked hard, took time out, went for classes, tried to do networking and eventually started working as a DJ. Now deejaying being a male-dominated field is definitely not very welcoming when it comes to female deejays, but I found some good mentors and supportive people who helped me not feel intimidated with this kind of setup. Most people have been very helpful and I thank all of them for being good to me.
Do you feel guilty when you have to step out leaving your son behind? How do you deal with it?
Would I even be a good mother if I did not feel that (laughs)? Thankfully, I have a very loving and supportive family that helps me not feel too guilty. I anyway do not really leave my son behind a lot and even if I do sometimes, he is always with a family member. We have a rule in our family to never ever leave the kids alone with a house help or nanny, there should always be a family member with them. So that makes me feel much better that my son is always with either my husband or in-laws or my parents when I am away from him.
Did you ever anticipate becoming an actress?
Always. For as long as I can remember I had wanted to be an actress, from the time I was a child. Even though I could never say it out loud, this is what I always wanted to do. Coming from a small town, the plan was to somehow reach Mumbai. And once I came here, I knew I would become an actor. And as destiny would have it, I was spotted outside my college, gave an introduction and got my first job as an actor with the production house that I had dreamed to work with Balaji Productions and even though it was a small role, it helped me get started on my journey of being an actor.
You are also a DJ, how did you become one?
I have always enjoyed dancing and listening to music and partying with friends. When I was trying to figure out what to do where I would not have to compromise my time with my child, this just suddenly struck me and I knew I was going to love being a DJ and that means I would have to work mostly on weekends and that too nights, leaving me with the whole week taking care of my child and his school and other things. So, it was just perfect. I found a good teacher, DJ Cyrus, who is a very talented and respected DJ in Mumbai. That is how I became a DJ.
You recently signed up with the Trell app. Tell us something about this collaboration?
After I won the title of Mrs Femina, I was approached by Trell to make content for them. Though I soon realised it was not for me and I am not working with them anymore.
With sharp wit, emotional honesty and a knack for turning personal crises into punchlines, Indian comedian Prashasti Singh is set to make her Edinburgh Fringe debut this August with her acclaimed stand-up show, Divine Feminine. Before taking on the world’s biggest arts festival, she will offer London audiences a sneak peek with previews at Soho Theatre from 23 to 26 July.
Prashasti, known globally for her appearances on Netflix’s Ladies Up, Comedy Premium League and Amazon Prime’s Comicstaan, uses this deeply personal new show to unpack the consequences of chasing a dream that might not have been hers to begin with. Raised in a patriarchal family, she once aspired to become a patriarch herself. Now, inching towards 40 and pretending to be 30, she wonders – was it all worth it?
A blend of silliness, angst, cultural insight and raw emotional truth, Divine Feminine is the Indian funny girl’s boldest, most introspective work yet. As she prepares for Edinburgh, she opens up about the journey, nerves and joy of revealing just a little too much on stage.
How do you reflect on your action-packed comedy journey so far?
Oh, it has been great! A lot of luck and of course some challenges. I stumbled upon stand-up at the verge of 30 while still at my marketing job. The stars aligned in a way that it became my profession before it truly became my passion. The initial years were mostly about getting on stage as much as possible and delivering what was expected of me. I think in the last couple of years, I have finally understood myself as an artist and performer, and with this show, I am at last finding my voice.
How much does the success of Divine Feminine mean to you? I have travelled with this show across India, Europe and Australia and have been overwhelmed by the love it has received. The Hindi version is 1.5 hours long and performing it has given me immense confidence and security as an artist. That is also why I wanted to break out of my comfort zone and write a version of the show in English to reach a more global audience. The process has been very enriching, and I am very curious to see how a more diverse audience will respond.
How much are you looking forward to taking the show to this year’s Edinburgh Fringe? Very, very excited. I have visited the festival a couple of times before and have always wondered how it would feel to be a performer at such a big and vibrant festival. This year I will get to experience that.
What can audiences expect from your show? Some very silly, some very angsty jokes, some cultural, some human insights and a lot of emotional truth.
Do you ever feel like you are revealing too much about yourself on stage? I do feel that I reveal a lot about myself, but I do not think it is a problem. I feel whatever inside me is finding expression in humour is no longer raw or volatile. It has been processed enough internally that I am able to laugh at it, and hence feel safe putting it out in front of people.
How do you feel when you are on stage in front of a live audience? It is always the best part of my day. I feel very good.
Does being at a festival like Edinburgh, with thousands of acts, put pressure on you or motivate you? I think it does both. I have seen some mind-blowing shows at the Fringe in past years, so I want my show to be a respectful offering in this amazing buffet. At the same time, the Fringe is a place where artists and audiences are most open to experiments. So I feel motivated to try new things and take some risks that I would otherwise shy away from.
What is the comedy master plan going forward? There is no master plan. I am working on a very simple philosophy – do work that I enjoy and people enjoy, and then find ways to grow that work and the number of people who enjoy it.
What inspires you creatively? Great work by other artists. The drive for excellence. People who are brave enough to put out their original, twisted thoughts in front of others. That is why being at the Fringe is so exciting.
Who is your comedy hero? Oh, this is a long list. So many people have done such great work before me. It is really very difficult to name just one.
Who is the funniest person you know in real life? One aunt of mine who has had a fairly tough life. She reminds me that humour is a great life skill beyond the stage.
Has being funny ever got you out of trouble? Absolutely never.
Why should we all come and watch Divine Feminine at the Edinburgh Fringe? See, if you have come this far, you are already hooked. Also, if you have ever thought that you could be losing your sanity or femininity, if you have ever felt old or joyless or lonely or not perfect in any way – the show is for you. It is funny, insightful and fairly honest. I am looking forward to seeing you all at the Fringe.
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After backlash at Glastonbury, Charli says autotune is a choice, not a flaw
Charli XCX criticised certain fans for attacking her autotuned vocals at Glastonbury 2025.
Called the backlash “the most boring take ever” in a series of posts on X.
Defended her artistic choices, saying divisive art is often the most impactful.
Her Brat set clashed with Neil Young’s headline act, drawing polarising reactions.
Charli XCX has addressed criticism over her use of autotune during her Glastonbury 2025 performance, calling out the ageist tone of comments that questioned her authenticity as a performer. The singer clapped back on X, brushing off the noise as outdated and out of touch.
Charli XCX defends her Glastonbury set, calling autotune criticism outdated and dull BBC
Charli XCX defends Glastonbury set from autotune critics
During her Brat set on the Other Stage, Charli delivered fan favourites like “365” and “Von Dutch” to a roaring crowd. But online, some viewers slammed her use of autotune and lack of a live band. In a sharp response the next day, she posted: “The idea that singing with deliberate autotune makes you a fraud… is like, the most boring take ever. Yawn.”
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Charli has long been open about using autotune deliberately as an artistic tool. In earlier interviews, she said she intentionally includes “pitchy” moments in her vocals to add texture and imperfection. Responding to the online backlash, she added: “I enjoy the discourse… the best art is divisive and confrontational and often evolves into truly interesting culture.”
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Brat performance draws strong reactions, both love and hate
Charli’s set, held opposite Neil Young’s headline slot, split Glastonbury attendees and online viewers alike. Despite the criticism, her show was widely praised by critics.
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Highlights included a cameo from fellow performer Gracie Abrams during the viral “Apple” dance segment. Charli ended her performance drenched in stage rain, sipping white wine, with giant signs declaring “Brat is forever.”
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After her set, Charli joined her fiancé George Daniel, drummer of The 1975, for an intimate DJ session, keeping the Brat Summer spirit alive.
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Kareena Kapoor gets emotional discussing Saif’s stabbing incident in an interview with Barkha Dutt
Kareena Kapoor has spoken out for the first time about Saif Ali Khan’s stabbing.
Saif was attacked at home in January 2025 during a burglary attempt.
Their sons, Taimur and Jeh, witnessed the violent episode.
Kareena says the family is still coping but trying to move forward together.
Actor Kareena Kapoor has opened up for the first time about the terrifying night her husband, Saif Ali Khan, was stabbed by an intruder at their Mumbai home. In a deeply personal interview with journalist Barkha Dutt, Kareena admitted that the incident left her shaken and sleepless for months, especially with their children, Taimur and Jeh, present during the attack.
The January 2025 break-in at their Bandra residence ended with Saif being stabbed six times. The attacker, later identified as Mohd Shariful Islam Shehzad, entered the flat during a failed burglary attempt and assaulted Saif in four-year-old Jeh’s room. The actor underwent emergency surgery to remove part of the knife lodged near his spine.
Kareena Kapoor says the incident left their children Taimur and Jeh shakenGetty Images
‘I still haven’t come to terms with it,’ says Kareena Kapoor
Kareena described the emotional aftermath of the attack as “something I haven’t fully processed.” She spoke about the trauma of watching a violent act unfold inside their own home, saying, “Seeing someone in your child’s room, that doesn’t leave you. For weeks, I couldn’t sleep.”
She said that such incidents felt “unthinkable in Mumbai,” where celebrity homes are considered secure. “It felt like something that happens elsewhere, not here. But it happened to us,” she said.
‘We’re stronger as a family, but my sons saw too much too soon’
Both of their sons witnessed the stabbing, something Kareena says forced her to balance her own trauma with parenting. “They’ve always lived a very protected life. Then this happened, and suddenly they saw blood, violence… I hope it teaches them resilience, but no child should have to go through that.”
Kareena and Saif are now focusing on healing as a family after the traumatic episodeGetty Images
Jeh, the younger of the two, has found his own way to cope. “He calls his father Batman and Iron Man. That’s how he sees him, like a superhero,” Kareena said, adding that the family has leaned on each other for strength and grown stronger as a unit.
Olivia Rodrigo brought out Robert Smith for a surprise goth-pop duet on the Pyramid Stage.
Rod Stewart reunited with Ronnie Wood during a crowd-pleasing Legends Slot performance.
Lewis Capaldi made an emotional surprise return after his 2023 setback.
Political controversy erupted with Kneecap and Bob Vylan’s provocative sets.
Scissor Sisters and Sir Ian McKellen delivered one of the festival’s most unexpected collaborations.
Charli XCX closed out her Brat era by burning her backdrop and owning the Other Stage.
Neil Young gave a stripped-back set with no visuals and all heart.
Pulp’s secret “Patchwork” set was a nostalgic Britpop masterstroke.
Worthy Farm has emptied out. The glitter’s washed off, the tents have collapsed into mud, and 210,000 people are back in the real world trying to make sense of what just happened. The mud might be drying on Worthy Farm, but the noise from Glastonbury 2025? It’s still ringing in our ears.
There were moments this year that made people cry, scream, argue, and lose their minds, sometimes all at once. This wasn’t the year of a single headliner dominating headlines. This was the year of chaotic genius. Of punk chants ringing through political tension. Of unexpected duets that bridged decades. Of artists coming back from silence.
Here’s a rundown of the 8 moments we’ll be talking about long after the fields lie fallow.
1. Lewis Capaldi’s comeback that stopped the festival
Two years ago, his voice cracked under the weight of Tourette's, cutting his set heartbreakingly short. This time? He walked back onto that Pyramid Stage like he owned it. "Worst-kept secret!" he grinned, and then he finished what he started. His voice was stronger, his tics softer, but his heart? Still wide open. When those opening notes of Someone You Loved hit, and 210,000 voices sang it right back to him? He cried. So did everyone else.
2. Olivia Rodrigo and Robert Smith’s goth-pop dream sequence
No one was expecting The Cure frontman to stroll out under the Sunday sunset. But there he was, eyeliner and all, joining Olivia Rodrigo in one of the most generationally surreal collaborations the Pyramid Stage has ever seen. Together, they sang Friday I’m In Love and Just Like Heaven, and something strange happened: thousands of Gen Z and Gen X fans wept together. Rodrigo looked awestruck. Smith smiled. The whole thing was almost eerie and euphoric.
3. Rod Stewart’s rock ‘n’ roll reunion, complete with Lulu and Ronnie Wood
80 years old. Sunday Legends Slot. Rod Stewart didn't just sing the hits. He threw a party. Mick Hucknall joined in. Lulu too. But the real moment? When his old bandmate from The Faces, Ronnie Wood, walked on stage. They blasted through Stay With Me, that classic rock energy surging back. Then, festival founder Michael Eavis appeared, wheeled out by his daughter Emily, smiling at the huge crowd he started. It felt big. Like watching Glastonbury's history come alive right there. It was proof that legacy doesn’t fade, it just gets louder.
Glasto's always had a political pulse, but 2025 felt like a live wire. Belfast rap trio Kneecap used their West Holts set for loud pro-Palestinian chants in Irish, displaying "Israel are war criminals" on screens and targeting Keir Starmer. The BBC cut the live feed, and police are investigating parts of their performance. At Woodsies, punk duo Bob Vylan led the crowd in chanting "Death to the IDF." Festival organisers condemned this specific chant as hate speech and Prime Minister Starmer called it "appalling". Glastonbury 2025 proved, once again, that the festival doesn't mute uncomfortable voices. This is part of its fabric.
All weekend, everyone wondered: who was the mystery act Patchwork? They didn’t announce it. They didn’t need to. On Saturday afternoon, the answer hit the Pyramid Stage. Jarvis Cocker walked out. Pulp slipped into a secret slot under a fake name and blew the roof off with Common People, Disco 2000, and sheer 90s brilliance. It was a brilliant, unannounced 30th-anniversary nod to their legendary 1995 Glastonbury headline rescue. Pure surprise. Pure joy.
Saturday night, the Brat queen stepped onstage and torched her signature green backdrop. Goodbye old era. What followed was pure energy: 360, Von Dutch, Club Classics. Heavy beats, heavy autotune used deliberately. Not everyone liked her stripped-back, guest-free approach, but that wasn't the point. She delivered exactly the intense, focused set she wanted. Critics debated. The crowd didn’t care.
7. Scissor Sisters and Sir Ian McKellen’s surprise walk-on
Midway through Scissor Sisters' headline set at Woodsies, their first Glastonbury show in 15 years, Sir Ian McKellen appeared. He didn't just wave. He recited lyrics from their song Invisible Light and then walked, visibly moved, right through the stunned, cheering crowd. He danced. He cried. People chanted “national treasure.” It was pure camp, pure catharsis.
While some sets screamed for attention, Neil Young whispered. Alone with a guitar and decades of memory, he sang Harvest Moon and Cinnamon Girl like they still hurt. No visuals, no hype. You could hear a pin drop. He refused video screens, forcing the crowd to focus or move closer. At 78, his voice cracked in places, but the songs held firm. Stripped of spectacle, the set stood out purely on the strength of song writing, reminding us sometimes, you don’t need fireworks to set hearts on fire.
Festivalgoers watch British band Wolf Alice perform on the Other Stage on the final day of the Glastonbury festival Getty Images
The ground beneath our feet
2027 feels a lifetime away. However, Glastonbury 2025 didn’t play it safe. It poked at power. It celebrated weirdness. It held space for grief, rage, joy, and rebellion all at once. It was Capaldi finding his voice again in front of a family of thousands. It was Olivia Rodrigo reaching back and Robert Smith reaching forward. It was Rod Stewart proving rock 'n' roll never dies, and Kneecap screaming that some fights aren't over. It was Charli burning it down and McKellen wandering wonderstruck.
It was wild. It was beautiful. It was uncomfortable. It was unforgettable.
See you in 2027.
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Glutathione and anti ageing drugs under spotlight after Shefali Jariwala death
Shefali Jariwala died at 42 in Mumbai after reportedly collapsing post-fast; cause of death suspected to be cardiac arrest or blood pressure drop.
Police found anti-ageing pills, vitamin supplements, and glutathione injections at her residence.
Doctors stress the risks of unsupervised use of hormone-based and anti-ageing treatments.
Final post-mortem report expected in two days; no foul play suspected, case treated as accidental death.
The untimely death of actor-model Shefali Jariwala has sparked renewed concern over the unregulated use of anti-ageing treatments and self-medication. The 42-year-old, best known for her appearance in Kaanta Laga, was declared dead on arrival at a Mumbai hospital on Friday night. Initial investigations suggest she may have suffered a cardiac arrest following a steep drop in blood pressure, possibly linked to taking supplements on an empty stomach.
Shefali Jariwala death raises concern over anti ageing drugs and self medication Instagram/shefalijariwala
What caused Shefali Jariwala’s collapse? Police and doctors investigate
Shefali Jariwala was rushed to Bellevue Multispeciality Hospital by her husband and friends after she suddenly collapsed at home, but she was already unresponsive. Her family said she had been fasting for a religious ritual and had consumed her regular supplements shortly after breaking the fast. Among the substances recovered at her Andheri apartment were glutathione injections, commonly used for skin lightening, and various anti-ageing tablets.
Doctors at Cooper Hospital, where her post-mortem was conducted, suspect a fatal drop in blood pressure, though only the final autopsy will confirm the precise cause of death. So far, Mumbai Police have ruled out foul play and registered an accidental death report.
Health experts warn against unmonitored anti-ageing therapies
Experts are now urging caution over the growing trend of unsupervised beauty and anti-ageing regimens, especially among public figures. Dr Dhirendra Singhania, a leading cardiologist, pointed to steroids, hormone therapies, and poor sleep as major heart risk factors, even among seemingly fit individuals. While glutathione and vitamin C aren’t inherently dangerous, he said their misuse or interaction with other drugs can trigger complications.
Anti ageing pills found at Shefali Jariwala home spark health safety debate Instagram/shefalijariwala
Shefali had no known chronic illnesses apart from epilepsy, which doctors say is unlikely to be linked to her sudden collapse. Her death, while still under investigation, adds to growing concerns about beauty pressures, self-prescribed treatments, and the long-term risks of trying to defy ageing without medical oversight.