Kumail Nanjiani has scored a nomination at the 75th Primetime Emmy Award. He has been nominated for an Emmy Award for ‘outstanding lead actor in a limited series or a movie’ for the Disney+ series Welcome to Chippendales.
Emmy-nominated actress Yvette Nicole Brown revealed the nominees alongside Television Academy Chair Frank Scherma during a live virtual ceremony on July 12.
Nanjiani, who is a Pakistani-American stand-up comedian and actor, was chosen for his portrayal of Indian American Somen “Steve” Banerjee, who became the unlikely founder of Chippendales, the male-stripping empire. The biographical true crime drama detailed the insane, darkly comedic, and crime-ridden story behind the unique male revue that became a cultural phenomenon.
Padma Lakshmi received a nomination for hosting the 20th season of the popular Bravo cooking series Top Chef. The announcement comes a month after the Indian American chef, author, model, and television host revealed that she would leave the show.
Lakshmi also earned a nomination in the Outstanding Hosted Nonfiction Series Or Special category for her Hulu show Taste the Nation with Padma Lakshmi.
She took to Instagram to share her excitement about her Emmy nods. “It’s really nice to finish my time at Top Chef with a nice nomination for the show, as well as one for me as host. I am so excited that you guys have acknowledged both my shows, and especially ‘Taste the Nation’ which as you know is just my baby and I want to thank everybody on both crews who helped me put those shows on,” she said. “Thank you so, so much.”
Netflix’s Indian Matchmaking, the third season of which premiered in April, was nominated in the ‘outstanding unstructured reality program’ category. Matchmaker Sima Taparia, who works with millennials around the globe to search for their perfect match, said that getting an Emmy nomination for her show is an answer to all the people who criticise it.
The nominations for the 75th Emmy Awards are dominated by Succession, The Last of Us, and The White Lotus, which represent the three most-nominated shows of the year.
The final season of Succession bagged 27 total nominations, including a record-setting three nominations in the best actor in a drama category.
The Last of Us was second with 24 total nominations, including best drama series and best actor and actress nods for Pedro Pascal and Bella Ramsey.
Season 2 of The White Lotus was third with 23 nominations, which includes five nominations in the best supporting actress in a drama category.
The final season of Ted Lasso came in fourth with 21 nominations, while the final season of Prime Video’s The Marvelous Mrs. Maisel nabbed 14. Season 1 of the hit FX/Hulu series The Bear broke into the race with 13 nominations, while the Netflix series 'Beef' and 'Dahmer' nabbed the same number.
Netflix also picked up 12 nominations for the hit series Wednesday, including best comedy series and best actress in a comedy for star Jenna Ortega.
Other shows with at least five nominations include the final season of Barry (11 nominations), Only Murders in the Building (11 nominations), the final season of Better Call Saul (7 nominations), and Obi-Wan Kenobi (5 nominations).
The 2023 Emmy Awards will be held at Microsoft Theater in Los Angeles, California, US, on 18 September.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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