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Colors axes yet another recently launched show

Colors, which is one of the leading general entertainment channels in Hindi, is known for offering a wide variety of shows on its network. From light-hearted shows to dramas which focus on various social issues, the channel always prides on having an impressive bouquet of programming for the audience.

However, some of its recently launched shows have failed to strike a chord with the audience and showing no sign of mercy, the channel is axing them one by one. Not only the recently launched shows, but some of its long-running shows are also bidding adieu to the audience.


After Tantra, Sitara, Ishq Mein Marjawan, Roop and Udaan, the latest show which is being pulled down by Colors is Kesari Nandan, which hit the airwaves barely six months ago. It was given a huge launch. However, ratings have been disappointing.

We hear that Colors will beam the final episode of Kesari Nandan on Friday 12th July 2019. It has an impressive star cast which includes the likes of Manav Gohil, Aastha Chaudhary and Chahat Tewani in important roles.

Colors is gearing up to launch a number of new shows in the coming weeks including Choti Sarrdaarni, Bahu Begum and Luv Kush. Bigg Boss is also returning with its 13th season in the month of September.

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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