Actress Samantha Ruth Prabhu says she was excited to reunite with her The Family Man directors Raj Nidimoru and Krishna DK for the Indian chapter of Citadel, a globe-trotting spy drama.
The 35-year-old actress features alongside Varun Dhawan on the Indian original series within the Citadel franchise, whose flagship show, featuring Priyanka Chopra Jonas and Richard Madden, launches on Prime Video on April 28.
"I am privileged to work with Raj and DK again, they are (at) the top of their game, they gave me such an amazing character with Raji (in The Family Man 2). With Citadel we are pushing the boundaries even further, with action, with emotions, it is quite a package. It is like working with family. There is equal amount of fun and challenge,” the actor told PTI in an interview.
Billed as a “local original spy series”, the project hails from Prime Video and AGBO, the production banner co-founded by the Hollywood filmmaking duo Russo Brothers.
Samantha said even though her health posed a major challenge, she enjoyed doing action for Citadel. She is grateful to the team for being patient and understanding of her. The actor was diagnosed with myositis, an autoimmune condition, in October last year.
“Physically, the show is very intense, there is a lot of action in ‘Citadel’ and we recently shot something and we are very happy and proud to show it to the world, I am really looking forward to that. Considering the challenges that I am facing health-wise, I am glad I am able to do what I am doing in Citadel. Everyone is being patient and kind and I am truly grateful for that,” the “Yashoda” star said.
Asked whether she took special precautions to avoid injuries during the action sequences, Samantha said she has often been warned for not being too careful in such scenes.
“I am the worst at that, I just think, ‘I just have to go and do and do my best’. I have been told by other actors that, ‘It is not cool, you should be better prepared, you should protect yourself better’. But I am all very eager to dive into it, especially for a girl to do action and it is not really every day that you get a tag that, ‘she is good at action’. So, now you want to do better and you want to push it, and you don’t want that tag to go away. I think that is what is pushing me to my maximum capabilities.”
She is currently awaiting the release of her pan-India movie Shaakuntalam.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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