An all you need to know A to Z guide about the record-breaking movie
By Asjad NazirAug 02, 2024
WHEN Hum Aapke Hain Koun was released on August 5, 1994, it took everyone by surprise and became the highest grossing Hindi film in history, at the time.
It not only smashed box office records, but also inspired a generation of Bollywood filmmakers to do things differently as the plot was devoid of antagonists.
The blockbuster also reintroduced cultural values into Indian cinema and influenced weddings globally.
Eastern Eye marks the family friendly entertainer’s 30th anniversary with an A to Z of interesting facts.
A is for Awards: The musical won a massive number of major honours. This included 13 nominations at the prestigious Filmfare awards, and winning five, including best film, best director and best actress. Lata Mangeshkar stopped accepting Filmfare awards decades earlier, but the legendary singer made such a huge impact with the hit track, Didi Tera Devar Deewana, that a special honour was bestowed on her. Hum Aapke Hain Koun also won India’s National Film Award for best popular film providing wholesome entertainment.
B is for Blockbuster: After a relatively slow start, word of mouth reviews turned Hum Aapke Hain Koun into a record-breaking success. The film also beat the box office record held by Sholay (1975) to become the highest grossing Hindi movie of all time. It was successfully dubbed in Telugu with the title Premalayam. In terms of ticket sales, it remains one of the most successful in Indian cinema history.
Reema Lagoo
C is for Cast: Many of the cast members, including Mohnish Bahl, Alok Nath, Laxmikant Berde and Reema Lagoo, had previously worked in Sooraj Barjatya’s debut, Maine Pyar Kiya (1989). Though there were rumours Aamir Khan was the first choice to play the lead character, Prem, writer/director Barjatya always intended to work with his Maine Pyar Kiya hero Salman Khan and first narrated the story to him. Madhuri Dixit was the number one leading lady in Hindi cinema, so she was the first choice to play the heroine (see Q).
D is for Director: Barjatya had made a winning directorial debut with smash hit romance Maine Pyar Kiya (1989), so he was under pressure to deliver something big, again. He devoted almost two years to write the screenplay for Hum Aapke Hain Koun, which was inspired by a 1982 drama made by his family’s production house (see N). It would become the biggest movie of his career.
E is for Easter Eggs: There were several subtle nods to Maine Pyar Kiya – including repeating some cast members, parts of the musical score and names of characters – for fans to find.
The purple sari Madhuri Dixit wore in the Didi Tera Devar Deewana song
F is for Fashion: Madhuri’s outfits in the film became a rage with young women. The standout one was the purple sari she wore in the Didi Tera Devar Deewana song, which became iconic and heavily requested at shops around the world. It sold in large numbers and featured on the film’s publicity material. The 2012 romantic comedy, Shirin Farhad Ki Toh Nikal Padi, used the same purple sari in their film's poster.
G is for Gap: Keeping in line with conservative tradition and respectful behaviour during family gatherings, the lead pair’s romantic scenes were written in such a way that the hero and heroine do not embrace or have physical contact – there was always a gap. Their love was expressed through gestures, looks, dialogue, pranks and songs. The intensity of Maine Pyar Kiya was replaced with an old-world charm.
H is for Husain: Indian painter MF Husain became so enamoured by Madhuri in the movie that he reportedly watched it more than 60 times. This spurred him to making a directorial debut with Gaja Gamini (2000), built entirely around the actress.
I is for Inspiring: Whether it was influencing leading filmmakers such as Aditya Chopra or Karan Johar (see K), popularising weddings in Hindi cinema, Hum Aapke Hain Koun was massively influential. It would also change Indian weddings around the world (see W).
Dilip Joshi
J is for Joshi: Dilip Joshi got his big break in Maine Pyar Kiya and came to prominence in Hum Aapke Hain Koun – before his rise to fame as the star of super hit sitcom Taarak Mehta Ka Ooltah Chashmah, which was aired for an astonishing 4,100 episodes. Joshi recalled that Barjatya treated all the actors equally, whether they were newcomers or established stars and also allowed him to shoot a TV serial at the same time.
K is for Karan Johar: Filmmaker Karan Johar said Hum Aapke Hain Koun changed his life. Many elements of the movie are present in his early work. He recalled: “After watching Hum Aapke Hain Koun, I realised Indian cinema is about values, tradition, subtlety, romance. There is so much soul in it."
L is for Liberty: The musical was premiered at Mumbai’s Liberty cinema, where it ran for more than 100 weeks. Such was the demand that bookings were made 50 weeks in advance. Interestingly, it was the only cinema in Mumbai showing the movie in the first week. Positive word of mouth reviews led to a surge of heavy demand globally. By the 25th week, there were 25 cinemas in Mumbai alone showing the movie to full houses.
M is for Music: Barjatya teamed up with his Maine Pyar Kiya music director, Raamlaxman, for the movie’s soundtrack. After more than 50 music sittings, they agreed on 14 songs for Hum Aapke Hain Koun – an unusually high a number for movies being released at the time. The movie’s standout track was Didi Tera Devar Deewana (said to be inspired by Ustad Nusrat Fateh Ali Khan classic Saare Nabian). It became the year’s biggest selling soundtrack.
N is for Nadiya Ke Paar: After the huge success of Maine Pyar Kiya, Barjatya initially tried to write a similar story. When it didn’t work out, his father advised him to rework one of the family production company’s earlier movies, Nadiya Ke Paar (1982). Barjatya was initially reluctant, but agreed to adapt the Rajshri Productions drama into a wedding-set tale.
O is for Ooty: The movie was extensively shot in the picturesque town of Ooty in south India. It was also shot at Filmistan studios in Mumbai. From conception to completion, it took four years and exceeded its budget.
Tuffy
P is for Pet:Hum Aapke Hain Koun featured a Pomeranian named Tuffy, which was later included in Hindi cinema’s best pets lists. Few were aware that two identical looking dogs took turns playing that key role.
Q is for Queen: Madhuri had made her acting debut with the Rajshri Productions drama, Abodh (1984), and this was her second project with this banner. She had firmly established herself as the undisputed queen of Bollywood, so she got top billing and was paid the highest salary for her work in the film. She also received prominence in the film’s publicity and was a driving force behind its global popularity.
Renuka Shahane (left) with Salman Khan
R is for Renuka: Producers took the inspired decision of casting a newcomer in the key role of bride-to-be, Pooja. Impressed by the talent of TV and stage actress, Renuka Shahane, they decided to cast her in the film. Her warm smile and laughter also helped her bag the role.
S is for Slow start: A limited, initial release combined with some negative reviews meant the movie had a stuttering start at the box office. It was so slow that many predicted the musical would be a costly failure, but word of mouth quickly spread and gave it incredible momentum.
T is for Theatre: In 1998, a British Asian theatre company staged a successful production of Fourteen Songs, Two Weddings and a Funeral; it was inspired by Hum Aapke Hain Koun.
U is for Unused: The writer/director’s grandfather and production company founder, Tarachand Barjatya, loved the song Dhiktana so much that it almost became the movie’s title, but thankfully wasn’t used.
V is for Venom: One of Barjatya’s favourite stories from his Hum Aapke Hain Koun journey was of a villager, who travelled to Mumbai to gift a box of mangoes to the filmmaker. When the villager’s child was bitten by a deadly snake, the man was instructed by a doctor to keep the boy awake until medical help arrived. The devoted father got his son to watch Hum Aapke Hain Koun, and said the movie ultimately saved the boy’s life.
W is for Weddings: Perhaps the greatest impact of Hum Aapke Hain Koun - still relevant around the world 30 years later - is changing Indian weddings. It popularised trends such as hiding the bridegroom’s shoes and fun family games, among others. Madhuri’s outfits in the film remain popular and Asian weddings are altogether more fun thanks to this movie. Didi Tera Devar Deewana still gets played at celebrations.
X is for X factor: What made the movie unique is that it didn’t have any violence, villains or antagonists. This not only made Hum Aapke Hain Koun a family friendly entertainer, but also gave it great repeat value. Barjatya said: "My attempt in this movie has been to re-expose the cinema-going public to the quintessential family life, not to make people feel that they have come to see a movie, but make them feel as if they have come to visit a big joint family that is preparing for a wedding".
Y is for YouTube: The film’s timeless appeal is illustrated by its songs and memorable scenes being collectively viewed more than a billion times on YouTube. There are also cast and director interviews on the video sharing site, providing fans with a deeper insight into the movie.
Z is for Zero regrets: All those associated with Hum Aapke Hain Koun - from the lead and supporting cast to the crew - have spoken warmly about their experience of working on the movie. They praised Barjatya for creating a warm atmosphere on set and treating everyone like family. Salman revealed that he and Barjatya both cried on the last day of shooting. This translated onscreen for what has become one of the finest films ever made in Hindi cinema.
Sir Rod Stewart has called off a series of concerts in the US as he recovers from a bout of flu, just weeks before his anticipated set at Glastonbury Festival. The 80-year-old singer, who was due to perform six shows across Nevada and California in early June, announced that four have been cancelled and two will be rescheduled.
Sharing the update on Instagram, Rod apologised to fans and expressed his frustration at having to take a break. “I’m devastated and sincerely sorry,” he wrote. “I’ll be back on stage and will see you soon.” The cancelled dates include multiple shows in Las Vegas and Stateline, Nevada, while the California concerts will now take place in September.
Despite the setback, Stewart’s headline appearance at Glastonbury is still very much on. He’s set to take over the festival’s famous Legends slot on Sunday, 29 June, more than two decades since he last played the Pyramid Stage in 2002. At the time, he performed alongside Coldplay and Stereophonics, but this time he’ll return as the oldest artist ever to headline the Legends slot.
Speaking on The Peter Crouch Podcast, Stewart revealed he was only allocated 75 minutes for his Glastonbury set but has requested an extra 15. “I play for over two hours every night, 90 minutes is nothing,” he said. He also shared that Rolling Stones guitarist Ronnie Wood, his former bandmate from Faces, will join him for part of the show, making it a mini-reunion.
Cancelled ShowsInstagram/sirrodstewart
Slowing down but not stopping
Though Stewart has hinted that this might be his final major tour, he’s not ready to retire just yet. “This will be the end of big world tours, but I’m not hanging up the mic,” he said. Instead, he’s eyeing more intimate venues for future performances, possibly exploring a swing or Great American Songbook setlist.
Rod Stewart set to reunite with Ronnie Wood at GlastonburyGetty Images
Rod has faced several health issues this year, including strep throat and a recent round of vocal rest. Still, he seems determined to power through Glastonbury with his charm and energy. With hits like Maggie May and Da Ya Think I’m Sexy, fans can expect a career-spanning set worthy of the Sunday slot.
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Deepika Padukone joins Allu Arjun in Atlee pan India epic AA22xA6
Deepika Padukone has officially signed on as the female lead in Atlee’s highly anticipated film with Allu Arjun, tentatively titled AA22xA6. The announcement has come after her controversial exit from Spirit, directed by Sandeep Reddy Vanga, making this casting a major talking point in film circles and among fans.
The film’s production house, Sun Pictures, introduced Deepika with a video of her training for what appears to be a fierce action role. Concept sketches depict her as a warrior queen, leaping into battle with a massive axe. The video includes scenes of her practising fight choreography in a motion-capture suit and even riding a CGI horse while wielding a weapon.
The visual cues suggest a fantasy-meets-science-fiction world with Deepika at the centre of it. This will be her first screen outing with Allu Arjun and her second project with director Atlee after the 2023 hit Jawan. The makers are calling it a “magnum opus” and have brought on top international technicians, including VFX experts who have worked on Iron Man 2 and Transformers.
Hollywood-based creators involved in the project have publicly praised the film’s script. From creature designs to large-scale battle sequences, AA22xA6 will be one of Indian cinema’s biggest cross-industry collaborations yet.
Sun Pictures reveals the film logo with a teaser full of actionYoutube Screengrab/ Sun TV
Exiting Spirit, entering strength
Deepika’s casting comes soon after her exit from Spirit, which led to a social media stir. While Sandeep Reddy Vanga seemed to suggest she made unreasonable demands, sources close to the actor say she simply wanted an eight-hour workday, a choice influenced by her becoming a new mother.
Vanga’s cryptic posts online accused an actor of lacking commitment, but fans and industry insiders were quick to defend Deepika’s professionalism. Some even joked, “She doesn’t need Vanga,” applauding her for choosing stronger projects over toxic work environments. Replacing her in Spirit is Animal star Triptii Dimri.
Director Atlee guides Deepika through motion capture choreographyYoutube Screengrab/Sun TV
With AA22xA6, Deepika is not just stepping into a powerful role on screen, she’s also showing that leading women in the industry can call the shots without compromise.
Identical twins Croo and Sach have gained recognition in the fashion and digital space for their vibrant content, often shot in scenic locations. Heavily inspired by cinema, the ambitious Indian duo make bold style statements with their eye-catching outfits and have big plans ahead.
Eastern Eye asked the rising social media stars to share the 10 things that creatively inspire them most.
Rajesh Khanna’s acting and fashion: The legendary Hindi cinema icon has always been a huge inspiration for us. His romantic aura, unique walk, and killer fashion sense – especially those retro fits – influence a lot of our personal style. We love turning up in vintage clothes because they instantly bring out that old-school Bombay mafia gangster vibe we admire.
Dilip Kumar’s pure acting: There is a reason he is regarded as one of the greatest actors in Indian cinema. His raw, natural style is a masterclass for us. We study his expressions and pauses to craft emotion-driven reels. Whether we shoot dialogue-heavy content or silent dramatic clips, his influence is everywhere. He helps us elevate even the simplest concept into something powerful and deeply moving.
Amitabh Bachchan’s persona and vintage style: When the superstar burst onto the scene in the 1970s, his fierce screen presence redefined intensity – and that shapes how we approach high-energy, gritty reel content. We recreate cinematic moments with hard-hitting lines, commanding expressions and dramatic walk-ins. His blazer and sunglasses look and deep baritone also inspire how we style and deliver those punchy, “don’t mess with us” characters on Instagram.
Amitabh Bachchangetty images
The timeless beauty of Madhubala: Often hailed as the most beautiful star of Hindi cinema, Madhubala’s elegance influences how we frame our female leads. Soft lighting, dreamy close-ups and graceful movements – all come from her legacy. We use her timeless charm to blend vintage aesthetics with modern storytelling in our reels.
Madhuri Dixit’s 1990s glamour and dance: The dancing queen made a huge impact in her prime. The multi-talented star’s expressions and dance finesse have definitely inspired our rhythm-based reels. We blend Bollywood thumkas with glamorous visuals and fast cuts – always with her finesse in mind. Her 1990s colour palettes and glam styling also guide how we create fashion transitions in dance reels.
Ranveer Singh’s fashion and attitude: The unique actor’s over-the-top style and wild energy are our go-to when we want to break the internet. Loud outfits, bold moves and unexpected transitions – that is Ranveer’s zone. We love channelling his “no rules” attitude into our fashion-centric reels, adding an unapologetic flair to every frame we create.
Les Twins’ dance and fashion: The French duo – dancers, choreographers, producers, models and designers – have made an impact across multiple creative fields. They completely changed the way we view dance. Their precision, swag and effortless flow inspire us to choreograph sharp, clean and stylish reels. We also love their streetwear aesthetic – it has shaped how we dress, shoot and edit our content with a fresh, global urban vibe.
Ranbir Kapoorgetty images
Shah Rukh Khan’s struggle to stardom: The superstar’s journey really hits home for us. Coming from nothing and building an empire through passion, dedication and relentless hustle – that story is our biggest motivation. We see ourselves in that grind and share the same fire to prove something. Whenever we create reels or any kind of content, we channel his energy – starting small, thinking big and pouring our heart into everything. His romantic intensity, raw vulnerability and on-screen confidence push us to dream bigger and stay true to ourselves. He reminds us that the journey matters just as much as the destination.
Ranbir Kapoor’s acting: From the newer generation of actors, Ranbir inspires us with the way he fully becomes his character without ever overdoing it. There is a softness, depth and quiet strength in his performances that we try to bring into our creative reels. His expressions often speak louder than words, and that minimal, emotional style teaches us how to connect with the audience on a deeper level.
Instagram: @vaghelabrothers
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Deepika Padukone is redefining what power looks like in Bollywood
It didn’t take a walkout on a picket line or a fiery press conference to shake the Indian film industry; it took Deepika Padukone quietly demanding, “Eight hours.” No dramatic monologue or sensational tweets. Just a simple request: humane hours, overtime pay, and a refusal to push her body and mind past the brink. And just like that, the conversation in Bollywood cracked wide open.
In an industry that glorifies overnight shoots, delayed pack-ups, and “dedication” measured in sweat, Padukone’s decision to exit a high-profile film, Spirit, over her demand for an eight-hour workday was certainly a career move for her. But beyond that, it was a cultural revolt.
Deepika’s decision is pushing conversations beyond the glamGetty Images
When “enough” becomes revolutionary
What made this moment resonate wasn't just who said it, but when. After giving birth to daughter Dua in September 2024, Padukone’s priorities naturally shifted. She didn’t demand luxury. She asked for balance. And Bollywood, unaccustomed to being told “no,” didn’t take it well.
Her terms were straightforward: eight-hour shifts, payment for overtime, profit-sharing, and a refusal to perform intimate scenes or speak in Telugu; reasonable boundaries that suddenly became controversial when voiced by one of the industry’s most bankable stars.
When director Sandeep Reddy Vanga, known for pushing his cast in emotionally aggressive scenes, reportedly rejected these conditions, Padukone walked away from the project. She was swiftly replaced by Triptii Dimri. Vanga later alluded to “script leaks” and an unnamed actor who had “put down” a younger co-star, setting the entire social media ablaze with speculation.
— (@)
But Deepika wasn’t dragging anyone down; she was raising the floor.
Behind the glamour, Deepika Padukone is leading a quiet revolution in work cultureGetty Images
Not a diva, just done
What’s shocking is how quickly people defaulted to calling her “difficult.” And yet, actors like Shah Rukh Khan are known for avoiding night shoots and Akshay Kumar famously doesn’t work Sundays. No one raises eyebrows when they draw boundaries because it’s framed as “professionalism.” But when a new mother does it? Suddenly, it's "unreasonable."
Director Siddharth P. Malhotra, who worked with Rani Mukerji during Hichki, exposed this double standard: “Rani asked for eight-hour shifts to be with her daughter. Kajol only did one shift a day for We Are Family. It’s only a problem when women say it aloud.”
The industry responds. Some with applause, some with alarm
The dominoes have finally started falling. Mani Ratnam called it a necessary reset. Pankaj Tripathi described his own past of 16-18 hour days as “soul-draining,” while Barun Sobti, an actor-turned-producer, said he’d enforce 8-hour shifts if given the reins. Kajol, ever candid, deadpanned, “I love that you can work less,” while Ajay Devgn added that “honest filmmakers” would never object.
From star to changemaker, Deepika Padukone is rewriting the rules of the setGetty Images
But not everyone cheered
Director Tarun Mansukhani worried about logistical chaos. Some commented: “What happens when mid-budget films start losing their heroes to time clocks?” Others whispered about setting a dangerous precedent.
More than just a star’s schedule
This isn’t just about an actor clocking out early. It’s about rethinking the ecosystem.
Tripathi’s remark: “The actor leaves; the labourers stay”, in fact revealed the hierarchy. Spot boys, technicians, junior artists, they don’t get to negotiate. They wait, often unpaid for overtime, as the “show must go on.” The real question Deepika raises is: if she can’t get fair hours, who can?
And then there’s pay. A producer once told her they couldn't afford to pay her more because it would require cutting the male lead's salary and her response was a simple: 'Goodbye'.
The message? Equal pay isn’t a negotiation; it’s a principle.
When one woman said no to burnout, Bollywood was forced to listenGetty Images
Bollywood vs the world
Hollywood actors operate under union protections like SAG-AFTRA mandates, rest breaks, overtime pay, and hard stop hours. Violate it, and the studio pays. In contrast, Bollywood thrives on chaos masked as passion. People wear sleeplessness as a badge of honour. But glamour doesn’t justify grind.
While some southern Indian industries like Tollywood and Mollywood run leaner and faster, the Bollywood machine is notoriously disorganised, more time wasted in disarray than in shooting.
As one Mumbai-based casting director put it, “We imitate Hollywood’s sparkle but not their structure.”
Challenging the grind: how Deepika is shifting industry norms one demand at a timeGetty Images
Will the industry bend or break?
Deepika's stand has pushed the debate beyond vanity. This is about structure, safety, and sustainability. If the Federation of Western India Cine Employees (FWICE) and the Indian Film & Television Producers Council (IFTPC) don’t use this flashpoint to draw up new frameworks, the fallout will continue to be individual actors “opting out” rather than an industry choosing to change.
There’s already noise on social media from mid-tier actors who’ve faced burnout. They described enduring 14-hour shoot days with minimal breaks and have urged producers to build reasonable rest periods into their schedules. The pot’s boiling.
Deepika Padukone’s stand is making work-life balance a power move in Indian cinemaGetty Images
The curtain call
What started with one woman asking to wrap up on time has opened a conversation that Bollywood has avoided for far too long. Deepika Padukone’s quiet battle has exposed the uncomfortable truth: that this industry, which prides itself on discipline and “family vibes,” often forgets that families need time, sleep, and respect.
She didn’t just ask for eight hours. She asked for dignity and, most importantly, balance. And in doing so, she’s invited every actor, technician, spot boy, and choreographer to do the same.
This isn’t a diva’s whim; it’s like labour is stepping into the spotlight, demanding its long-overdue close-up. Bollywood’s glamour will always shine. But maybe, finally, it won’t have to come at the cost of people collapsing under its weight.
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Lokesh Kanagaraj set to direct Aamir Khan in a high-octane superhero film
Bollywood icon Aamir Khan has officially revealed that he will be teaming up with Tamil filmmaker Lokesh Kanagaraj for a large-scale superhero action film. The project, which is still in its early stages, is expected to begin production in the second half of 2026.
A rare early reveal from Aamir Khan
Aamir is known for picking his projects carefully, usually choosing one at a time, often after his latest release has had its run. But this time, ahead of the 20 June release of Sitaare Zameen Par, he decided to open up about what’s coming next. In a media interaction in Mumbai, he confirmed that he and Lokesh Kanagaraj have signed on to create a superhero film. “It’s a big-scale action film,” Aamir said, adding that while production is still more than a year away, the plan is firmly in place.
Lokesh, known for action-packed Tamil hits like Kaithi, Master, Vikram, and Leo, has built a reputation for combining stylish action with grounded storytelling. Aamir, who has dabbled in the action genre with films like Ghulam, Ghajini, and Dhoom 3, is expected to bring emotional weight and mainstream appeal to this pairing.
When asked for more details, Aamir smiled and declined to say more, simply stating that the full picture would emerge in time. For now, both actors and fans will have to wait as the film moves towards pre-production.
No PK sequel, but a Dadasaheb Phalke biopic is in the works
During the same interaction, Aamir also addressed speculation about a sequel to PK. “That’s just a rumour,” he said plainly. “I don’t know where that came from.” Instead, he confirmed he will reunite with director Rajkumar Hirani for a biopic on Dadasaheb Phalke, widely regarded as the father of Indian cinema.
Meanwhile, Sitaare Zameen Par, a spiritual follow-up to his acclaimed 2007 film Taare Zameen Par, will see Aamir play a basketball coach working with a team of individuals with special needs. Directed by RS Prasanna and co-starring Genelia D’Souza, the film also introduces ten new actors.
Aamir Khan dismisses PK 2 rumours and confirms biopic on Dadasaheb PhalkeGetty Images
With multiple ambitious projects lined up, including a superhero film, a historical biopic, and the epic mythological saga, Aamir Khan is entering a creatively fertile phase of his career, balancing scale with substance.