A CAMBRIDGE student has revealed that his photographs of British-Pakistani men was created to smash negative stereotypes of the community.
Hassan Raja, 19, published his photo series The Pakistani Men of Cambridge last month. The portraits, which focus on British-Pakistani students attending the prestigious school, show a
number of Asian undergraduates in front of the iconic Cambridge colleges.
The men study an array of different subjects including science, medicine, economics and law.
Raja’s inspiration for the series came when he noticed the negative comments after a British-Pakistani man was featured in the media.
The history student at Cambridge admitted he became frustrated at the nature of reporting related to the Pakistani community.
“I found it worrying that the only time I would see Pakistani men in the news would be when the subject of reporting was criminal activity,” he told Eastern Eye. “I feel this creates an
inherently negative, one-dimensional profile of Pakistani men which is extremely harmful, something I aimed to change with this project.”
Raja says he wanted to create a “fuller picture” of the community, which detailed the contributions that the men were making in society.
Soon after he posted the images online, the series went viral. Raja began to receive messages of support from other communities, as well as from British Pakistanis.
Calling the reaction “phenomenal,” the photographer says he hopes to see more pieces similar to his.
The stereotypes of the community originates, Raja believes, from the lack of representation in journalism, resulting in those impressions continuing to be echoed in the media.
Negative stereotypes seen in the press are harmful to young people, Raja explains, as it can stop them from realising their full potential. It could also make them feel their prospects are limited.
That was a motivating factor for Raja to produce the images.
“I decided to tackle this head on by highlighting not only the achievements of these students, but also their ambitions as I hope this will encourage and inspire other young people to believe in themselves and their dreams,” he said.
Raja, from east London, says that he also wanted his work to depict the presence of ethnic minorities at elite institutions such as Cambridge.
Last year, the university revealed that six of Cambridge’s 31 colleges had admitted fewer than 10 black or mixed-race students during the period between 2012 and 2016.
“(Showing BAME Cambridge students) can be powerful tools for access as, especially in my own experience, one of the biggest barriers to applying to Oxbridge was the fear of feeling alienated and not finding like-minded people,” he admitted.
“By photographing young Pakistani men against the backdrop of the Cambridge colleges in which they reside, all of which have deep connotations of elitism, I hope to normalise the idea
that we belong at these institutions.”
Later this year, Raja hopes to travel to Pakistan to reconnect with the culture.
Using photography, he hopes to challenge perceptions of the country and create a depiction of Pakistan which “accurately reflects its beauty”.
Would he ever pursue a professional career in photography?
“I would definitely love to pursue a career in photography and photojournalism,” Raja said.
“(I would want to continue) using this medium to tell stories and empower voices from my community.”
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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