Bunty Aur Babli 2 starring Saif Ali Khan, Rani Mukerji, Siddhant Chaturvedi, and Sharvari is all set to release on 19th November 2021. The movie is a sequel to the 2005 release Bunty Aur Babli which starred Mukerji and Abhishek Bachchan in the lead role, but in the sequel, Khan has replaced Bachchan.
On Friday (22), a teaser of the film was released, and on Saturday (23), Mukerji and Khan’s first look from the film was unveiled.
YRF shared Mukerji’s look and wrote, “Fashion Queen of Fursatgunj is here Watch #BuntyAurBabli2 trailer on 25th October! Celebrate #BuntyAurBabli2 with #YRF50 only at a big screen near you on 19th November ’21.”
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While talking about her character Babli aka Vimmy, Mukerji said, “Vimmy is bored being just a housewife in a small town. She knows she is talented, she is the OG Babli, a smart woman who pulled off incredible cons! Though she is happy in her marriage, she craves more, she craves the thrill and being the center of attention. She was always into fashion and so, she decides to pursue that. Her fashion choices are loud, colourful, and happy because that’s what her personality is and I must say she relishes the fact that people in Fursatgunj look up to her. People in this village are not exposed to fashion at all and Babli becomes the Fashion Queen of Fursatgunj!”
The production also shared Khan’s look and wrote, “The w̶e̶i̶g̶h̶t̶ wait is over! Bunty is READY! Bunty Aur Babli 2 Trailer out on 25th October! Celebrate Bunty Aur Babli 2 with YRF50 only at a big screen near you on 19th November ’21.”
While talking about his character, Khan said, "Not a day goes by without Rakesh missing the thrill he felt when he was the legendary conman Bunty. Though he has kept his identity a secret and enjoys his marriage with Vimmy, he misses the action, misses strategizing for cons that became the talk of the nation. Suppressing who he truly is and wants to be, impacts his health."
"I had to put on several kilos and then lose it quickly because of my packed shooting schedule. Now, when I look back, I’m glad I went through the process because Rakesh aka the OG Bunty looks believable in the film. He is a family man, who has quit conning people. He has settled down. He is endearing, his struggles are real. He was a legend and now he is a nobody. He craves to be known and that’s what makes him disappointed about how his life has shaped up. He wants to feel important,” the actor added.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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