'Britain’s Got Talent' finalist joins festival celebrating South Asian culture
The events kick off on Tuesday, July 9, with a stand-up comedy night from Desi Central, featuring laugh-out-loud comedians including Sukh Ojla, as seen on BBC2's Big Asian Stand Up, Nabil Abdulrashid, Tommy Sandhu and Raj Poojara.
A festival featuring award-winning magic, comedy, dance and free family activities is set to take place next week to celebrate the start of South Asian Heritage Month.
Five events will be held as part of the Sensasian festival, which will be held at the New Vic Theatre in Newcastle-under-Lyme in partnership with arts organisation Appetite. The series has been put together in collaboration with South Asian communities in Newcastle, Stoke-on-Trent and Staffordshire as a follow-up to the theatre’s 2023 Punjab to the Potteries project.
The events kick off on Tuesday, July 9, with a stand-up comedy night from Desi Central, featuring laugh-out-loud comedians including Sukh Ojla, as seen on BBC2’s Big Asian Stand Up, Nabil Abdulrashid, Tommy Sandhu and Raj Poojara.
Dance and live music take centre stage on Wednesday, July 10, when Sonia Sabri Company will perform the soul-stirring and energetic Roshni. Roshni – from the Persian word meaning light or brilliance – is a mix of kathak dance and live music driven by the bold rhythms of Tabla percussion, influenced by the traditions of Northern India but reimagined through a global lens.
Award-winning magician and former Britain’s Got Talent finalist Ben Hart will present Jadoo on Friday, July 12. Drawn from his own heritage and experience of travelling India to discover lost magic, this mind-popping show rich with wicked humour sees Ben shed his usual sleight-of-hand trickery in favour of stunning displays of mysticism and extra-sensory power.
Rounding off the celebrations, Appetite and the New Vic invite families to the theatre on Saturday, July 13, from 1 pm for an afternoon of free, fun activities for all the family including performances of Choogh Choogh, an interactive show inspired by the joys of travelling India by train; music from Amrit Kaur and dance workshops for all ages to get involved with.
Appetite director Gemma Thomas said: “Following on from the work we did for Punjab to the Potteries last year, we talked to our collaborators from the South Asian communities and asked what they’d like to happen next. Sensasian is the programme created out of those conversations and events have been specially selected by 26 community members. Sensasian is a celebration for the artists and the community who helped shape it, and everyone is invited.”
Sensasian will take place at the New Vic from Tuesday, July 9, to Saturday, July 13. Tickets cost £15 with concessions available. South Asian Heritage Month officially begins on Thursday, July 18, and runs until Saturday, August 17.
For more information and to book tickets, visit newvictheatre.org.uk or call the box office on 01782 717962.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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