Known for making powerful films with strong female protagonists, Mani Ratnam is hands down one of the finest filmmakers that Indian cinema has ever produced. In a career spanning four decades, the filmmaker has made a string of remarkable films in Tamil, Telugu and Hindi. His technical ingenuity and eye for detail set him apart from his contemporaries. He has directed several prominent actors, including Rajinikanth, Shah Rukh Khan, and Aishwarya Rai Bachchan.
On Wednesday, Mani Ratman celebrates his 65th birthday. As the master storyteller turns a year older, here is a look at his five must-watch films that you can watch to know his brilliance as a filmmaker.
Roja (1992)
Starring Arvind Swami and Madhoo in lead roles, Roja marked the beginning of the celebrated filmmaker’s iconic terrorism trilogy. The film centres on a simple village girl who goes all out to find her missing husband after he is abducted by militants during a secret undercover mission in Jammu and Kashmir.
Originally made in Tamil, Roja was later dubbed in Hindi and Telugu and enjoyed a great run at the box office in each language. AR Rahman composed the film’s music and some of its songs are popular even today. The huge commercial and critical success of the film gave a big fillip to the careers of Arvind Swami and Madhoo.
Bombay (1995)
After the roaring success of Roja, Mani Ratman and Arvind Swami joined forces again for a romantic drama film titled Bombay. The film revolves around how the infamous Bombay riots of December 1992 and January 1993 deeply impact a newlywed inter-religious family, which is trying to find a footing in the maximum city.
Arvind Swami and Manisha Koirala received glowing reviews for their poignant performance in the film. Critics heaped praises on Ratnam for dealing with such a sensitive issue with so much dignity and maturity. Bombay is the second in Ratnam's trilogy of films that depict human relationships against a background of Indian politics, after Roja. It was later dubbed in Hindi, Telugu and Malayalam with the same title and performed extremely well everywhere. AR Rahman composed the film’s music.
Dil Se (1998)
Dil Se, which marks Mani Ratnam's first collaboration with Shah Rukh Khan and second with Manisha Koirala, is the final part of the terrorism trilogy of the filmmaker. While Roja and Bombay were originally made in Tamil, Dil Se was an out-and-out Hindi film featuring actors from Bollywood.
Also featuring Preity Zinta in her film debut, Dil Se explores the seven shades of love while touching upon the sensitive issue of suicide bombing. Apart from hitting a home run in India, the film did exceptionally well in the international circuit also. It won two National Film Awards and six Filmfare Awards. AR Rahman again was the man behind the film’s unforgettable soundtrack.
Yuva (2004)
Simultaneously shot in Tamil as Aaytha Ezhuthu, Yuva is a 2004 Hindi film starring Ajay Devgn, Abhishek Bachchan, Vivek Oberoi, Esha Deol, Kareena Kapoor Khan, and Rani Mukerji in lead roles. The film tells the stories of three young student leaders from completely different strata of society who want to eradicate the corruption involved in politics. However, one fateful incident on Kolkata's iconic Howrah Bridge changes their lives forever.
Yuva fared quite well in multiplexes but failed to receive great response from single screens. The film’s performance overseas was also not up to the mark. However, it went on to perform extremely well on its television premieres. Of all the actors, Abhishek Bachchan received the best response for his performance as Lallan Singh.
Guru (2007)
If you want to see one of Abhishek Bachchan’s finest performances, Guru is the film you should not miss at any cost. After Yuva, Mani Ratnam once again succeeded in getting the best out of Junior Bachchan and gave him a film that never fails to find a mention whenever someone lists down his top performances.
Also starring Aishwarya Rai Bachchan in the lead role, the film was rumoured to be a biopic on the renowned industrial tycoon Dhirubhai Ambani, but Mani Ratnam refuted the claims and said it was a pure work of fiction.
Keep visiting this space over and again for more updates and reveals from the world of entertainment.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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