Bobby Deol, who used to be a force to reckon with a decade ago, went into oblivion all of a sudden, leaving his fans in sheer despair. However, he couldn't stay away from fans and films for long and made a stylish comeback with ‘Race 3’ (2018) where critics applauded his performance, though the film was panned unanimously. The Soldier (1998) actor will now be seen in Yamla Pagla Deewana: Phir Se, which is a sequel to Yamla Pagla Deewana (2011) and also stars his father Dharmendra and brother Sunny Deol. Just before the release of the film, our Mumbai correspondent, Mohnish Singh, sat down with Bobby Deol and talked about his new offering, relationship with brother Sunny Deol, and much more. Excerpt…
Tell us something about your new movie, Yamla Pagla Deewana: Phir Se?
The film has been fun. It’s been directed by Navaniat Singh. It’s his first time directing a Hindi film. Previously he has worked only on Punjabi movies. His father used to be a cinematographer by the name of Harmeet Singh. I worked with him on Badal (2000). We have Kriti Kharbanda in the movie. There is a cameo by Shatrughan Sinha which you all will enjoy because the chemistry between him and my dad is really nice, and then Salmaan Khan did us a favour by doing a cameo in it. He’s a sweetheart. He is the one who brought Rekha Ji, Sonakshi Sinha and Shatru Ji into the song.
What is your character like?
My character is Deewana. The movie is slightly different from the previous two instalments. There are different actors, a different story, but there is always one Yamla, one Pagla and one Deewana. It’s always going to be like that, I mean somehow somewhere we all are Yamla, we all are Pagla, we all are Deewana. It’s based again in Punjab. My character is from a family of practitioners of Ayurvedic medicine, though I don’t know anything about medicines. My character wants to go to Canada, all Punjabis want to go to Canada. So, he is fed up and wants his brother to sell this medicine which cures a lot of ailments and how this is always an issue about this in the house.
How was it working with Rekha?
It was fun working and sharing the screen with Rekha Ji. I have seen all of them as a kid. She is such an amazing actor, she always nice and warm. I have seen her since I was so young.
How has your relationship with your brother Sunny Deol changed over the years?
Well, my brother was always like a father to me. I respect him and love him a lot, that’s the kind of relationship we share. No brother does so much for his younger brother as he has done for me. So, for him, he has got three sons. He is very big-hearted and giving person.
How much hard work you had to put to get into shape for Race 3?
Because I realized I have to work hard. That was the biggest opportunity with Salman Khan and millions and millions of people watching. If I had done wrong and not worked well in that film, there would be people who would be disappointed with me. Salman gave me that opportunity. He always says that I needed you for the film but I realize that he gave it to me. He tells me not to think like that. He says he needed me for the film and that’s why I took you. Even there he doesn’t want to take credit. That’s the kind of person Salman is.
How have things changed post Race 3?
There is a lot of positivity around right now. Everywhere I go, everyone I meet, on everybody’s faces, there is happiness for me. Everybody is happy and that shows the appreciation I am getting and all of you are happy for me. Now, I just want to work harder so these faces remain the same.
Do you think success changes the dynamic of relationships in Bollywood?
I have always felt that my fans always wanted to see me on the screen, so it’s just I had to put the right effort to look good and people wanting to see me on the screen. That’s what it is. It’s not about the success that people would look at you differently, if people appreciate you for your work then success is secondary. Success will always come and go but appreciation is what keeps you going.
How different do you personally feel about yourself now?
I feel very energetic, very positive. I don’t feel sad as often as I used to, and try to enjoy every moment of my day because it’s precious. I appreciate everything I have got back again in my life and my career and the thought of losing it keeps me motivated because I don’t want to lose it. I just hope that I choose and make the right decision.
What kind of script are you accepting now?
It’s nothing like that. Right now I only have Housefull 4 as a future project. There have been scripts that came in between but they were not satisfying enough. I am looking for a good character to play, a character which has some substance to it. It can be multi-starrer or a three hero, two hero film. I am not trying to see if I have the male lead or not, male lead will come to me one day once my box-office position becomes better. So, I just want people to appreciate my work and I hope I do work that I enjoy and what people enjoy watching me in.
Do you think just being talented is not enough anymore to be successful in this field?
I just believe that you have got to be honest and straight about what you do and believe. You have to be hardworking and focused and you will achieve what you need to. I can’t be cunning, I can’t be manipulative, I can’t change myself, I cannot do that. I don’t know. Sometimes I wonder is it necessary? There are some people who know so well to market themselves, they know how o do that but that is also a talent.
You gave such wonderful films in the first beginning of your career and suddenly something went wrong. What had happened?
In the starting, I chose the films I wanted to do but later I didn’t choose them myself. It was then things started to take a wrong turn. You don’t know why or how this happens and suddenly things start falling the wrong way if you are not tough enough you start losing the grip on your career and that’s what happened to me. Following the wrong script then getting disheartened by it and not taking care of myself. People thought that I lost interest in acting but I never lost interest, I was just a little ignorant about how I am supposed to work, how to be professional.
How welcoming was the cast of Housefull 4?
I know all of them, so for me, it was fun. They have a chemistry of their own, they are so much in synch with one other, so for me to get in synch with them was taking a little time because they would laugh about things and I didn’t know what it was about. They had their internal jokes (laughs).
How excited are you to work with Kriti Kharbanda again in Housefull 4?
Yeah, it was fun because I didn’t know who all were there in the film in the beginning and then I was so happy when I knew she was also going to be a part of the film. It’s really nice because she is a wonderful person to work with, very honest, very dedicated. People are recognizing her work now and appreciating it.
Have you ever considered working behind the camera?
No, I can’t control people. You need a temperament for it. I have just started again as an actor, so let me be an actor for some time.
How different is it working with your family vis-à-vis working with other people?
You know when someone’s mood is off, you know what your brother is thinking, you know what your dad is thinking, you know how he is going to react. You know all these things but when you are working with others you don’t know when they are feeling what they are feeling. In a family, you know each other inside out.
Director marks 50 years of Jaws with new exhibition in Los Angeles
Reveals how shooting at sea left crew seasick and production over budget
Says he feared being fired during delays caused by malfunctioning mechanical sharks
Jaws went on to earn £192 million (₹2,301 crore as of 12 Sep 2025) and redefine the summer blockbuster
As the 50th anniversary of Jaws is celebrated, director Steven Spielberg has reflected on the chaotic making of the thriller, describing how the troubled shoot pushed him to the brink of thinking his career was finished. Speaking at the Academy Museum of Motion Pictures in Los Angeles, where a new exhibition is opening to mark the milestone, Spielberg said the filming of the mechanical shark epic left him convinced he would “never get hired again”.
Steven Spielberg revisits the turbulent shoot of Jaws five decades later Getty Images
Why did Steven Spielberg think his career was over during Jaws?
Spielberg, just 26 at the time, chose to film on location off Martha's Vineyard rather than in controlled water tanks. It was a decision that spiralled into months of production delays and escalating costs. “My hubris was thinking we could take a Hollywood crew 12 miles out to sea and make a movie with a mechanical shark,” he told journalists.
The ambitious plan quickly unravelled. Unpredictable tides and passing regattas repeatedly ruined takes, while crew members succumbed to seasickness. “I’ve never seen so much vomit in my life,” Spielberg joked. As schedules slipped and budgets soared, he feared the studio would shut down the film and end his career.
Steven Spielberg's Clapperboard from Jaws Getty Images
What challenges plagued the Jaws production at sea?
The centrepiece of the film, three full-sized animatronic sharks nicknamed “Bruce," proved the biggest obstacle. Built using pneumatic and hydraulic systems, they had never been tested in salt water before arriving at Martha’s Vineyard. Once submerged, salt corroded their mechanisms, pipes clogged, and controls frequently failed.
Because post-production tools in 1974 were limited, even minor background distractions became major setbacks. Boats from real regattas would drift into the background, forcing the crew to halt filming and wait for hours for clear ocean shots.
Steven Spielberg reflects on ‘Jaws’ at 50 as he recalls the chaos that made him fear being firedGetty Images
How did the crew keep the film alive despite setbacks?
Despite the relentless technical failures, Spielberg refused repeated offers to halt production entirely. Crucially, his team stood by him. Sound director John Carter once fell overboard while holding his recorder, and editor Verna Fields worked tirelessly to salvage suspense from the limited usable footage. Composer John Williams’s now-iconic two-note theme also played a vital role in heightening the tension where shark visuals were lacking.
What is featured in the new Jaws 50th anniversary exhibition?
The new exhibition at the Academy Museum is the first in its history dedicated to a single film. It showcases original storyboards, surviving shark models, and behind-the-scenes artefacts that illustrate the ingenuity and strain behind the production. Curator Jenny He said the display highlights how artistic problem-solving turned logistical disaster into cinematic history.
The film went on to earn £192m (₹2,301 crore as of 12 Sep 2025) at the US box office and became the first American “summer blockbuster,” launching Spielberg’s career as one of Hollywood’s most influential directors.
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Margot Robbie’s thong and Dakota Johnson’s sheer Gucci prove naked dressing is ruling 2025 red carpets
Margot Robbie revealed a bedazzled thong beneath a sheer Armani Privé gown at a London premiere.
Dakota Johnson attended Kering’s Caring for Women gala in New York in a floral-embroidered sheer Gucci dress.
The two separate outings in different cities fuelled the naked dressing conversation across red carpets.
The trend of sheer, lingerie-inspired couture continues to dominate major events in 2025.
Margot Robbie bares her butt in one high-profile moment while Dakota Johnson made headlines for a separate sheer Gucci look, but the two were not at the same event. Robbie returned to the red carpet in London wearing a sheer Armani Privé couture gown that exposed a bedazzled thong, while Johnson attended Kering’s Caring for Women gala in New York in a see-through Gucci dress embroidered with floral motifs. Together, the appearances proved how naked dressing like sheer fabrics and lingerie silhouettes is shaping this year’s red carpet conversations across different cities.
Margot Robbie’s thong and Dakota Johnson’s sheer Gucci prove naked dressing is ruling 2025 red carpets Getty Images
What happened at the London premiere?
Robbie wore an Armani Privé gown with a sheer base and ornate beadwork for the London premiere of her new film. The gown’s design revealed a sparkling thong when she turned, a detail that drew immediate attention on the carpet. Her styling was pared back; a sleek updo and bronzed makeup allowing the couture piece to be the focal point of the appearance.
Margot Robbie attends the European Premiere of "A Big Bold Beautiful Journey" at Odeon Luxe LeicesterGetty Images
What did Dakota Johnson wear at Kering’s Caring for Women gala in New York?
Dakota Johnson arrived at the Kering-hosted Caring for Women gala in a sheer Gucci gown embroidered with floral details that revealed a matching bra and underwear set beneath. Styled to balance transparency with tailoring, Johnson’s look followed her ongoing collaboration with Gucci, maintaining her reputation for daring red carpet choices.
Dakota Johnson attends the Kering Foundation's Fourth Annual Caring for Women Dinner at The Pool Getty Images
Were Margot Robbie and Dakota Johnson at the same event?
No, the two stars were photographed in separate cities. Robbie’s naked dressing moment occurred on the London red carpet for her film premiere, while Johnson’s sheer Gucci look was on show at the charity gala in New York. Both looks emerged within a similar timeframe and together highlighted how sheer dressing is appearing simultaneously on international red carpets.
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Why is naked dressing dominating red carpets in 2025?
Sheer fabrics, strategically placed embellishments and lingerie-inspired silhouettes have become ubiquitous at major events this year. Designers from Gucci to Mugler and Valentino continue to reinterpret transparency through couture techniques, making the trend both a design challenge and a red carpet focal point. For public figures, these looks offer a way to make a fashion statement while tapping into ongoing conversations about personal expression and couture craftsmanship.
Both Robbie’s Armani Privé gown and Johnson’s Gucci creation are clear examples of how the trend is being used differently: Robbie’s moment was a revealing, head-turning red carpet stunt connected to a film premiere, while Johnson’s was a polished, fashion-house statement at a high-profile charity event and together they emphasise why naked dressing remains one of 2025’s most talked-about fashion movements.
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A still from Hotel London showing the Bangladeshi family navigating life in a temporary hotel room
Newly restored 4K version to debut at the festival on 16 October
Part of BFI National Archive’s ambitious Black and South Asian Workshop remasters project
Explores 1980s London housing crisis and South Asian migrant experience
Marks a cultural milestone for Retake Film and Video Collective, Britain’s first all-Asian film collective
The long-overlooked 1987 drama Hotel London is set for a fresh spotlight as its 4K remaster world premieres at the upcoming BFI London Film Festival. Spearheaded by the BFI National Archive, the restoration forms part of a major project honouring the groundbreaking Black and South Asian Workshop movement, which redefined British screen culture in the 1980s. The film, directed by Ahmed Alauddin Jamal, vividly portrays the harsh realities of London’s housing crisis while centring the South Asian immigrant experience.
A still from Hotel London showing the Bangladeshi family navigating life in a temporary hotel room www.easterneye.biz
What is the BFI National Archive Black and South Asian Workshop remasters project?
The BFI National Archive has launched an extensive initiative to digitally restore and preserve key works from the Black and South Asian Workshop era, which flourished in the 1980s and 1990s. These collectives, including Retake Film and Video Collective, Sankofa Film and Video Collective, Black Audio Film Collective, Ceddo Film and Video Workshop and Birmingham Film and Video Workshop, used drama, documentary and experimental forms to tell urgent stories about race, class and identity in Britain.
The workshops grew out of the 1982 ACTT Declaration and early backing from Channel 4, creating space for marginalised voices to make and distribute films collaboratively. So far, 14 titles have entered the BFI’s restoration pipeline, with Hotel London being the second to premiere at the festival, following the 4K revival of The Passion of Remembrance in 2022.
Hotel London was originally made in 1987 during the International Year of the Homeless. It follows a Bangladeshi family placed in temporary bed and breakfast accommodation by local authorities, exploring how they navigate bureaucratic neglect, racism and the emotional toll of housing insecurity.
Combining fictional storytelling with video activism, the film depicts the makeshift hotel as a microcosm of 1980s London, showing interactions between diverse communities in precarious situations. Actor Jonathan Pryce appears as an Irish rough sleeper drifting through the city, while dancer Alpana Sengupta and actor Aftab Sachak round out the ensemble cast. The production was shot inside an actual bed and breakfast after extensive research with homeless residents.
‘Hotel London’ 4K remaster premieres at BFI London Film Festival spotlighting Black and South Asian Workshop legacy
Why is Hotel London’s restoration significant?
The 4K remaster of Hotel London is a major step in reclaiming and preserving Britain’s Black and South Asian film heritage. The original 16mm negatives were scanned and restored by Silver Salt Restoration, with sound remastered by the BFI National Archive. This revival not only protects the film’s legacy but also reintroduces contemporary audiences to the ethos of the Retake collective, which was Britain’s first all-Asian film group. Retake championed democratic collaboration, training emerging filmmakers and challenging the invisibility of South Asians on British screens. Their efforts earned them the Arthur Young BFI Award for Independent Film and Television in 1988.
‘Hotel London’ resurfaces in 4K after decades to confront Britain’s housing injustice and lost South Asian screen history
How did the Black and South Asian Workshops change British film?
The Workshops emerged amid 1980s social unrest, when media representation of Black and Asian communities was minimal and often stereotypical. Their issue-driven films disrupted this narrative, inspiring a generation of creatives including John Akomfrah, Maureen Blackwood, Isaac Julien, Menelik Shabazz and D. Elmina Davis.
By offering paid training roles, access to equipment and editorial control, the Workshops opened doors for diverse talent to tell authentic stories. Their influence continues to shape British screen culture, making the BFI’s remastering effort both a cultural and archival milestone.
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Priyanka Chopra Jonas commands NYFW 2025 front row with Mindy Kaling as Nick Jonas looks on proudly
Power couple attend Ralph Lauren’s showcase at Madison Avenue
Priyanka dazzles in sheer skirt and structured blazer ensemble
Nick opts for earthy brown tailored look with relaxed flair
The duo join a star-studded front row including Oprah Winfrey and Jessica Chastain
Priyanka Chopra Jonas and Nick Jonas commanded attention as they attended Ralph Lauren’s New York Fashion Week 2025 show on 10 September. Arriving hand-in-hand on Madison Avenue, the pair stopped for photographers before entering the designer’s headquarters. Their appearance at the high-profile event was one of the evening’s most talked-about moments, with Priyanka’s daring outfit and Nick’s understated elegance sparking admiration from fans and onlookers.
Priyanka Chopra Jonas commands NYFW 2025 front row with Mindy Kaling as Nick Jonas looks on proudly Getty Images
What did Priyanka Chopra Jonas wear at New York Fashion Week 2025?
Priyanka opted for a bold yet refined take on power dressing. She paired a sharply tailored grey blazer with a sheer flowing maxi skirt, creating a balance of structure and softness. Instead of a buttoned shirt, she chose to cinch her waist with a wide statement belt, giving her look an edge that stood out on the monochrome-heavy runway backdrop.
Her accessories were deliberately minimal. Delicate hoop earrings and a few rings, while bronzed makeup tones and voluminous, softly waved hair framed her face perfectly. This merge of minimal styling with a high-fashion silhouette reflected her style perfectly, making her one of the evening’s best-dressed attendees.
Nick went for earthy sophistication, donning a relaxed brown suit layered over a crisp white shirt. He added subtle detailing with a patterned tie, matched it with polished brown shoes, and finished off with rimmed sunglasses for a cool, composed vibe.
His tousled curls gave the look a casual softness that contrasted nicely with the tailored suit, making him appear effortlessly stylish beside Priyanka. Their complementary colour palettes, her muted grey tones and his warm browns, created a coordinated yet individualistic statement look.
Nick opts for an earthy brown suit for the event Getty Images
Which celebrities were seen at the Ralph Lauren NYFW show?
The event gathered an impressive front row of fashion and entertainment heavyweights. The couple were seated beside Usher and his wife Jennifer Goicoechea, with industry icons including Oprah Winfrey, Anna Wintour, Jessica Chastain, Naomi Watts, Laura Dern and Gayle King also present.
Also in attendance was Mindy Kaling, who sat in the front row at Ralph Lauren’s intimate Spring 2026 presentation on Madison Avenue. Speaking to AP News, Kaling said the brand symbolised the “American dream” for her immigrant parents, adding that the polo logo felt like “the sign of making it.” Photographers singled her out in roundups of the best front-row style, where she was pictured alongside Oprah Winfrey, Usher and the Jonas couple.
Ralph Lauren unveiled their Spring 2026 collection at the showcase, which featured minimalist silhouettes, oversized jackets, fitted dresses and monochrome palettes. Priyanka’s presence was especially fitting, as she has a long-standing association with the brand, notably wearing a custom Ralph Lauren gown for her wedding to Nick Jonas in 2018.
Mindy Kaling attends the Ralph Lauren show Getty Images
Why does Priyanka Chopra Jonas remain a front-row favourite?
Priyanka’s journey from Bollywood star to Hollywood regular has a lot to do with her consistently strong style choices and a willingness to take risks. Her high-profile international projects, from leading Quantico to starring in Citadel and producing The White Tiger, have cemented her as a global figure, making her an obvious pick for designers looking to spotlight influential personalities on their front rows.
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Tamannaah Bhatia opens up about her unique mental trick to tackle sexism in Indian cinema
Tamannaah Bhatia reveals her unique mental trick to handle sexism in the film industry
The Baahubali star opens up on her two-decade journey across South Indian and Bollywood films
She now headlines Amazon Prime Video’s Do You Wanna Partner opposite Diana Penty
Bhatia stresses that women must bring ideas forward rather than worry about pleasing others
Tamannaah Bhatia has shared an unusual but powerful way of dealing with sexism in the entertainment industry. Speaking about her rise in South Indian and Bollywood films, the Baahubali actor said she would often use a mental trick, imagining men in sarees or glamorous outfits, whenever someone tried to undermine her. This candid revelation about navigating gender bias comes as she fronts Amazon Prime Video’s new series Do You Wanna Partner, co-starring Diana Penty.
Tamannaah Bhatia opens up about her unique mental trick to tackle sexism in Indian cinema Getty Images
What did Tamannaah Bhatia say about her mental trick?
In her conversation with The Hollywood Reporter India, Bhatia recalled how early in her career she would encounter situations where men tried to make her feel insignificant.
“Whenever a man tried to make me feel like he had the final say in things and I had nothing to contribute, I’d always imagined him in a saree or a really glamorous outfit,” she said. “And then I’d think he’d look really bad in it. That’s when I realised what I can do, he can’t. So, they will need me.”
The actor explained that this quirky strategy gave her confidence to continue making bold choices on screen. She credited this self-belief with sustaining her through 85 films and maintaining her position as one of the highest-paid actors in Indian cinema.
Tamannaah Bhatia says imagining men in sarees gave her courage to thrive in a male-dominated industryGetty Images
How does Tamannaah Bhatia view her career after Baahubali ?
Bhatia’s career is often divided into two phases: before and after Baahubali. The blockbuster’s global success in 2015 gave her a visibility that few female actors in South Indian cinema had enjoyed before. “Nobody gives you work because you’re a nice person,” she noted, stressing that success comes only when performers bring concrete ideas and value to the table.
She emphasised that actors who speak up and contribute to scripts or scenes are often remembered more than those who stay quiet. For her, the turning point was recognising that assertiveness and creativity win respect in the long run.
Tamannaah Bhatia reflects on her journey across Bollywood and South Indian cinema after Baahubali successGetty Images
What is Do You Wanna Partner about?
In her latest outing on Amazon Prime Video, Bhatia plays Shikha Roy Chowdhury, a marketing professional who loses her job and decides to rebuild her career with the help of her best friend, played by Diana Penty. Together, the two women take on the alcohol-beverage industry, traditionally dominated by men, in a story that mirrors Bhatia’s own journey of breaking stereotypes.
The series talks about female entrepreneurship and friendship, with Bhatia’s character proving that resilience and wit can challenge established power structures.
Tamannaah Bhatia stars in Amazon Prime Video’s new series Do You Wanna Partner alongside Diana PentyGetty Images
Why does Tamannaah Bhatia’s story matter today?
Bhatia’s honesty about handling sexism offers a refreshing perspective in an industry where women are often sidelined. By openly sharing her unusual coping mechanism, she has in fact sparked discussion about how female actors build inner strength to thrive in challenging environments.
Tamannaah Bhatia stresses the importance of women voicing their ideas in an industry that often sidelines themGetty Images
Her latest project arrives at a time when representation and gender equality are under the spotlight in Indian cinema as well as on global streaming platforms. As one of the few actors to successfully straddle multiple film industries and now digital space, Bhatia continues to carve a path that reflects both resilience and reinvention.