Salman Khan is one of the most popular and talented actors in Bollywood. He has dominated the box office for decades with countless successes. Khan began his career in 1988 with Biwi Ho Toh Aisi, and later he gave several hits including Maine Pyar Kiya, Hum Aapke Hain Koun, Hum Saath Saath Hain, Karan Arjun, Dabangg, Bodyguard, Ek Tha Tiger, Bajrangi Bhaijaan, among others.
As the Bollywood superstar celebrates his 58th birthday today December 27, let us look at some of his best films.
Hum Aapke Hain Koun (1994)
This musical romantic drama film was written and directed by Sooraj Barjatya. Salman Khan as Prem consistently receives special recognition for a tale that has stood the test of time and is still regarded as a favourite among lovers of Hindi cinema. Salman, who starred alongside Madhuri Dixit in the film, was endearing as usual, bringing his quirky touches to everything he did.
Andaz Apna Apna (1994)
Andaz Apna Apna, a cult comedy that was ahead of its time, is still a fan favourite. The film has characters who are still famous and are recreated in costume parties and Bollywood evenings, and it is a testimonial to the eccentricities of his personality that his followers adore.
Hum Dil De Chuke Sanam (1999)
Hum Dil De Chuke Sanam was a classic because Salman as Sameer presented a very strong argument for the love narrative, which was so sophisticated for its period. Salman performed in roles with different cast ensembles, something that most celebrities would have avoided at the time. And in doing so, amassed a devoted following.
Tiger Zinda Hai (2017)
It is among Salman Khan's highest-grossing films. Ali Abbas Zafar is the director of the film. It is based on a story by Zafar and Neelesh Misra and produced by Aditya Chopra under Yash Raj Films. The film is a sequel to Ek Tha Tiger (2012) and is the second installment in the YRF Spy Universe. The feature stars Salman Khan and Katrina Kaif. Like its predecessor, the movie broke several box office records while it was in theatres.
Bodyguard (2011)
Another well-received Salman Khan movie! As the romantic-action movie continued, Salman Khan's character, Bodyguard Lovely Singh, and the girl he is paid to protect (Kareena Kapoor) developed a blossoming romance. The movie was an enormous hit and is still quite popular.
Dabangg (2010)
Dabangg, widely recognised as his comeback movie, is one of Salman Khan's masterpieces that people continue to talk about because of its comedy, music, and action scenes. Salman Khan portrayed a police officer in the movie, which was so well received that the producers decided to create two more.
Sultan (2016)
Sultan made waves in 2016 both at the box office and in people's hearts. Salman portrayed a wrestler in the movie who makes a return in his 40s, and his love story is paralleled by the plot.
Bajrangi Bhaijaan (2015)
Released in 2015, this movie continues to be many fans' favourite Salman Khan film! The film saw Salman in a completely different role and had just the perfect mix of action, emotions, and a heartwarming storyline. It was a box-office blockbuster.
Kick (2014)
One of Salman Khan's best films, Kick is directed by Sajid Nadiadwala. Salman Khan, Nawazuddin Siddiqui, Jacqueline Fernandez, and Randeep Hooda are among the actors who star in it. The film received a positive response and turned out to be a blockbuster film of its time.
Tiger 3(2023)
Tiger 3 is the third installment of the Tiger franchise and a part of the YRF Spy Universe with the likes of War and Pathaan. The movie also has cameo appearances of Shah Rukh Khan and a post-credit scene featuring Hrithik Roshan. Just like the two previous installments - Ek Tha Tiger and Tiger Zinda Hai -, the film focuses on a new mission involving RA&W agent Tiger (Salman) and ISI agent Zoya (Katrina Kaif). Tiger 3 is among the highest-grossing films of 2023.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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