Bhavai movie review: Pratik Gandhi’s film is a decent watch
By Murtuza IqbalOct 22, 2021
Pratik Gandhi is a big name in the Gujarati film industry and he became a household name all over India and even internationally after playing the lead role in Sony Liv’s series Scam: 1992. Gandhi has played supporting roles in some Hindi films, but now he has made his Bollywood debut as a lead with the movie Bhavai.
Bhavai is about Raja Ram (Gandhi) who stays in a small village in Gujarat. One day a drama company comes to his village to perform Ram Leela. Raja Ram, who wants to become an actor, gets an opportunity to play the role of Raavan in Ram Leela. But, what will happen if the on-stage Raavan and Sita fall in love with each other in real life?
The movie is written and directed by Hardik Gajjar who has earlier helmed many Indian TV shows (especially mythological shows) and even a web series. The story of Bhavai is good, and the concept of on-stage Raavan and Sita falling in love in real life is interesting. While the film is set in earlier times, it has many things that are still relevant.
The first half of the movie is very strong; it keeps us engaged. But, the movie falters a bit in the second half, and we also expected the climax to be stronger.
Gajjar's narration style surely reminds us of Sanjay Leela Bhansali’s movies. While of course, Bhavai is not as grand as Bhansali’s films, but some scenes will remind of the ace filmmaker’s movies. The Ram Leela scenes are also shot very well.
The best element of the film is clearly the music composed by Shabbir Ahmed. The songs as well as the background score are simply excellent. We are sure after watching the film you will be listening to the songs on repeat.
Gandhi has proved his mettle as an actor in many Gujarati films, and now, he makes a fantastic Bollywood debut with Bhavai. His performance is undoubtedly one of the highlights of the film. Aindrita Ray looks beautiful in the movie and has performed wonderfully. The supporting actors, Flora Saini, Rajesh Sharma, Abhimanyu Singh, and Ankur Bhatia are damn good in their respective roles.
Overall, Bhavai is a decent film and you can surely watch it once.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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