Nearly ten years after Kim Kardashian was robbed at gunpoint in a Paris hotel, the story is being revisited in a new documentary coming to BBC Three and iPlayer. Titled The Kim Kardashian Diamond Heist, the film digs into one of the most talked-about celebrity crimes of the last decade, offering fresh access and unheard accounts from those closely involved in the case.
Kim Kardashian Paris robbery case revisited in new BBC Three documentaryGetty Images
New voices and untold moments from the night that shocked the world
The 45-minute documentary features first-hand interviews with close family friends, French police officers, and journalists who followed the robbery from day one. It takes viewers back to that October 2016 night, when Kardashian was tied up and robbed of jewellery worth millions of pounds inside her private apartment at a luxury hotel during Paris Fashion Week.
The film doesn’t stop at the crime itself. It moves forward to recent developments, including the court case in which Kim finally came face-to-face with her assailants last month. Eight people were found guilty, nearly a decade after the robbery made global headlines.
Kim Kardashian 2016 diamond heist case brought eight people to justice nearly a decade after the robberyGetty Images
Beyond gossip: A look at the cost of digital fame
This BBC Three documentary goes beyond the headlines and Instagram timelines. It examines the role of social media in the robbery, where public posts may have tipped off the thieves, and the emotional fallout Kim faced in the aftermath.
Nasfim Haque, Head of Content at BBC Three, says the film “cuts through the noise and looks at the real-life consequences of being so visible in the digital age.” Firecracker Films, the production company behind the documentary, also hopes the film helps viewers understand how the case was solved and the emotional cost behind the glamour.
Kim Kardashian arrives at the Assize Court for the trial Getty Images
Directed by Ben Bryant and produced by Jessica Sartenaer, The Kim Kardashian Diamond Heist will be available on BBC Three and BBC iPlayer later this month. Executive producers include Jes Wilkins and Sam Emmery, and the documentary will be distributed globally by Passion Distribution.
The world premiere of Deep Cover lit up the inaugural SXSW London Screen Festival on Wednesday night, with stars Bryce Dallas Howard, Orlando Bloom and Nick Mohammed attending a post-screening Q&A that revealed how their off-screen camaraderie and improvisational skills helped shape the film’s comic energy.
The crime caper, directed by Stath Lets Flats creator Tom Kingsley, was screened as the festival’s Centrepiece Headliner and will be available to stream on Prime Video from 12 June.
A story years in the making
The project began over a decade ago, when producers Colin Trevorrow and Derek Connolly came across a real-life story involving New York police using actors as decoys in criminal investigations. The idea evolved into a feature film script written by the British duo Ben Ashenden and Alexander Owen, adapting Trevorrow and Connolly’s original concept and relocating the story to London.
Deep Cover follows three improv performers who are enlisted by an undercover police officer to pose as hardened criminals and infiltrate London’s underworld. With comedy and action colliding in unexpected ways, the film balances high stakes with humour.
Action-comedy with an indie heart
Director Kingsley explained that while the film began as a straightforward comedy, the involvement of bigger stars gave the team the resources to explore more ambitious action sequences.
“I think maybe it started more as a comedy. Straight up,” Kingsley said. “As we went on, bigger and bigger stars joined us, and that meant we could aim higher.”
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The film was produced independently in London under Trevorrow’s Metronome Film Co. banner. The producers emphasised that creating a film like Deep Cover without major studio backing was a challenge, particularly in today’s economic climate.
“It’s not easy. We’re at a time when getting films financed is harder and harder,” Trevorrow noted. He credited Amazon’s partnership and the dedication of the British crew with bringing the production to life on a competitive budget.
Real locations, real stakes
One of the defining aspects of Deep Cover is its use of real London locations. From Shoreditch to Barking, the film avoids glossy studio sets in favour of gritty, authentic settings.
“We wanted the movie to feel real. I think the comedy is funnier when you really believe in the stakes,” said Kingsley. “We needed London to look a little dangerous, not too picture postcard.”
He revealed that some night shoots required extra security, especially in industrial zones. “We shot in areas that needed some caution – but that’s what gave it a grounded feel.”
Strong chemistry on and off screen
The cast’s chemistry was clear both on screen and during the Q&A. Howard, Bloom and Mohammed all spoke about how much they enjoyed working together and how much that dynamic influenced the film’s tone.
“We all just genuinely get along,” said Howard. “We’re all at similar stages in life. We’ve got kids, so we connect over that.”
Bloom, better known for dramatic and action roles, said the project allowed him to explore a new side of acting. “I’m not known for comedy,” he admitted. “But the writing and direction really supported me in finding the humour through the character’s seriousness.”
For Mohammed, the shift was in the other direction. Best known for his work in Ted Lasso, he found the action element to be a new experience. “Overwhelming,” he said. “I’m a huge fan of action films and blockbuster hits. So working with Hollywood-level stars on this was surreal.”
Improv rooted in structure
Although Deep Cover is about improvisers, the film itself relied heavily on a carefully structured script. Kingsley noted that while improvisation did happen during filming, most of it was trimmed for pacing.
“It’s a really tightly worked out script,” he said. “It goes a mile a minute, and we had to stick to the rhythm.”
Howard praised the collaborative process, saying, “We were never treated like puppets. It was very organic. The improv was more about getting into the scene rather than driving it.”
Bringing comedy back to the big screen
Producer Colin Trevorrow reflected on the rarity of seeing comedy in cinemas, especially as more films are made for streaming platforms.
“We live in a day and age where we rarely get to see comedy in a packed theatre full of people laughing – something I loved as a kid,” he said. “This film is going to be on Amazon, and we’re grateful for that, but tonight was something special.”
Deep Cover also features British acting veterans Paddy Considine, Ian McShane and Sean Bean in supporting roles.
As it heads to its Prime Video release, Deep Cover offers audiences a blend of improvisational comedy, undercover drama and London grit, all anchored by a cast with genuine chemistry and comedic timing.
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Owen Cooper stars as a troubled teen in Netflix's hit drama Adolescence
The British mini-series Adolescence has officially dethroned Stranger Things 4 as Netflix’s second most-watched English-language series of all time. Released on 13 March, the four-part limited drama has racked up an impressive 141.2 million views in just 80 days, surpassing Stranger Things 4, which had logged 140.7 million views over its full 91-day performance window in 2022.
This milestone strengthens Adolescence as a surprise global success, thanks to its hard-hitting narrative and unusual creative format.
Created by Jack Thorne and Stephen Graham, and directed by Philip Barantini, Adolescence focuses on 13-year-old Jamie Miller, played by Owen Cooper, who is arrested for the suspected murder of a classmate. The series is praised for using single-take shots for each episode, drawing viewers into the emotional intensity of every scene without the usual cuts or edits.
Despite being just under four hours long in total, the show’s runtime hasn’t held it back. Netflix calculates viewership by dividing total hours watched by runtime, and Adolescence still scored a remarkable 541.4 million hours viewed. That’s especially impressive when compared to Stranger Things 4’s 1.83 billion hours, which it achieved over nine episodes and nearly 13 hours of content.
While Wednesday, starring Jenna Ortega, still holds the top English-language spot with 252.1 million views, Adolescence now stands proudly in second place. On Netflix’s global list across all languages, it’s currently ranked fourth, behind Squid Game and Wednesday.
With 11 days still left in its 91-day window, Adolescence may widen the lead further. The achievement also signals a broader shift in global viewing habits, where emotionally resonant, sharply written short-format dramas can hold their own against franchise powerhouses.
New seasons of Wednesday and Stranger Things are scheduled to drop later in 2025, meaning this leader board may shift again. But for now, Adolescence is enjoying its well-earned moment in the spotlight, with only four episodes and a lot of heart.
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Nick Frost brings his own take to Hagrid without imitating Robbie Coltrane
When Nick Frost was cast as Rubeus Hagrid in HBO’s upcoming Harry Potter reboot, comparisons to Robbie Coltrane were inevitable. After all, Coltrane’s portrayal defined the character for a generation. But Frost isn’t trying to recreate what’s already been done. He’s stepping into the role with clear eyes, aware of the legacy, but determined to bring his own version of Hagrid to life.
In an interview, Frost acknowledged Coltrane’s unforgettable impact but drew a firm line: he won’t mimic him. “I’m not going to try and be Robbie,” he said. “You have to honour what came before, but I’ll bring my own take.” For Frost, Hagrid is more than just a gentle giant. He sees the character as a mix of both toughness and vulnerability, like a big-hearted man with childlike qualities, both tender and fierce.
The HBO series plans to go deeper into the Harry Potter world than ever before, with each book turned into a full season. That format, Frost believes, gives him room to dig into Hagrid’s layers, something the films didn’t have time to do. “I always saw Hagrid as funny, protective, and a little lost,” he explained. “Now I’ll get to explore all those sides.”
Frost has already begun preparing, getting fitted for prosthetics and costumes. Production kicks off this summer at Warner Bros. Studios in the UK, with the first season expected to be a long one with nearly a year of filming. But Frost is all in. “I’ve loved cinema my whole life,” he said. “Being part of this world now, it’s incredible.”
Frost respects the past but is ready to explore new sides of HagridGetty Images
The cast includes newcomers Dominic McLaughlin, Arabella Stanton, and Alastair Stout as Harry, Hermione, and Ron. Big names like John Lithgow as Dumbledore, Paapa Essiedu as Snape, and Janet McTeer as McGonagall round out the rest. Behind the scenes, Francesca Gardiner leads as showrunner, with Succession’s Mark Mylod directing. J.K. Rowling is also involved as executive producer.
Frost isn’t trying to “be” Hagrid as we remember him; he’s trying to show us a side we might not have seen yet. It’s not about doing it differently just for the sake of it. It’s about finding the heart of the character and letting that lead.
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Ncuti Gatwa leaves Doctor Who after a groundbreaking two-season run
In the final moments of Doctor Who’s latest episode, “The Reality War,” Gatwa’s Fifteenth Doctor gave up his current form in a high-stakes finale. In true Doctor Who fashion, he regenerated, but this time, the new face wasn’t a complete stranger. Viewers were stunned to see Billie Piper appear, looking strikingly similar to Rose Tyler, the beloved companion from the show’s 2000s revival. Whether she is the next Doctor or something else entirely is unclear.
The credits only add to the mystery. They list Piper under “Introducing Billie Piper,” avoiding the usual confirmation of her as the Doctor. Piper herself played coy, saying she was thrilled to return but urged fans to “wait and see” what her reappearance really means.
Gatwa’s exit comes after just two seasons, making his run one of the shortest in the show’s long history. His time as the Doctor was historic, the first openly queer Black actor in the role and emotionally rich, with companions played by Millie Gibson and Varada Sethu. But with the show’s ratings dipping and future seasons still unconfirmed by Disney+ and the BBC, this sudden change in direction has left fans wondering what’s next.
Despite earlier hints from Gatwa about a possible third season, his appearance on The Graham Norton Show was later edited to remove any such mention. Behind the scenes, it seems the series may have changed course to lean more heavily on nostalgia and surprise.
While Gatwa moves on to other projects, including two major stage plays and a role in Jay Roach’s film The Roses, his time on Doctor Who has clearly left a mark. In his goodbye, he thanked fans for embracing him and called the role “an experience I’ll never forget.”
As for the future of Doctor Who, it’s in limbo. The show ended on a cliffhanger with no confirmed return date and a mysterious new face in the TARDIS. For now, all eyes are on the next chapter, whatever form it takes.
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Lady Gaga debuts as mysterious Nevermore teacher Rosaline Rotwood in Season 2
Netflix’s hit series Wednesday returns this August, and it’s not coming quietly. Season 2 of the spooky, offbeat show is split into two parts, kicking off on 6 August 2025 and wrapping up with part two on 3 September. Expect more weird, more wild, and a big surprise: Lady Gaga joins the madness. Yes, you read that right!
This time around, Wednesday Addams, played by Jenna Ortega, heads back to Nevermore Academy. Only now, she’s doing it by choice, though nothing goes how she imagined. The new season dives deeper into Wednesday’s world, where friendships, rivalries, and eerie puzzles twist into something even darker than before. Her sharp tongue and cold stare are back, but so are old enemies, new dangers, and a mystery that’s more personal than ever.
The opening scene shown during Netflix’s Tudum 2025 event sets the tone right away: Wednesday is tied up in a serial killer’s basement. Played by Haley Joel Osment, the killer thinks she’s his next victim. Wednesday, unfazed, begins to tell the story of how she ended up there.
But the biggest headline from Tudum? Lady Gaga’s reveal. Emerging from a coffin labelled “Here Lies the Monster Queen”, she performed her tracks Zombieboy and Abracadabra from her new album Mayhem, along with a dance nod to the viral “Goo Goo Muck” scene from Season 1. Gaga’s character is now confirmed: Rosaline Rotwood, a mysterious teacher at Nevermore, who crosses paths with Wednesday in the second half of the season.
Along with Ortega, the main cast returns: Emma Myers, Joy Sunday, Catherine Zeta-Jones, Luis Guzmán, Fred Armisen, and others. New faces include Steve Buscemi, Billie Piper, Thandiwe Newton, and Christopher Lloyd in guest roles.
Season 1 of Wednesday broke viewership records for Netflix, racking up over 250 million views. Now, with a bigger cast and stronger plotlines, Season 2 aims to raise the stakes.