BBC Asian Network has announced the launch of the first-ever official British Asian Chart Show, coming to the station on Thursdays (9pm-10pm) from 18 April.
Hosted by the station’s Jasmine Takhar, the weekly show will celebrate the best of British Asian music, with a one-hour rundown of the top 20 biggest tracks - as compiled by the Official Charts Company based on sales and streams across the UK.
Jasmine currently hosts BBC Introducing on the Asian Network (Tuesdays, 8pm-10pm), where she champions new, unsigned, and under the radar artists.
Jasmine Takhar says: “I’m so gassed for the new show! This is a monumental moment not just for the station but for the scene. To be asked to host this at a time where the industry is celebrating and pushing British Asian music to the forefront is definitely something I’m proud of.”
The Official Asian Music Chart will continue on Fridays (3pm-6pm) with Nayha, celebrating Asian music from across the globe.
It was also announced that after an incredible 12 years, Noreen Khan, who currently presents Sunday 9pm-11pm, will leave the network.
Noreen’s last show will be 25 February and she will host the Asian Network Comedy Gala in Glasgow (29 February) before she hands the reigns over. The Sunday slot will be hosted by some exciting guest presenters over the next few months.
Noreen Khan says: “I’ve had such a brilliant time at the Asian Network! The years flew by and I built a real genuine connection with the listeners, who felt like extended family. It always felt like such a privilege to be in that studio daily doing something I loved.
“I felt the time was right to be able to go and just explore all the places and things I’ve always wanted to do. I’ll miss the listeners and all the people I worked with over the years and want to say thanks to everyone who’s been a part of this lovely, incredible radio journey!”.
In other changes, AJD Thursdays will move to a new time slot of 6pm-9pm, with an additional hour of the best and newest Punjabi sounds from across the world. DJ Nish will step down from her current Thursday evening show (8pm-10pm), her last show will be on 11 April.
Mehreen Baig (Saturdays, 1pm-3pm) will leave the network and Beyond Bollywood with Haroon (Saturdays, 11am-1pm) will come to an end from 24 February. Mehreen will host the third series of Not Even Water podcast, which will launch for Ramadan in March before leaving the station. Haroon will continue to champion Bollywood during his usual weekday shows (Monday-Friday, 11am-3pm).
Ahmed Hussain, Head of Asian Network, says: “The launch of The Official British Asian Chart has been a long time coming, and I’m really excited for the UK Asian music scene, with Asian Network at the forefront! This will give all of our artists a bigger chance to hit the top 10 and beyond!
“I also want to thank Noreen Khan for such an exceptional time at Asian Network, she is a dear friend to everyone at the station and our listeners, and I wish her all the best with her new ventures.
“A massive thank you to Mehreen and DJ Nish too, who have brought their own unique energy to the airwaves, they all remain part of the wider Asian Network family!”.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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