VETERAN ACTOR AMITABH IS EXCITED ABOUT HIS NEW FILM
THE big Bollywood release of the week is interesting looking thriller TE3N.
I try and learn from criticism
Amitabh Bachchan, Nawazuddin Siddiqui and Vidya Balan play the lead roles in the story of a grieving elderly man who goes on an eight-year- long quest for justice after his young grand- daughter is kidnapped.
The trailer for the twist-laden story has gener- ated a lot of interest and that is perhaps why Amitabh Bachchan was in confident mood when I caught up with him for a quick Q&A about TE3N and more
You are selecting very diverse subjects. How are you choosing your films today? .
(Laughs) I am not choosing the subjects, the makers are.
What did you like about TE3N?
I really liked the story and the concept. I am playing a middle-class, Anglo-Bengali character called John Biswas. He has lost his grand daugh- ter in mysterious circumstances and he wishes to find out how, where and when it happened.
Would it be true to say this was a physically demanding film for you?
Each film is physically demanding in its own way. I prepared as much as was required by the director (Ribhu Dasgupta) – we had discussions about the story, the nature, look and attitude of the character and all that.
Your character seems determined but also vulnerable. How did you build him up?
I just followed what Ribhu asked of me.
How does Nawazuddin compare to other actors you have worked with?
Nawaz is brilliant. I think to seek compari- sons would be unfair as all those I have wor- ked with have had exceptional qualities.
Do you have a favourite moment or scene in the movie?
(Smiles) Hopefully, all the moments
I am predicting that there is a huge twist in the film. Is that true? .
Well, what else does one expect to have in a mystery?
How did you feel about riding the scooter in TE3N?
(Laughs) It was not easy at all. A lot of prac- tice had to be put in.
You said you were nervous about singing for TE3N. Why is that?
I was nervous because non-singers will al- ways go through that feeling.
Talking of nerves, do you get nervous before the release of a movie after all these years?
Yes, I do as I would any other [project], and yes, I try to learn from the criticism.
What is your biggest driving force today?
That I breathe.
You told me a while back that your two great unfulfilled ambitions were to learn a musical instrument and a language. Is that still the case?
(Smiles) Yes, it is, Asjad
Everyone looks up to you as an actor. What key advice would you give a young actor? .
Do not look up to me. I am not worth it. Look within, and you will be happier and greatly more satisfied.
Will you be doing more Hollywood films?
Nothing has come my way.
You must be happy so many Indian actors are making a mark in the west?
Yes, indeed, I am and my best wishes to them.
What would you change about Indian cinema?
Nothing. If it has existed for over 100 years, there must be something right that it is doing.
Why should we all watch TE3N?
Because that would make us all very happy.
Finally, why do you love cinema?
I love cinema because I do not know any other vocation that would earn me a living and help me to run my kitchen.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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