The latest Marvel movie Avengers: Endgame has smashed Indian box office records for a foreign film ahead of its Friday release by selling more than 2.5 million advance tickets, the country's main ticket trader said.
Demand for the 22nd film in the Marvel series has been so high that some cinemas are planning round the clock screenings, said Ashish Saksena, chief operating officer of BookMyShow, an online booking platform which announced the sales figures.
With a ticket sold every 18 seconds, cinemas across the usually Bollywood-mad country "are doing everything possible to match fans' demand for the film," Saksena said.
And with one day to go, the film could be on track to break the record set by the 2017 Indian film Bahubali 2, which notched up 3.3 million advance sales and went on to become the highest-grossing Indian movie, earning $156 million worldwide.
Avengers: Endgame opened in parts of Asia and Europe on Wednesday and releases in India, the United States and Canada on Friday.
The movie is releasing in multiple languages across India including English, Hindi, Tamil, and Telugu.
Trade pundits have said the three-hour epic could become the first billion-dollar opening weekend in history.
The first part of the saga, Avengers: Infinity War, was the previous record holder, with less than two million advanced tickets sold.
The previous 21 Marvel films have earned about $19 billion globally.
"Anticipation for Avengers is extremely high and it will record unprecedented numbers in India," Akshaye Rathi, a Mumbai-based trade analyst told AFP.
"Craze for the movie is at par with Baahubali 2 and it will break records set by other Hollywood and Bollywood films by a long mile," Rathi added.
Scarlett Johansson has once again voiced her frustration over the Oscars overlooking Avengers: Endgame for the Best Picture category. The actress, known for portraying Black Widow in the Marvel Cinematic Universe, expressed her disbelief during an interview. She questioned how a film as groundbreaking and successful as Endgame managed to receive only one nomination, for visual effects, at the 2020 Academy Awards.
“It was an impossible movie that shouldn’t have worked, yet it did, both as a film and as a cultural moment,” Johansson remarked. She pointed out that the film not only pushed creative boundaries but also became one of the highest-grossing movies of all time. Despite its global impact and critical acclaim, Endgame remained absent from major Oscar categories, including Best Picture.
Scarlett Johansson questions why Avengers Endgame was overlooked by the Academy despite its record breaking successGetty Images
This snub particularly stings because Endgame marked the end of an era for Johansson’s character, Natasha Romanoff, who sacrificed herself to save the universe. Following this emotional farewell, Johansson reprised the role one last time in the 2021 prequel, Black Widow. However, when asked about returning to the Marvel universe again, she remained firm, stating that Natasha’s story had reached a meaningful conclusion.
While Johansson clearly misses working with her Marvel co-stars, she feels that bringing back the character would undermine the impact of her farewell. “It wouldn’t make sense,” she said, emphasising the importance of leaving Natasha’s legacy intact.
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Besides her frustration over the Oscars snub, Johansson also took a jab at the length of recent award ceremonies, particularly the 2025 Oscars. She found the James Bond tribute segment overly long, describing it as feeling like an advertisement rather than a celebration of cinema.
Despite the setbacks, Johansson is staying busy. She’s set to star in Jurassic World: Rebirth and is making her directorial debut with Eleanor the Great, which will premiere at the Cannes Film Festival. Her passion for storytelling continues, whether or not the Oscars recognise her past projects.
Scarlett Johansson defends Avengers Endgame and criticises lengthy Oscars ceremoniesGetty Images
In the end, Johansson’s disappointment highlights a recurring issue: the Academy’s reluctance to honour blockbuster superhero films, even when they make a significant cultural impact.
James Gunn’s Superman is shaping up to be more than just another cape-and-costume affair. The latest trailer doesn’t just show off epic battles or a parade of DC heroes; instead, it throws us straight into a tense one-on-one between the Man of Steel and the woman who refuses to let him off the hook.
In this new version, Clark Kent, played by David Corenswet, is already known to Lois Lane as Superman. There’s no awkward glasses game here, just straight talk! And Lois isn’t starstruck. She’s sharp, sceptical, and not afraid to press him on the ethics of playing global policeman. Her questions about his involvement in a foreign conflict cut through the usual superhero fanfare. Was he saving lives, or stepping over a line?
Superman insists he was acting on his own, not as an agent of any government. But Lois reminds him that intent doesn’t erase consequences. That tension between good intentions and real-world impact seems to be at the heart of Gunn’s take on the iconic character. It’s not about whether Superman can save the world; it’s about whether he should do it on his own terms.
The trailer also introduces Nicholas Hoult as Lex Luthor, who sees Superman not as a saviour, but as an alien outsider dominating a global narrative. “He’s not a man. He’s an it,” Luthor declares, breaking into the Fortress of Solitude with the mysterious Engineer. This isn’t a villain twirling his moustache; it’s someone deeply uncomfortable with Superman’s place in the world.
The film skips past origin stories and dives right into an established world, complete with supporting heroes like Green Lantern, Hawkgirl, Mr. Terrific, and Metamorpho, though the latter may be in chains rather than on the team.
We still get a glimpse of Superman’s Kansas roots, with Ma and Pa Kent reminding him that being a hero isn’t just about strength but about character.
Superman, directed and written by James Gunn, flies into cinemas on 11 July in the U.S., with international releases beginning on 9 July. Expect a film that raises questions as much as it throws punches.
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Shah Rukh Khan visits the cast of Come Fall in Love The DDLJ Musical during rehearsals in London
Thirty years after Dilwale Dulhania Le Jayenge changed the face of Hindi cinema, the story is stepping onto the UK stage, and Shah Rukh Khan himself dropped by to witness it in the making.
The actor, who became a household name playing Raj in the original 1995 film, surprised the cast of Come Fall in Love – The DDLJ Musical at their rehearsal space in London. With its UK premiere scheduled at Manchester Opera House from 29 May to 21 June, the stage show is a reimagined take on the beloved romance, directed once again by Aditya Chopra.
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This musical version is set between India and the UK and stars Jena Pandya as Simran and West End actor Ashley Day as Rog, giving a fresh take on Raj. For Pandya, the experience was surreal. “Showing him scenes he once performed was unforgettable,” she said. “He gave his time so kindly. It meant a lot.”
Day, clearly moved, added that the energy shifted the moment Khan walked in. “We all felt it. He didn’t have to say much; his presence said enough,” he reflected. “It was just one of those moments you never forget.”
The musical brings a new twist to the original, with 18 English tracks composed by Vishal Dadlani and Sheykhar Ravjiani. The duo were thrilled by Khan’s visit. “He loved the vibe, the energy, the music,” Vishal said. “It felt like Raj was passing the torch to Rog.” Sheykhar added, “For everyone involved, it was a special afternoon. He connected with the cast on a deeper level; theatre is where he began, after all.”
This production isn’t just about nostalgia. It’s an attempt to present a timeless story to a new audience, with Broadway-style storytelling and Indian emotion. The script and lyrics have been adapted by Nell Benjamin, known for Legally Blonde and Mean Girls, while the choreography is led by Tony Award winner Rob Ashford, with Indian dance sequences by Shruti Merchant.
With immersive events also planned at railway stations in London and Manchester, nodding to the film’s famous train scenes, Come Fall in Love aims to bridge the old with the new. And if Khan’s glowing reaction is any sign, this musical might just become a classic in its own right.
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Indian standup comedian Shamik Chakrabarti at Soho Theatre, London
In his debut UK show – and first international performance – Indian stand-up comedian Shamik Chakrabarti took to the stage at Soho Theatre, London, with a deceptively low-key presence that quickly revealed a sharp wit beneath his ‘sensible nerd’ exterior.
The aptly titled Despite Appearances saw the bespectacled comic defy expectations. His softly spoken, academic demeanour gave way to punchlines filled with sly irony, sarcasm and culturally specific references that regularly caught the audience off guard.
The promising newcomer joins a growing list of Indian comedians making their first international strides through the iconic venue. Performing in English, Chakrabarti opened with locally tailored jabs at British quirks before shifting to idiosyncratic tales from life in India.
What followed was a string of wry observations on topics ranging from his (notably tall) height and online sex bots, to an unforgettable visit to what seemed like a knock-off safari park – complete with deer and what appeared to be a man in a tiger costume.
Rather than delivering rapid-fire gags, the slow-burn set leaned into long, ironic setups and unexpected, sideways punchlines – building a world that felt both absurd and relatable.
The show’s centrepiece was an extended story about losing his laptop in a rickshaw and the surreal events that followed – including trying to explain the situation to bewildered police officers. While this was clearly a crowd favourite and delivered several strong moments, it slightly overstayed its welcome and dragged the pace in the second half.
That said, Chakrabarti’s delivery remains distinctly his own – dry, deadpan and unapologetically niche. It resonated with sections of the audience, though others, perhaps expecting more energy, were less engaged.
With over 25 million Instagram views and more than 8 million on YouTube, Chakrabarti already commands a sizeable fan base – one that is now set to grow. If he can sharpen the storytelling and tighten the structure, he could soon become a regular name on the global stand-up circuit, with the upcoming Edinburgh Fringe as his next big step.
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Fans cheer as Tom Cruise walks the Cannes red carpet for The Final Reckoning premiere
Tom Cruise had a heartfelt moment at the 2025 Cannes Film Festival when his latest film, Mission: Impossible – The Final Reckoning, received a five-minute standing ovation at its world premiere. The 62-year-old actor was visibly moved as the crowd at the Grand Théâtre Lumière cheered him on, acknowledging his 30-year run as Ethan Hunt in the blockbuster franchise.
Cruise walked the aisle surrounded by applause, joined by director Christopher McQuarrie and co-stars including Hayley Atwell, Simon Pegg, Angela Bassett, Pom Klementieff, and Esai Morales. Moments later, he took the mic to thank the audience, calling the experience a dream come true. “I’ve been lucky to entertain you with this series for three decades,” he said, adding a heartfelt tribute to McQuarrie, who has directed the last four films in the series.
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The Cannes premiere was a grand affair. A 40-piece orchestra played the iconic Mission: Impossible theme as the cast walked the red carpet. Fans held up posters from Cruise’s earlier films, and some paid tribute to his Top Gun co-star Val Kilmer. Cruise, known for his genuine connection with fans, took time to sign autographs and pose for photos.
Greg Tarzan Davis, Angela Bassett, Tom Cruise, Tramell Tillman, Hannah Waddingham, Simon Pegg, Pom Klementieff, Esai Morales and Erik Jendresen at Cannes 2025Getty Images
This premiere is, in fact, Cruise’s return to Cannes after Top Gun: Maverick in 2022, which received a six-minute ovation and a jet flyover. While this time lacked such theatrics, the emotional impact was no less powerful. The actor was seen clasping his heart, overwhelmed by the audience’s love.
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The film, which picks up from 2023’s Dead Reckoning Part One, is being touted as the final chapter in the Ethan Hunt saga. Though Cruise hinted it’s a culmination of 30 years of work, he stopped short of calling it his last. “Let people watch it and decide,” he said.
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The Final Reckoning opens in India on 17 May, six days ahead of its global release, and will be available in English, Hindi, Tamil, and Telugu. Given the high production costs and moderate performance of the previous film, the stakes are high. But with Cruise’s relentless promotion across countries and a warm Cannes reception, the franchise may be gearing up for one last big win.