Author Amish Tripathi concludes term as director of Nehru Centre
As one of the longest-serving directors of the Nehru Centre, Tripathi followed in the footsteps of the likes of Mahatma Gandhi’s grandson, Gopalkrishna Gandhi, and writer-filmmaker Girish Karnad
Bestselling author Amish Tripathi has concluded his tenure as Director of the Nehru Centre and Minister for Culture and Education at the High Commission of India in London. Over the course of four years, he actively coordinated numerous India-focused cultural events in the capital.
The 49-year-old diplomat oversaw the Nehru Centre's transition to several remote events over the course of the Covid lockdown period, extending the reach of the cultural wing of the Indian mission to a more UK-wide and international audience.
As he heads back to his home city of Mumbai after his term this week, Tripathi expects London to remain a second home as one of the most “extraordinary” cities of the world and his wife Shivani's connection as a British citizen.
“The Nehru Centre is a massive asset that has a tremendous legacy, and I am very proud that I got the opportunity to add my own small contribution to this great institution,” said Tripathi.
“I think it's a wonderful time to be in the space of culture in India, and the Nehru Centre can play an important role. In every way, India is becoming much more influential – see our performance in sports, our performance economically, educationally, in every way. We have an Indian-origin prime minister in the UK (Rishi Sunak) and an Indian-origin and a very credible Republican presidential challenger in the US (Vivek Ramaswamy). I think with all this, India's cultural influence will also rise,” he said.
As one of the longest-serving directors of the Nehru Centre, Tripathi followed in the footsteps of the likes of Mahatma Gandhi's grandson, Gopalkrishna Gandhi, and writer-filmmaker Girish Karnad.
He reflected upon some of the changes that have taken place during his term, which are now here to stay.
“The pandemic was disastrous for everyone, and so we decided to move everything online. Actually, that ended up being a blessing in disguise for us because our reach expanded dramatically… now, we continue with a hybrid model with a mix of physical and online events, and I think that is here to stay,” he shares.
From hosting the Murthy family for author Sudha Murty's book launch, including husband Narayana Murthy and daughter Akshata Murty, to conversations with the likes of former England cricket captain Kevin Pietersen and classical Indian dance, music, theatrical performances and exhibitions, the Nehru Centre hosts an estimated 250 events a year.
It also serves as a hub for Indian students, including an internship programme offering them a chance to get involved in its activities.
“We have a lot of student programmes out here, and the Nehru Centre is a home away from home for Indian students,” said Tripathi.
As he heads back to India, the country he "loves to the depths of my soul,” his documentary with the working title of ‘Return of a Splendid Sun' is nearing completion. It tells the story of the Ram Janmabhoomi temple being built in Ayodhya and will be released in time for the Ram Mandir being inaugurated in January 2024.
Besides, he has a series of other book and film projects on the anvil, which he is looking forward to delving into.
“London was certainly a good place for a creative person, as a genuinely multicultural city. But I'm kind of raring to get back to my creative work in India,” he added.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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