Crown Perth has issued a statement of apology after Indian batting star Virat Kohli expressed disappointment for a breach of privacy in his hotel room on Monday, October 31.
“The safety and privacy of our guests is our number one priority, and we are incredibly disappointed this incident has occurred. We unreservedly apologise to the guest involved and will continue to take the necessary steps to ensure this remains an isolated incident," Crown said in a statement.
“We have zero tolerance for this behaviour, and it falls well below the standards we set for our team members and contractors.
“Crown has taken immediate steps to rectify the issue. The individuals involved have been stood down and removed from the Crown account, and the original video was swiftly removed from the social media platform," it added.
“Crown is conducting an investigation with the third-party contractor and will take any further steps necessary to ensure an incident of this nature does not happen again.
“We are also co-operating with the Indian Cricket team and the International Cricket Council to convey our apologies and will continue to work with them as we progress the investigation," the statement added.
Earlier, Virat took to Instagram and revealed that his privacy was invaded at a hotel room in Perth, where the T20 World Cup is going on. The cricketer shared the viral video and said he was disappointed by the "fanaticism and absolute invasion of privacy."
The video shows someone taking a tour of Virat's hotel room in the absence of the cricketer.
Describing the incident as an "absolute disgrace", Anushka took to Instagram Story and wrote, "Have experienced a few incidents where some fans have shown no compassion or grace in the past but this really is the worst thing. An absolute disgrace and violation of a human being and anyone who sees this and thinks celebrity ho toh deal Karna padega (If you are a celebrity then you will have to deal with this) should know that you are also part of the problem."
"Exercising some self control helps everyone. Also, if this is happening in your bedroom then where is the line?" she concluded in her note.
An enraged Kohli literally requested all to respect privacy of others.
"I understand that fans get very happy and excited seeing their favourite players and get excited to meet them and I've always appreciated that. But this video here is appalling and it's made me feel very paranoid about my privacy. If I cannot have privacy in my own hotel room, then where can I really expect any personal space at all?? I'm NOT okay with this kind of fanaticism and absolute invasion of privacy. Please respect people's privacy and not treat them as a commodity for entertainment," he posted on Instagram.
Virat's invasion of privacy has left many outraged. Members of the film and sports industry too reacted to the incident.
"Horrible behaviour," actor Varun Dhawan commented.
"Absolutely unethical & uncool," actor Arjun Kapoor wrote.
Virat and Anushka have always been careful about maintaining their privacy.
in the past they have several times requested the media not to share photos featuring their daughter Vamika.
The two have never revealed Vamika's face in any of their pictures since her birth.
They had earlier issued an official statement revealing the reason for keeping Vamika away from the limelight, "We have decided as a couple to not expose our child to social media before she has an understanding of what social media is and can make her own choice."
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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