Skip to content
Search

Latest Stories

Anubhav Sinha signs Ram Kapoor for Thappad

Filmmaker Anubhav Sinha in on a high! His last two movies – Mulk (2018) and Article 15 (2019) – did not only appeal to a large section of the society, but also made money at the box-office. Buoyed up by the great success of his last outings, the director has taken up yet another hard-hitting subject for his next directorial venture, Thappad.

Thappad reunites the filmmaker with versatile actress Taapsee Pannu after their 2018 release Mulk. The latest update on the casting of the movie is that talented film and television actor Ram Kapoor has been signed on to play a pivotal role in it.


Ram Kapoor, who has been in news lately for his inspirational weight loss journey, will work with Anubhav Sinha for the first time in his career. The director took to his Instagram account and shared a picture with Ram Kapoor, welcoming the actor onboard.

Talking about Thappad, Anubhav Sinha had earlier tweeted: “Eleven is an auspicious number and this is my eleventh film and probably the toughest so far. Keep us blessed. This one is dedicated to the women of India. See you Mar 6, 2020.”

Taapsee Pannu, who plays a middle-class girl in the film, had recently shared a monochrome picture with the team. “It’s time again... This one is something that was brewing in all our hearts for years. Using the power cinema has given us to voice what needs to be addressed,” she had captioned the image.

Thappad, produced by Anubhav Sinha and Bhushan Kumar, is scheduled to enter cinemas on 6th March, 2020. Shooting of the film, which is a female-oriented subject that defies narratives typecasting women, has already started.

More For You

Samir Zaidi

Two Sinners marks Samir Zaidi’s striking directorial debut

Samir Zaidi, director of 'Two Sinners', emerges as a powerful new voice in Indian film

Indian cinema has a long tradition of discovering new storytellers in unexpected places, and one recent voice that has attracted quiet, steady attention is Samir Zaidi. His debut short film Two Sinners has been travelling across international festivals, earning strong praise for its emotional depth and moral complexity. But what makes Zaidi’s trajectory especially compelling is how organically it has unfolded — grounded not in film school training, but in lived observation, patient apprenticeships and a deep belief in the poetry of everyday life.

Zaidi’s relationship with creativity began well before he ever stepped onto a set. “As a child, I was fascinated by small, fleeting things — the way people spoke, the silences between arguments, the patterns of light on the walls,” he reflects. He didn’t yet have the vocabulary for what he was absorbing, but the instinct was already in place. At 13, he turned to poetry, sensing that the act of shaping emotions into words offered a kind of clarity he couldn’t find elsewhere. “I realised creativity wasn’t something external I had to chase; it was a way of processing the world,” he says. “Whether it was writing or filmmaking, it came from the same impulse: to make sense of what I didn’t fully understand.”

Keep ReadingShow less