ANEESA KHAN’S first connect to creativity was while watching Bollywood cinema and observing the interactions of characters in films. Her fascination with emotions depicted on screen and making audiences feel something inspired her to become a writer and director. The Pakistani American filmmaker’s work includes acclaimed short film Woh Ghungroo Wali Larki (The Girl With Anklets), which was selected at multiple international festivals. The multi-talented creative also co-hosts entertaining podcasts Desi Talkies and Aneesa Talks, which aim to break down cultural barriers.
Eastern Eye caught up with Khan to discuss creativity, her new short film, Criteria Kya Hai? and popular podcasts. She also had key advice for aspiring short filmmakers.
Tell us about your short films.
Woh Ghungroo Wali Larki is set in 1980's Karachi, Pakistan. The story follows a girl's passion for dance as she overcomes societal and political obstacles. In 2022, I directed the documentary short, Plan B in Qatar, which gave a platform to women who have been impacted by the illegality of emergency contraceptives in Qatar.
What inspired your most recent short film, Criteria Kya Hai?
Criteria Kya Hai? comes from my personal experiences and Pakistani American heritage. My time spent freelancing in Pakistan during my teenage years and my education at North-western University in Qatar expanded my understanding of south Asian and Muslim identity. These experiences influenced my desire to create media that represents people like me. A Pakistani American woman can be shown dating and having a good relationship with her parents.
A still from Criteria Kya Hai?Tell us about that.
She doesn’t have to take off her hijab to feel liberated. She is liberated by her ability to choose how she wants to dress and live her life. The Pakistani American woman is a human being, just like everyone else. The story is also inspired by my own struggles with anxiety, while navigating significant life events like moving back home and my sister's wedding.
What is the key message of Criteria Kya Hai?
It’s about the importance of clear communication and understanding oneself beyond societal stigmas and expectations. The magical glasses in the film symbolise the desire to see and understand people’s true feelings and vulnerabilities, promoting empathy and deeper connections. It also emphasises empowerment through culture and religion, rather than feeling oppressed by them. The film aims to challenge stereotypical portrayals of south Asian women by showcasing a strong, career-driven, and family-oriented protagonist who finds strength in her cultural and religious identity.
How would you describe the story?
Ultimately, it’s a story about self-acceptance, the complexity of human relationships, and finding clarity and happiness within one's cultural framework.
What inspired your podcast, Desi Talkies, which you host with Ananya Sethi?
In our first meeting, Ananya and I spent eight hours straight, talking about south Asian films, TV and music. It was during this marathon conversation that we instinctively decided to start a podcast together, aimed at diasporic south Asians like us. Our respective careers span the entertainment industry and also reflect the dynamic relationship between India and Pakistan.
Tell us about the podcast.
Desi Talkies is a show where we talk about south Asian pop culture, Bollywood, Lollywood, and everything in between. It is currently on a hiatus for the best reason. Ananya and I are both working on various projects in the film and TV industry. We can only continue to review and discuss what we see on-screen if we’re working towards accurate south Asian media representation in our own professional careers.
You also host online series called Aneesa Talks?
Through my own personal work, I fell in love with journalism and the interview process; and its ability to highlight and give space to those who have paved the way for creatives like myself. However, I found that my work was not receiving the outreach that it deserved, so I started my own series, Aneesa Talks. This series features free-flowing conversations with media personalities who may not receive the exposure they deserve.
Aneesa Khan and Sarwat Gilani (left)What has been the most memorable interview?
In 2021, I was lucky enough to meet Sarwat Gilani in person in Karachi, Pakistan and conduct an interview with her. That was an experience of a lifetime. Sarwat is a pioneer for strong women in the Pakistani media industry. I grew up watching every drama she was in. We discussed the recent success of (the acclaimed film) Joyland, her trajectory in the Pakistani entertainment industry, and thoughts on the slow progression of Pakistan’s #MeToo movement. To meet her in person and see how humble and grounded she was - it was better than I could’ve ever imagined it to be.
Who would you love to interview?
My dream interview would be filmmaker Anurag Kashyap, who I’ve long admired because he single-handedly created nuance in a once so redundant Bollywood. Kashyap has maintained focus on the real world and showcasing matters as he would believe them to play out in India. Therefore, for Kashyap, cinema is not some escape, but a chance to give the public a taste of how terrible the real world can be, at times.
What is the plan going forward?
Right now, I’m working on developing an original dark comedy and drama limited series. Otherwise, I’ve signed on as an associate producer on a Sikh-American Indie short, Mirrors. I’ve been working as a film consultant on multiple projects. I just want to keep working, meeting other creatives, and hopefully make more of my own projects come to life.
What advice would you give to those who want to make a short film?
My advice to aspiring short filmmakers is to embrace every aspect of the journey, no matter how challenging it may seem. Start with a story that genuinely resonates with you. Surround yourself with a dedicated and talented team who shares your vision. Don't be afraid to reach out to people, even if it means cold-calling or messaging them on social media. Be resourceful and make the most of what you have; sometimes the limitations can spark the most creativity. Plan meticulously, but remain flexible because unexpected challenges will arise. Finally, be persistent and stay true to your voice. Your unique perspective is what will set your film apart.
What inspires you creatively?
My own struggles and triumphs, particularly around mental health and societal expectations, are a constant source of inspiration. They push me to create art that is not only meaningful to me, but also relatable to others. Additionally, working with other filmmakers, helping them tell their stories is possibly one of the most rewarding experiences I’ve ever felt.
www.aneesakhan.com
Rahul’s casual dismissal of that controversy has added fuel to the fire
Rahul Bhatt sparks controversy over 'insensitive' remarks about sisters Alia and Pooja Bhatt
Rahul Bhatt, fitness trainer and son of veteran filmmaker Mahesh Bhatt, has found himself at the centre of a social media storm following controversial remarks about his half-sister, Alia Bhatt. In a recent interview, Rahul drew comparisons between Alia and their older sister Pooja Bhatt, calling the latter more talented, attractive, and principled.
The comments, which many have labelled inappropriate and insensitive, have sparked widespread criticism online. During the interview, Rahul stated, “In my opinion, she (Alia) is not even half of what my real sister Pooja is. Not in talent, not in looks, not in terms of being sexy. In front of my sister, she is ‘paani kam chai’ (watery tea). Amongst the siblings, the most talented and the most moralistic is Pooja.”
Social media users reacted strongly, questioning why Rahul would compare his sisters in such personal terms. Several users were particularly disturbed by his reference to their appearance and sex appeal, pointing out that such comparisons within a family cross boundaries of propriety. One comment read, “This is disturbing. Why talk about your sisters like that? It’s not just weird, it’s wrong.” Another post said, “There’s nothing respectful about comparing your siblings’ attractiveness in public.”
The backlash also reignited conversation around a decades-old controversy involving Mahesh Bhatt and Pooja Bhatt. Rahul was asked about the infamous 1990s magazine cover where the father-daughter duo shared a kiss, which had stirred public outrage at the time. Dismissing the criticism, Rahul said, “It doesn’t make any difference. It’s like water off a duck’s back. We know the truth, and we’ve seen everything since childhood.”
Rahul’s casual dismissal of that controversy has added fuel to the fire, with critics saying it reflects a broader issue of the Bhatt family being insensitive to public perception and boundaries. Many users questioned the need for bringing up old incidents in a bid to defend new and equally questionable statements.
As of now, neither Alia Bhatt nor Pooja Bhatt has issued any public response to Rahul’s remarks. Both actors, known for their significant contributions to Indian cinema, have typically kept family matters private despite living in the public eye.
This episode has also sparked debate over the role of public figures in maintaining respect when discussing family matters in the media. Observers say such comments, especially when involving women’s appearance and personal qualities, reinforce problematic attitudes and fuel unnecessary controversies.
While Rahul Bhatt is not as prominent in the entertainment industry as his father or sisters, his comments have made headlines and placed the Bhatt family in the spotlight for reasons beyond their creative work. For many, this serves as a reminder that public platforms come with responsibility, and that family ties should not be trivialised or dissected for attention or comparison.
The backlash is unlikely to subside soon, especially as fans and followers of Alia and Pooja continue to express disappointment over the way the situation has unfolded. Whether or not Rahul chooses to clarify or apologise remains to be seen.